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1994 song by Jeff Buckley

"Lover, You Should've Come Over" is a song by American singer songwriter Jeff Buckley. It is the seventh track on his only studio album Grace, which was released on August 23, 1994, by Columbia Records.

Musically, "Lover, You Should've Come Over" is a folk pop The song has a length of 6:43, and is composed in time and the key of D major. It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B3 to D6. The song begins with an "ethereal, droning" harmonium passage. Inspired by the ending of the relationship between Buckley and Rebecca Moore, the lyrics concern the despondency of a young man growing older, finding that his actions represent a perspective he feels that he should have outgrown. Biographer and critic David Browne describes the lyrics as "confused and confusing" and the music as "a languid beauty".

The song was covered by the English jazz pianist songwriter Jamie Cullum on his 2003 album Twentysomething. It has also been covered live by Australian singer songwriter Matt Corby, English rock band Nothing But Thieves, and American singer songwriter John Mayer, who named it the best song of all time in a 2003 interview with Rolling Stones Austin Scaggs. The song was also featured in the third episode of the ABC series FlashForward titled "137 Sekunden". The song was covered by Natalie Maines on her 2013 solo album Mother, with NPR's Anne Powers calling it "the sort of careening soul metal epic that few vocalists even dare to attempt.". American singer Nikka Costa included a version of the song on her 2017 album Underneath and in Between. In 2021, Joey Landreth (of The Bros. Landreth) released his cover version.

In 2019, Pastes Steven Edelstone ranked "Lover, You Should've Come Over" as number 1 on his list of "The 10 Best Jeff Buckley Songs". Edelstone deemed the song "lyrical perfection" and its bridge an "all timer": "It's never over, my kingdom for a kiss upon her shoulder / It's never over, all my riches for her smiles when I slept so soft against her / It's never over, all my blood for the sweetness of her laughter / It's never over, she's the tear that hangs inside my soul forever." Arun Starkey of Far Out magazine described the song's harmonium intro as "one of the most moving musical moves ever put to wax."