Мадоннаның «Who's That Girl» саундтрегінің тарихы

Who's That Girl is the first soundtrack album by American singer and songwriter Madonna. It was released on July 21, 1987, by Sire Records to promote the film of the same name. It also contains songs by her label mates Scritti Politti, Duncan Faure, Club Nouveau, Coati Mundi and Michael Davidson. The soundtrack is credited as a Madonna album, despite her only performing four of the nine tracks on the album. After the commercial success of the film Desperately Seeking Susan (1985), in which she co starred, Madonna wanted to act in another comedy film titled Slammer, about a woman named Nikki Finn who was falsely accused of homicide. However, due to the critical and commercial failure of her adventure film Shanghai Surprise (1986), Warner Bros. was initially reluctant to greenlight the project but later agreed. Madonna began working on the soundtrack in December 1986, and contacted Patrick Leonard and Stephen Bray, who had worked as producers on her third studio album True Blue (1986). She felt that an uptempo song and a downtempo song were needed for the album. Leonard composed the music for the uptempo song, with Madonna providing the melody and lyrics. The singer named the track "Who's That Girl" and, believing this to be a better title than Slammer, changed the name of the film to the same. Together, Madonna and Leonard also developed the downtempo ballad "The Look of Love". Two more songs were composed for the film with Bray, the first being the dance track "Causing a Commotion", and the other being "Can't Stop", a track inspired by Sixties Motown and the group Martha and the Vandellas. After its release, the Who's That Girl soundtrack received a mostly negative response from critics. Some reviews described the album as plain and incomplete, although the title track and "The Look of Love" were praised as its highlights. The soundtrack was a commercial success, reaching the top ten of the album charts of the United States, Austria, Canada, France, New Zealand, Sweden, and the United Kingdom, while topping the charts of Argentina, Germany, Italy, Netherlands, and the European Album chart. The album went on to sell 6 million copies worldwide. Three of the Madonna tracks were released as singles. The title track became her sixth number one single on the Billboard Hot 100, making her the first artist to accumulate six number one singles in the 1980s and the first female performer to get that many number ones as a solo act. "Causing a Commotion" was released as the second single and reached number two on the Hot 100. "The Look of Love" was a European market only release, reaching the top ten in the United Kingdom. Another track, "Turn It Up," was a promotional release in the United States, reaching number 15 on the dance charts. Who's That Girl received a further promotion from the successful Who's That Girl World Tour.

The 1985 comedy film Desperately Seeking Susan, in which Madonna co starred, was a commercial success, prompting her to take further interest in acting. For her next screen project, she picked another comedy film initially titled Slammer, but later named Who's That Girl. Madonna played the character of Nikki Finn, a young woman accused of homicide who insisted that she was innocent. Released on parole, she was determined to clear her name. Along with a character named Loudon Trott (played by Griffin Dunne), she gets caught up in 36 hours of high adventure, culminating in a scene where Nikki interrupts a wedding to reveal the identity of the real murderer. Having some specific ideas in her mind about the music of the film, Madonna contacted Patrick Leonard and Stephen Bray, who had helped to write and produce her third studio album True Blue in 1986. After "The Look of Love", Madonna went on to develop two further songs with Bray as the producer. The first was called "Causing a Commotion", and was inspired by Penn and the couple's often tumultuous relationship. Madonna felt that her marriage to Penn was on the verge of breaking up, due to Penn's abusive and violent nature. In a Rolling Stone article dated September 10, 1987, Madonna spoke about Penn's impact on her life and the song: "I don't like violence. I never condone hitting anyone, and I never thought that any violence should have taken place. But on the other hand, I understood Sean's anger, and believe me, I have wanted to hit him many times. I never would you know, because I realize that it would just make things worse. [ ] I felt like he was 'Causing a Commotion' to purposefully distract me. I wrote this song and vented my frustration in it."

The title track is composed in Madonna's typical style—mixing a drum machine, bubbling bass synth line, and the sound of stringed instruments. According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna, the three parts of the song, namely the bridge, where Madonna sings "what can help me now", the chorus and the verse flow together in a coherent manner, with the chorus incorporating a haunting effect. The musical arrangement consists of a number of hooks interpolating with each other. It begins with the chorus, where Madonna sings the line "I've got the moves baby, You've got the motions, If we got together we be causing a commotion." The verses are accompanied by a four note descending bassline and interjecting staccato chords. "The Look of Love" starts off with a low bass synth line and a slow backing track. It is followed by the sound of percussion and a high register note, contrasting with the bassline. "Can't Stop" has a high pitched keyboard sound embedded in between the sound of a drum machine and clarinet. The lyrics essentially refer to the idea that "I want my man and I am going to get him whatever". The stage was huge, with four video screens, multimedia projectors and a flight of stairs in the middle. Leonard became the music director and encouraged Madonna to go with the idea of rearranging her older songs and presenting them in a new format. The show consisted of seven costume changes, with song and dance routines with an encore consisting of the title song "Who's That Girl" and "Holiday". The tour also addressed social causes like AIDS, during "Papa Don't Preach". Who's That Girl tour was critically appreciated and was a commercial success, grossing a total of US $25 million, with Madonna playing in front of 1.5 million people over the course of the tour. According to Pollstar, it was the second top female concert tour of 1987, behind Tina Turner's Break Every Rule Tour.

"Who's That Girl" was released as the lead single from the soundtrack, on June 30, 1987. A latin pop influenced song, it became Madonna's sixth single to top the Billboard Hot 100 chart, making her the first artist to accumulate six number one singles in the 1980s, and the first female performer to get that many number ones as a solo act. In the music video Madonna did not portray her film character Nikki Finn, instead she continued with her Hispanic look from the "La Isla Bonita" music video. This time she appeared dressed boyishly in a wide brimmed Spanish hat and bolero jacket—a combination which would later become a fashion trend. "Who's That Girl" was nominated for "Best Song From A Motion Picture" at the 1988 Grammy Awards and "Best Original Song" at the 1988 Golden Globe Awards. The album's second single, "Causing a Commotion", was released on August 25, 1987. It was criticized by music reviewers for being a sub standard Madonna single, In the United States, the single quickly climbed up the chart, ultimately peaking at number two in the week of October 24, 1987, the same week Michael Jackson's "Bad" advanced to the pole position. It remained in second position for three weeks, before descending from the chart. "Causing a Commotion" reached the top of the Hot Dance Club Play chart. The third song released from the album was the European single, "The Look of Love". In the United Kingdom, "The Look of Love" was released on December 12, 1987, and entered the UK Singles Chart at number 15. The next week, it reached a peak of nine on the chart, her first single to miss the top five since "Lucky Star" (1984). "Turn It Up" was released as a single prior to its inclusion in the album in 1987. Described by Joe Brown of The Washington Post as "gratingly banal" and its singer as "one of Madonna's photogenic protegés", the song was a success on the Dance Club charts of Billboard, peaking at number 15.

The soundtrack album was not well received by music critics, some of whom went on comment that the title track is the record's highlight. Jim Farber from Entertainment Weekly gave a negative review, though Noah Robischon from the same magazine complimented the title track, saying that Madonna had "pushed synergy over the borderline." Bill Lamb from About. com said that the songs were not among Madonna's best music. Taraborrelli commented that "the soundtrack was once again the reminder of Madonna's power and status as one of the most important singers of the 80s, because it was only her songs which gained prominence, albeit not being her best, though 'The Look of Love' is an exotic ballad." Author Mary Cross, in her biography Madonna: A Biography said that "the soundtrack slips up because of the film." Allen Metz and Carol Benson, authors of The Madonna Companion: Two Decades of Commentary, said that "Who's That Girl has done what it was released for, put money in Warner's pockets, but [adds] nothing in Madonna's catalogue". Stephen Thomas Erlewine noted in his review for Allmusic that "In the strictest sense [the record] isn't a Madonna album — it's a soundtrack album", adding that it features "competent but uninspiring dance pop by [various artists]". David Denby from New York magazine commented that "there's nothing absolutely wrong with the soundtrack. But it's just that it has the misfortune of being associated with such an unfortunate movie, that the album actually does not hold up to you well." He added that "The Look of Love" was a hidden gem in Madonna's catalogue. Don Shewey from Rolling Stone commented that "although essentially a Madonna album, the soundtrack does not boast a truly memorable song, rather there is the inclusion of the failed Warner artist songs, like the Coati Mundi song 'El Coco Loco' and Duncan Faure's uncannily Beatles esque '24 Hours'. For most buyers though this album is the new Madonna album." Robert Christgau gave the album a (C–) and said "From Scritti Politti and Coati Mundi you expect trickier spin, but they're outsiders, and outsiders times soundtrack equals contract work. For her own movie, though, the decade's purest pop icon should do better than sloppy seconds. Or neat seconds—worse still." Ed Blank from Pittsburgh Press commented: "It feels like the sole purpose to create the soundtrack was to show it in the film." Jay Boyar from Orlando Sentinel praised the songs on the soundtrack, claiming that "Madonna brings forth a heart breaking warmth in 'The Look of Love' and a club stomping feel with 'Causing a Commotion'. With the movie's fate being sealed, luckily for her Madonna can sing." Gyan Singh from The Miami Herald, while reviewing the film, said that the "Only solace of the movie is the soundtrack, the songs—especially those by Madonna—are actually good." Don McLeese from Chicago Sun Times, while reviewing Madonna's Who's That Girl World Tour, said that "the soundtrack's songs sound good live". Larry Geller from The Advocate gave a positive review, saying that "Who's That Girl will be the soundtrack album of the summer." Stephen Holden from The New York Times gave an equally positive review, saying that the "soundtrack album is full of engaging pop fluff. One of the hottest singles of the year, Madonna's bilingual title song has the buoyant bounce of an acrobat doing somersaults on a trampoline. 'The Look of Love' is as memorable a ballad as [Madonna's 1986 single] 'Live to Tell', and '24 Hours', sung by Duncan Faure, skillfully fuses Beatles styled vocals with 80's synthesizer pop underpinnings." Daniel Brogan from Chicago Tribune said that "since this soundtrack isn't really a Madonna album, this is no surprise that it appears as incomplete."

After its release, the album debuted on the Billboard 200 at number forty six on August 15, 1987, the same week that the title song "Who's That Girl" reached the top of the Billboard Hot 100. In the week ending September 12, 1987, the record reached its peak position at number seven. After seven weeks, the soundtrack climbed to its peak of four on the chart. The soundtrack was placed at position thirty seven, on the RPM Top 100 Albums for 1987 chart and was present on the chart for thirty weeks. In the United Kingdom, the album debuted and peaked at number four on the UK Albums Chart on August 1, 1987, becoming the highest debut of the week. It fell out one place the next week, where it stayed for other three weeks. Who's That Girl was present on the chart for twenty five weeks and ended as the most popular original soundtrack album of 1987 in the country. The soundtrack was certified platinum by the British Phonographic Industry (BPI) for shipments of 300,000 copies across the United Kingdom. After two weeks, the album reached its peak at number six. ultimately reaching number five. In Spain, the soundtrack was released in August and reached sales of 57,049 units by November of the same year. It was later certified with platinum from PROMUSICAE for shipments of 100,000 copies. In the Encyclopedia of World Biography (1998), authors explained that in this era, unlike the movie, both the soundtrack and its accompanied tour achieved commercial success. In 1989, Orlando Sentinel discussed successful movie soundtracks from 1930s to that point, where Who's That Girl was included among the examples, highlighting Madonna's participation of four singles. In a report from British Phonographic Industry, according to Nigle Hunter from Billboard, the release was called an "easy winner as the most popular original soundtrack album in 1987" on pair with Dirty Dancing.