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Specific film distribution method

Direct to video or straight to video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strategy was prevalent before streaming platforms came to dominate the TV and movie distribution markets. Because inferior sequels or prequels of larger budget films may be released direct to video, review references to direct to video releases are often pejorative. Direct to video release has also become profitable for independent filmmakers and smaller companies. Some direct to video genre films (with a high profile star) can generate well in excess of $50 million revenue worldwide.

A production studio may decide not to generally release a TV show or film for several possible reasons: a low budget, a lack of support from a TV network, negative reviews, its controversial nature, that it may appeal to a small niche market, or a simple lack of general public interest. Studios, limited in the annual number of films to which they grant cinematic releases, may choose to pull the completed film from the theaters, or never exhibit it in theaters at all. Studios then generate revenue through video sales and rentals. Direct to video films are marketed mostly through colorful box covers, instead of advertising, and are not covered by publications like Leonard Maltin's Movie Guide. The first direct to video release to go into production was E. Nick: A Legend in His Own Mind in 1984 produced by CineTel Films. Direct to video releases have historically carried a stigma of lower technical or artistic quality than theatrical releases. Some films released direct to video are films which have been completed but were never released in movie theaters. This delay often occurs when a studio doubts a film's commercial prospects to justify a full cinema release or because its release window has closed. In film industry slang, such films are referred to as having been "vaulted". Like B movies shown in drive in theaters in the mid 20th century, direct to video films employ both former stars and young actors who may become stars later. Direct to video releases can be done for films which cannot be shown theatrically due to controversial content, or because the cost involved in a theatrical release is beyond the releasing company. Animated sequels and feature length episodes of animated series are also often released in this fashion. The first feature length animated film to be released direct to video in the United States was Tiny Toon Adventures: How I Spent My Vacation in 1992. The practice of creating and releasing regular fiction specifically for video did not really take off until 1994, with Disney's The Return of Jafar and Universal's The Land Before Time II: The Great Valley Adventure, neither of which was intended to hit theaters at any point in its production. as these franchises will abruptly discontinue. Several other film series will be continuous if they become more successful, like Scooby Doo for instance (their video debut Scooby Doo on Zombie Island became one of the best selling DTV films of all time ). By 1994, an average of six new direct to video films appeared each week. Erotic thrillers and R rated action films were the two most successful genres. Family films became more important than such genres later in the 1990s, as retailers stocked more copies of blockbuster films instead of more titles. According to the Los Angeles Times:

Some horror films that are unsuccessful in theaters, like Witchcraft, begin successful direct to video series. Studios may also release sequels or spin offs to a successful live action film straight to DVD, due to a lack of budget in comparison to the original.

During the Golden Age of Porn in the 1970s, many pornographic films were released in theatres, some of which became some of the highest grossing films in their release years, and in the pornography industry altogether. Toward the 1980s, porn began to shift to video release, because video allowed the producers to work on extremely low budgets and dispense with some film production elements, like scripts, and the increased privacy and convenience of the format change were preferred by the target market. During the late 1990s and onward, pornographers began releasing content on the Internet.

Occasionally, a studio that makes a movie that was prepared as a direct to video film will release it theatrically at the last minute due to the success of another film with a similar subject matter or an ultimate studio decision. Batman: Mask of the Phantasm is an example of this. However, despite the movie's critically acclaimed success, its box office performance was very poor, which has been attributed to the last minute nature of its theatrical release. The film had much better commercial success in its subsequent home video releases. Other times, a direct to video movie may get a limited theatrical screening in order to build excitement for the actual release of the video such as was done for 2010's Justice League: Crisis on Two Earths, and Planet Hulk, 2016's Batman: The Killing Joke or 2013's Sharknado. In some cases, other direct to video films can also be theatrically released in other countries.

As DVDs gradually replaced VHS videocassettes, the term "direct to DVD" replaced "direct to video" in some instances. However, the word "video" does not necessarily refer to videocassettes. Many publications continue to use the term "direct to video" for DVDs or Blu rays. Both disc based release types may also be referred to as "direct to disc". A new term sometimes used is "DVD premiere" (DVDP). Such films can cost as little as $20 million, According to Variety, American Pie Presents: Band Camp sold more than one million copies in a week. Some direct to DVD releases recently have tended to feature actors who were formerly bankable stars. In 2005, salaries for some of these direct to DVD actors in the multimillion dollar range from $2 to $4 million (Jean Claude Van Damme) and $4.5 to $10 million (Steven Seagal), in some cases exceeding the actors' theatrical rates. At the time, it was not very common for consumers to make digital movie purchases. As part of a push by the service towards original content, the subscription video on demand service Netflix began to acquire feature films for distribution on its service in the 2010s, including the 2013 documentary The Square, and its first feature film in 2015 — Beasts of No Nation. Netflix pursued a simultaneous release strategy for its films, partnering with a distributor for a limited theatrical release (in order to maintain eligibility for awards requiring theatrical release, such as the Academy Awards) simultaneous with their availability to subscribers. As this practice violates the traditional release windows mandated by the cinema industry, major chains have typically declined to screen the films. Since 2018, Netflix has partially backpedaled from this strategy, giving its films a one month theatrical run before their premiere on the Netflix service. Unique circumstances have also resulted in direct to digital releases, sometimes alongside a limited theatrical release; the 2014 film The Interview was released simultaneously on digital and at selected cinemas, after major chains dropped the film due to terrorist threats by a hacking group believed to have ties to North Korea (whose regime is satirized in the film). The group had also leaked confidential data from the internal servers of the film's distributor, Sony Pictures. The COVID 19 pandemic resulted in worldwide closures of cinemas due to economic restrictions and guidance against public gatherings, which prompted direct to digital releases for several major films; the Chinese film Lost in Russia was acquired by ByteDance for 630 million yuan (almost 100 million in US dollars) and streamed on its platforms (including TikTok) for free in lieu of a theatrical release, as part of a larger relationship with the company and the film's distributor Huanxi Media. A number of U. S. films were shifted directly to video on demand rentals in lieu of a theatrical release,'''' while some have been sold directly to subscription services, including Disney+, Max, Netflix, and Amazon Prime Video.

OV ("original video") are movies made for direct to video release in the Japanese market. OVA ("original video animation") is distinguished from OVM ("original video movies") or V Cinema, which usually refer to non animated works. Different production studios may use other labels like "V drama". The OVA market developed in the mid 1980s. The lax restrictions and censorship in comparison to broadcast television appealed to filmmakers, allowing them to include more controversial content, as the films did not need to rely on sponsored advertisements for financial support. The result was animated films with greater sexual, violent, or political content. This period of history in Japanese cinema has been described by film journalist Tom Mes as "a far more diverse and vibrant film scene [than previous eras]". By 1995, the V cinema industry was in decline, and featuring mostly unknown cast members and sometimes nonprofessional actors. However, increasingly, the budget for these films have been slowly climbing up, due to the success of these films on digital distribution platforms; the budget for these films can now range from less than 1 million yuan to upwards of 10 or 20 million yuan. Although these "Online Big Movies" rarely feature well known actors, in recent years, many "Online Big Movies" have hired veteran actors from Hong Kong action cinema and Taiwanese cinema to join its cast. These movies are also to be differentiated from films that are made for theatrical release but were later acquired by digital streaming services, in that these "Online Big Movies" are produced by internet companies with the sole intent of digital release. In additional to the digital distribution of these films in China, many of the "Online Big Movies" have also been released on digital platforms outside of China, such as on YouTube. Several YouTube channels, such as Q1Q2 Movie Channel Official and YOUKU MOVIE are popular channels that distributes these "Online Big Movies".