Play It Loud

the Slade album

Play It Loud is the second studio album by the British rock group Slade. It was released by Polydor in November 1970 but did not enter the charts. The album, produced by Chas Chandler, was the first to be released under the Slade name, as the band's 1969 debut Beginnings was released under the name Ambrose Slade.

Following the lack of commercial success of their debut Beginnings, the band and their new manager Chas Chandler began considering their next career move. Having not been pleased with the debut album, Chandler thought the band would benefit from writing their own material and a change of image. He decided that the band should project a skinhead image in the effort to generate interest in the band. Both guitarist Dave Hill and bassist Jim Lea were mortified by the revised image, but the band agreed to try the idea and adopted Dr Marten boots, braces, cropped hair and aggressive "bovver boy" posturing. Coinciding with the new image, Ambrose Slade changed their name to "The Slade", which was used on their single "Wild Winds Are Blowing", released in October 1969. The single was another commercial failure. In March 1970, the band's next single, "Shape of Things to Come", was released but also failed to chart. As a result, Chandler soon moved Slade from Fontana to Polydor Records, believing a higher profile label would boost sales. The band continued recording songs for their next album, with Chandler assuming responsibility for the group's production. For the album, much of the material was written by the band. In September 1970, "Know Who You Are" was released as the band's debut single on Polydor. However, it too was a commercial failure, as was its parent album, Play It Loud, when it was released in November. Afterwards, the band decided to drop their skinhead image and would achieve commercial success with their mid 1971 single "Get Down and Get with It". Speaking to Classic Rock in 2005, lead vocalist Noddy Holder recalled: "We got a lot of flak for being a skinhead band, so gradually we changed. We replaced Doc Martens with platform boots. We became more colourful and then it all went berserk – Dave the Superyob with his spacesuits and all the rest. It was a great laugh." In a 1975 interview, Holder said: "Actually, Play It Loud did nothing at first. When it came out, we hadn't had any hit records, or any success, and it sold a few. It sold about ten thousand copies, something like that. But over the years, over the last four years since we've been having hits, it's still been selling slowly, slowly, and about two weeks ago, it reached a silver album."

The band appeared on the UK show Disco 2 to promote the album. They made three appearances during 1970, performing "Shape of Things to Come", "Know Who You Are" and "Sweet Box". All three performances have never surfaced since broadcasting.

"Dapple Rose" features lyrics from Powell about an elderly horse. Recalling the inspiration behind the song, Powell recalled in 2009: "I've always had a fondness for horses and where I lived with my parents there were some fields over the back and there were always gypsies camping there. They used to have these horses and donkeys and they always looked dead to me. They were not looked after which was sad." "One Way Hotel" originally appeared as the B Side to "Wild Winds are Blowing", but that version had more of a jazz influence in the guitar parts. This was altered for the version that appeared on Play It Loud. "Know Who You Are" was originally an instrumental titled "Genesis", which appeared on Beginnings. "I Remember" features lyrics by Powell about a man who loses his memory. In 1973, Powell would suffer memory issues after being involved in a major car accident. He said in a 2006 interview: "That's strange, isn't it! I wrote the lyrics! That's spooky! I don't remember what the inspiration was at the time when I wrote the lyrics to that one, but that is very weird!" In 1991, Q commented that the album, following Beginnings, presented a sound with a "tighter groove". The magazine felt this was "best illustrated" by "The Shape of Things to Come". They concluded: "The track still sounds exciting and belligerent but the rest lacks real fire." AllMusic felt the album, along with Beginnings, was "more serious" than their future material. They concluded: "On the whole, a good record apart from what they became famous for."