Скреечинг Уисел: Менің басым ауырады альбомы

My Brain Hurts is the third studio album by the Chicago based punk rock band Screeching Weasel. The album was originally released on CD, vinyl and cassette in September 1991 through Lookout Records. It was the group's first album on Lookout as well as the only release with bassist Dave Naked and the first with drummer Dan Panic, the latter of which would go on to appear on several of the band's albums. The album marked a very distinct stylistic shift for the group, fully moving toward a Ramones inspired sound and completely abandoning their previous hardcore punk influences as a condition made by vocalist Ben Weasel when reforming the band after a brief break up. After the release of My Brain Hurts, the band grew increasingly popular within the punk community and began drawing bigger crowds at their shows, The album is regarded as one of the group's best releases by critics, fans and the band members themselves. It is one of the band's best selling releases and is often cited as influential to many later pop punk bands. In 2005, the band removed their catalog from Lookout due to unpaid royalties, alongside many other artists, and re released the album on CD in remastered form though Asian Man Records later that year. A vinyl edition with different cover art was also issued by Recess Records in 2009.

During the tour just after the band released the Punkhouse EP, drummer Brian Vermin and bassist Sewercap formed their own band called Sludgeworth and started showing less interest in Screeching Weasel. The album was recorded quickly in four days on July 2, 3, 8 and 9, 1991. Weasel instructed Panic to play in the style of Aaron Cometbus of Crimpshrine during the drum break. However, it did not work out because, as Weasel said, Cometbus had "too much talent." "I mean no disrespect to Aaron, but sometimes talent is a hindrance", he stated. Livermore later remarked that it was "very impressive watching the band work" during the sessions, saying "They had every song totally figured out in advance, and just whipped through the 14 songs on the album and another three they were doing for a compilation [which were actually the songs on the Pervo Devo EP] in no time flat."

Although the majority of the songs on My Brain Hurts were written by Weasel, as was the material on the band's previous albums, he also began collaborating more with Vapid and less with Jughead. The only song on the album to credit Jughead as co writer is "Fathead", the original version of which previously appeared on the Punkhouse EP. In retrospect, Weasel would call Vapid the "only person with whom I felt comfortable writing songs." The guitar lead for "Guest List" was originally written by Vapid for a Sludgeworth song, but it "just wasn't working", while the chorus "popped into my head" as he was driving through Roscoe Village in North Center, Chicago shortly before the band went to record the album. During a trip to Olympia, Washington, Vapid showed what he had written to Weasel, who combined the lead and the chorus idea into one song. Weasel also brought the lead up an octave, which was reportedly a "hat tip to local heroes Naked Raygun." Weasel wrote most of the lyrics to the song, but said that "'Now I get to watch her dance like the other weirdos do' was a line that only could've come from Vapid." According to Vapid, "Veronica Hates Me" started as a play on the Material Issue song "Valerie Loves Me". "At the time, I guess we were harboring ill will towards their singer, Jim Ellison, for ripping us off at a show he promoted", Vapid stated. While writing the song, Weasel said he "tried to take the standard chords used in old rock 'n' roll and updated by the Ramones and twist them around a little bit." Weasel stated that when he started writing the song, he made a rule that he would not "go outside of the standard four chords used in that style of song." "At the break, I used a traditional arrangement to give the listener what I assumed what they would want after I'd held out for the majority of the song" he said. Despite not being co written with Vapid, Weasel said that he wrote the song "with him in mind", explaining that "some of my best songs from this time came solely out of my desire to write songs that would impress him." Weasel has stated he "had a blast arranging 'I Can See Clearly'", admitting that "it was the first time I'd done a decent arrangement of somebody else's song and I was very happy with the results." However, the group's arrangement did not include the bridge from the original. "Our version didn't really warrant a bridge, so I replaced it with the opening guitar lead, which then changed to a melodic lead for the last four bars", Weasel said. "The Science of Myth" was partially inspired by the 1988 PBS documentary Joseph Campbell and the Power of Myth. Weasel stated that he "became interested in the application of spiritual beliefs" after watching it and tried to write and arrange the song in a style "favored by the type of punk band that would typically be writing anti religion songs." He was also inspired by The Mr. T Experience song "The History of the Concept of the Soul", saying he "wanted to try to do something similar by writing what would look like the Cliff's Notes version of an essay and making it flow instead of writing it in the manner of a conventional rock lyric." Originally, Weasel debated not putting the song on the album, saying it seemed "a little out of place", but later decided to include it after it was recorded.

Mike DaRonco of AllMusic gave the album 4 and a half out of 5 stars and hailed it as "an album that would influence seemingly a million imitators." He called the album's sound "more mature" as opposed to the "angst ridden thrash pop [they] were known for on their previous two records" and said the album "would eventually define the Screeching Weasel sound for the remainder of their careers."