Қлаус Номи: Ғажап дауыс иесі және сахна образы

German countertenor

Klaus Sperber (24 January 1944 – 6 August 1983), known professionally as Klaus Nomi, was a German countertenor noted for his wide vocal range and an unusual, otherworldly stage persona. In the 1970s Nomi immersed himself in the East Village art scene. He was known for his bizarre and visionary theatrical live performances, heavy make up, unusual costumes, and a highly stylized signature hairdo that flaunted a receding hairline. His songs were equally unusual, ranging from synthesizer laden interpretations of classical opera to covers of 1960s pop standards like Chubby Checker's "The Twist" and Lou Christie's "Lightnin' Strikes". Nomi was one of David Bowie's backup singers for a 1979 performance on Saturday Night Live.

Klaus Nomi was born Klaus Sperber in Immenstadt, Bavaria, Germany, on January 24, 1944. In the 1960s, he worked as an usher at the Deutsche Oper in West Berlin where he sang for the other ushers and maintenance crew on stage in front of the fire curtain after performances. He also sang opera arias at the Berlin gay discothèque Kleist Casino. Nomi emigrated to New York City in 1972. He did some off Broadway theater work and moonlighted as a pastry chef. In 1977, Nomi appeared in a satirical camp production of Richard Wagner's Das Rheingold at Charles Ludlam's Ridiculous Theater Company as the Rheinmaidens and the Wood Bird. At the New Wave Vaudeville show Nomi met Kristian Hoffman, a songwriter for the Mumps. Hoffman was a performer and MC in the second incarnation of New Wave Vaudeville and a close friend of Susan Hannaford and Tom Scully, who produced the show, and Ann Magnuson, who directed it. Anya Phillips, then manager of James Chance and the Contortions, suggested Nomi and Hoffman form a band. Hoffman became Nomi's de facto musical director, assembling a band that included Page Wood from another New Wave vaudeville act, Come On, and Joe Katz, who was concurrently in The Student Teachers, the Accidents, and The Mumps. Hoffman helped Nomi choose his pop covers, including the Lou Christie song "Lightnin' Strikes". Hoffman wrote several pop songs with which Nomi is closely identified: "The Nomi Song", "Total Eclipse", "After The Fall", and "Simple Man", the title song of Nomi's second RCA French LP. This configuration of the Klaus Nomi band performed at Manhattan clubs, including several performances at Max's Kansas City, Danceteria, Hurrah and the Mudd Club. He also appeared on Manhattan Cable's TV Party. Disagreements with the management Nomi engaged led to the dissolution of this band, and Nomi continued without them. In the late 1970s, while performing at Club 57, The Mudd Club, the Pyramid Club, and other venues, Nomi assembled various up and coming models, singers, artists, and musicians to perform live with him, including Joey Arias, Keith Haring, John Sex and Kenny Scharf. Nomi and Arias were introduced to David Bowie at the Mudd Club, who hired them as performers and backup singers for his appearance on Saturday Night Live on December 15, 1979. They performed "TVC 15", "The Man Who Sold the World", and "Boys Keep Swinging". During the performance of "TVC 15", Nomi and Arias dragged around a large prop pink poodle with a television screen in its mouth. Nomi was so impressed with the plastic quasi tuxedo suit that Bowie wore during "The Man Who Sold the World" that he commissioned one for himself. He wore the suit on the cover of his self titled album, as well as during a number of his music videos. Nomi wore his variant of the outfit, in monochromatic black and white with spandex and makeup to match, until the last few months of his life. Nomi played a supporting role as a Nazi official in Anders Grafstrom's 1980 underground film The Long Island Four. The 1981 rock documentary film Urgh! A Music War features Nomi's live performance of "Total Eclipse". In the last several months of his life, Nomi changed his focus to operatic pieces and adopted a Baroque era operatic outfit complete with full collar as his typical onstage attire. The collar helped cover the outbreaks of Kaposi's sarcoma on his neck, one of the numerous AIDS related diseases Nomi developed toward the end of his life. Za Bakdaz, a suite of home studio recordings circa 1979 restored by Page Wood and George Elliott, was released posthumously in 2007.

Nomi died at the Sloan Kettering Hospital Center in New York City on August 6, 1983, as a result of complications from AIDS. He was one of the earliest known figures from the arts community to die from the illness. Nomi's close friend Joey Arias was executor of his estate. Nomi's ashes were scattered in New York City. Andrew Horn's 2004 feature documentary about Nomi's life, The Nomi Song, which was released by Palm Pictures, helped spur renewed interest in the singer, including an art exhibit in San Francisco at the New Langton Arts gallery and one in Milan at the Res Pira Lab, which subsequently moved to Berlin's Strychnin Gallery, called "Do You Nomi?" New music pieces inspired by Nomi were commissioned by the gallery for a variety of European musicians, including Ernesto Tomasini.