Philip Hyde (photographer)

Philip Hyde (1921–2006) was an American landscape photographer and conservationist. His photographs of the American West were used in more environmental campaigns than those of any other photographer.

Hyde first attended Ansel Adams' photography program at the California School of Fine Arts, now the San Francisco Art Institute, beginning with the Summer Session in 1946 and enrolling in the full time professional photography training, the first of its kind, in the Fall of 1947, studying under photographers such as Edward Weston, Minor White, Imogen Cunningham and Dorothea Lange. Out of thousands of Ansel Adams' students, Hyde was one of the few Ansel Adams asked to teach with him.

Hyde became a contributing photographer for the Sierra Club Annual in 1950. This series of books the Sierra Club called The Exhibit Format Series. The most well known photographers for the series were Ansel Adams, Eliot Porter and Philip Hyde. The Exhibit Format Series helped bring national attention to the Sierra Club and the cause of conservation and popularized the coffee table photography book paving the way for thousands of books of this type in the years since. In the late 1950s and early 1960s, the US Bureau of Reclamation proposed two dams in the Colorado River on either end of the Grand Canyon. The Sierra Club published a book called Time and the River Flowing: Grand Canyon in 1964 in a successful campaign to turn public opinion against these dam projects that threatened the integrity of the wild river and its canyon. Hyde said, "For every place there will always be people that want to exploit it, and there will always be people—hopefully—that want to save it and keep it as it is. Even with the risk of inviting the crowds into paradise, better to publish your photographs and rally the troops. What’s in the frame of the photograph matters artistically, to be sure, but what’s outside the frame can destroy it."

Hyde began making color photographs in 1948. In 1949, the California School of Fine Arts photography department supplemented its usual black and white training with a color photography class that Philip Hyde attended. Philip Hyde's color photographs also appeared in Time and The River Flowing: Grand Canyon, Navajo Wildlands and other Sierra Club books before the 1970s. After spending time in the desert and discovering improvements in the dye transfer printing process, in the 1970s Hyde gradually transitioned completely away from black and white photography to focus solely on color. He collaborated with author Edward Abbey on the desert classic, "Slickrock: The Canyon Country of Southeast Utah," (1971) yet another Sierra Club book published to highlight the threats to wilderness, in this case, the Utah Redrock country of Canyonlands National Park, Capitol Reef National Park, and the Escalante River wilderness. A profile and portfolio appeared in "The Golden Decade: Photography at the California School of Fine Arts 1945 55", pages 187 197.