"Star Wars: Мифология мен философияның әсері"

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The Star Wars science fiction media franchise is acknowledged to have been inspired by many sources. These include Hinduism, Buddhism, Qigong, philosophy, classical mythology, Roman history, Gnosticism, Zoroastrianism, parts of the other Abrahamic religions, Confucianism, Shintō and Taoism, and countless cinematic precursors. Creator George Lucas stated "Most of the spiritual reality in the movie[s] is based on a synthesis of all religions. A synthesis through history; the way man has perceived the unknown and the great mystery and tried to deal with that or dealing with it". Lucas has also said that chivalry, knighthood, paladinism and related institutions in feudal societies inspired some concepts in the Star Wars movies, most notably the Jedi Knights. The work of the mythologist Joseph Campbell, especially his book The Hero with a Thousand Faces, directly influenced Lucas, and is what drove him to create the "modern myth" of Star Wars. The natural flow of energy known as the Force is believed to have originated from the concept of qi/chi/ki, "the all pervading vital energy of the universe". To celebrate the 30th anniversary of Star Wars, The History Channel premiered a two hour event covering the entire Star Wars saga entitled Star Wars: The Legacy Revealed. Featuring interviews from the likes of Stephen Colbert, Newt Gingrich, Nancy Pelosi, Tom Brokaw, Dan Rather, Peter Jackson, acclaimed scholars and others, the program delved further into the Heroic Epic concept and the influences of mythology and other motifs that were important in making Star Wars. Subjects include sins of the father and redeeming the father, coming of age, exiting the ordinary world and others.

Buck Rogers, another hero from pulp magazines from 1920s, and late comic strips (1929–67) and later a 1939 film serial and a 1950–51 TV series. Star Wars also influenced from its tropes. Kirby's time at DC Comics between 1971 and 1975 was defined by his creation of the New Gods saga. This intergalactic story involved the New God, Orion of the planet New Genesis, being prophesied by the Source as the warrior to defeat Darkseid the tyrannical ruler of the planet Apokolips, and, by doing so, bring peace to the universe and end the conflict between the two planets. Unknown to Orion was that he was the son of the evil Darkseid. Parallels can thus be drawn between the nature of the relationships between Orion and Darkseid to Luke Skywalker and Darth Vader, as well as between the mythical Source and the Force. According to some accounts, Lucas met comic book writer and editor Roy Thomas at a dinner in 1972, during which Lucas described the plot of Star Wars, to which Thomas noticed the similarity between this and Kirby's New Gods, which was then already a published series. John Williams who made the iconic Star Wars soundtracks since 1977, also did the soundtrack for the first Superman movie in 1978. Marvel Comics: Lucas original trilogy co writer Lawrence Kasdan noted that the spin offs were expanding the franchise into more of a shared universe. Far beyond the previously linear saga, adding that one of the strengths of the franchise was how it all fell under the same continuity in comparison to other franchises. Kasdan also contrasted Star Wars to the Marvel Cinematic Universe, noting that Star Wars features less comedy than the latter, and adding that he felt a more comedic approach like Marvel's Guardians of the Galaxy would "not be Star Wars" to him. Jon Favreau stated that he took what he learned from doing the Marvel adjacent Iron Man movies into doing The Mandalorian and Boba Fett in the Star Wars franchise, all these characters rely on metallic, high tech armors that can fly and fire weapons.

Star Wars is widely considered to resemble Richard Wagner's Der Ring des Nibelungen in themes, plot elements, and music.

Lucas has specifically cited the fact that he became acquainted with the term jidaigeki ("period drama", the Japanese genre of samurai films) while in Japan, and it is widely assumed that he took inspiration for the term Jedi from this. The costume for Darth Vader was visually inspired by the character "The Lightning" in the Republic Pictures serial The Fighting Devil Dogs. The Lightning also had an army of white armored stormtroopers and flew through the sky in a large triangular airship (the "flying wing"). Darth Vader's need to wear his helmet to breathe recalls the oxygen helmets of the underground dwelling Muranians in the 1935 Mascot serial The Phantom Empire, which are required by the caped Thunder Riders to be able to breathe on the surface. The Phantom Menace features a pod racing action sequence. This entire sequence is inspired by the famous chariot race of Ben Hur. The climactic moment when Sebulba's Pod attaches itself to Anakin's Pod mimics, almost shot for shot, the climactic moment of the scene in Ben Hur when Messala accidentally locks wheels with Ben Hur. Lines, scenes and themes from Ben Hur had already previously influenced the Star Wars films. The conflict between the Rebel Alliance and the Empire is comparable to the earlier film's depiction of the historical Roman Jewish conflict of the time, with an ascendant Roman Empire, represented by Messala, threatening to wipe out the Jewish rebels and send them extinct. The same Chariot sequence also inspired parts of the Endor speeder chase in Return of the Jedi, which also includes a sequence where two speeders accidentally interlock. The film's famous early line "The Emperor is displeased, he wishes Judea be made into a more obedient province!" significantly influenced dialogue in all Original Trilogy Star Wars films, with the first four words, in particular, is frequently directly quoted in relation to Star Wars Emperor Palpatine character. Lucas has also cited John Ford's The Searchers and David Lean's Lawrence of Arabia as references for the style—if not the story—used in the films. A more direct homage to Lawrence of Arabia occurs in Attack of the Clones, as Padme and Anakin talk while walking around the Theed palace on Naboo. It was filmed at the Plaza de España in Seville, Spain, which in Lawrence of Arabia was the site of the British Army headquarters in Cairo, and was shot in an exact manner as the scene in Lawrence of Arabia where Allenby (Jack Hawkins) and Dryden (Claude Rains) discuss whether to give artillery to Lawrence's Arab troops. In the same film, Padme and Anakin also retreat to an estate called Varykino – the name of the Gromeko family estate in Doctor Zhivago. (Some also have considered Tom Courtenay's Pasha/Strelnikov character from Zhivago as an inspiration for Anakin/Darth Vader, but the similarities are likely coincidental.) Similarly, the chase sequence with Zam Wesell on Coruscant likely references Blade Runner; Lucas based many of the Coruscant cityscapes on Los Angeles in 2019. A reference to The Searchers occurs in Star Wars, when Luke discovers the burning moisture farm, while the Tusken Raiders sequence in Attack of the Clones recalls the climax of The Searchers. Han's showdown with Greedo in Star Wars resembles a scene in another John Ford movie, Cheyenne Autumn. Lucas is also a fan of Sergio Leone's film Once Upon a Time in the West, and according to Leone's biographer, Christopher Frayling, he listened to the score from Leone's film while editing The Empire Strikes Back. Many have considered Vader's first appearance in A New Hope as being an "homage" to the introduction of Henry Fonda's villainous Frank in the Leone film. The death scene of Yoda in Return of the Jedi is taken almost shot for shot from the death scene of the similarly mystical High Lama in Frank Capra's Lost Horizon (Yoda and the High Lama also both share a diminutive form and odd cadence of speech). The attack on the Death Star in the climax of the film A New Hope is similar in many respects to the strategy of Operation Chastise from the 1954 British film, The Dam Busters. Rebel pilots have to fly through a trench while evading enemy fire and drop a single special weapon at a precise distance from the target to destroy the entire base with a single explosion; if one run fails another run must be made by a different pilot. Some scenes from the A New Hope climax are similar to those in The Dam Busters and some of the dialogue is nearly identical in the two films. These scenes are also heavily influenced by the action scenes from the fictional wartime film 633 Squadron. That film's finale shows the squadron's planes flying down a deep fjord while being fired at along the way by anti aircraft guns lining its sides. George Lucas has stated in interviews that this sequence inspired the 'trench run' sequence in Star Wars. Francis Ford Coppola – Lucas based the friendship between Luke Skywalker and Han Solo on his own friendship with Francis Ford Coppola. In Revenge of the Sith, during Anakin's massacre on Mustafar, the slaughter of the Separatist Council and the declaration of the Galactic Empire are reminiscent of the montage of massacres during the christening scene of The Godfather, a film directed by Coppola. They are similar in that the christening of one (the baby and the Empire) with the death of a group of others (the other dons and the Separatists). Post Lucas director Rian Johnson inspired one of the final shots of The Last Jedi where the Millennium Falcon door closes, on the final scene of The Godfather where a door closes on Michael Carleone. While, Lucas wanted the sequel trilogy Luke Skywalker inspired on the cynic Colonel Kurtz from Coppolla's "Apocalypse Now". The Maschinenmensch – the robot in Fritz Lang's 1927 film Metropolis – inspired the look of C 3PO, although the Maschinenmensch is a gynoid whereas C 3PO has masculine programming. Ray Harryhausen used stop motion animation to create a mechanical owl, Bubo, in Clash of the Titans (1981). Despite Bubo's similarities (Bubo is metallic and expresses by whistling and rotating its head) to the droid R2 D2 of the 1977 film Star Wars, Harryhausen claimed Bubo was created before Star Wars was released. Lucas used the term the Force to "echo" its use by cinematographer Roman Kroitor in 21 87 (1963), in which Kroitor says, "Many people feel that in the contemplation of nature and in communication with other living things, they become aware of some kind of force, or something, behind this apparent mask which we see in front of us, and they call it God". Although Lucas had Kroitor's line in mind specifically, Lucas said the underlying sentiment is universal and that "similar phrases have been used extensively by many different people for the last 13,000 years".

George Lucas claims he became a fan of Star Trek when the original series broadcast in the late 1960s which played an influence on the development of Star Wars in 1977. Lucas claimed he also visited Star Trek conventions. The filmmaker amazed Clint Howard by, during an audition, immediately citing his role 15 years earlier as Balok from "The Corbomite Maneuver". Howard said that he wanted to yell "Get a life" at the filmmaker.

Following the sale of Lucasfilm to Disney, and the release of the 2015 film Star Wars: The Force Awakens, a Whatculture. com writer noticed the film bore many parallels and similar plot beats to A New Hope. McGill University computer science professor Derek Ruths ran an algorithm that found that, while it was not a one to one translation (for instance, Rey and Kylo Ren did not mirror Luke Skywalker and Darth Vader), the script mirrored A New Hope a lot in the way that each film's characters were grouped.

Ancient and medieval history play amongst the strongest and significant influences on Star Wars which reflects ancient Earth history in its settings, including architectural, social and hierarchical structures (i. e. the existence of monarchies and empires) as well as story lines which reflect ancient and medieval history. The transformation of the Old Republic into the Galactic Empire parallels that of the Roman Republic which transformed into the Roman Empire in the same manner of conspiracy and manipulation. Lucas was quoted as saying: "I love history, so while the psychological basis of Star Wars is mythological, the political and social bases are historical". Star Wars reflects ancient history in its planetary settings. For example, the planet Coruscant imitates Ancient Rome as the capital of the Old Republic and later the Galactic Empire; whereas Tatooine (referring to Tataouine a province south of Tunis in Tunisia, roughly where Lucas filmed for the planet) imitates the ancient Middle East (specifically the Arabian Peninsula) and North Africa in ancient times as being barren desert and sparsely populated (which it still is today to a certain degree). Coruscant and Naboo are also two of many planets in the Star Wars galaxy which exhibit architecture inspired by those of ancient Greece, Rome, and other ancient Mediterranean and southern/southeastern European societies. In his book The Medieval Hero on Screen: Representations from Beowulf to Buffy, author Tom Henthorne argues that 1970s science fiction movies such as the Star Wars films and E. T. bring back neo medieval themes at young boys with a masculine tone in his view. He argues the knighthood type plots give a sense of encouragement to young boys and give girls the image of being their prizes or captives waiting to be rescued. The Samurai warriors of Japan are somewhat parallel to the concept of the Jedi as an elite warrior class specialized in combat and swordsmanship techniques charged with protecting their respective societies. The aesthetic of Jedi uniforms is borrowed from the styles of clothing worn by North African Tribesmen and various Sufi brotherhoods. It has been argued by some that the name "Jedi" itself actually comes from the Arabic "Al Jeddi'" which means "master of the mystic warrior way." In an interview with 'The Muslim Magazine,' Dhul Nun Owen spoke about George Lucas contacting members of the Habibiyyah Sufi Order in Berkeley, CA in order to do research for 'Star Wars.' It should be noted, however, that there isn't a record of Lucas confirming this himself. Mahmoud Shelton of Stanford University wrote an article titled "Star Wars: A Tale of Spiritual Chivalry” wherein he explores the connection between the Order of the Jedi and the Orders of Futuwwa (Mediaeval Sufi Chivalry).

The stormtroopers from the movies share a name with the Imperial German stormtroopers and the Nazi German Sturmabteilung (lit. Stormtrooper). Imperial officers' uniforms also resemble some historical German Army uniforms and the political and security officers of the Empire resemble the black clad SS down to the imitation silver death's head insignia on their officer's caps (although the uniforms technically had more basis with the German Uhlans within the Prussian Empire). World War II terms were used for names in Star Wars; examples include the planets Kessel (a term that refers to a group of encircled forces) and Hoth (Hermann Hoth was a German general who served on the snow laden Eastern Front). Lucas himself has drawn parallels between Palpatine and his rise to power to historical dictators such as Julius Caesar, Napoleon Bonaparte, and Adolf Hitler, saying the films exist as an examination of how democracies allow themselves to become dictatorships. The space battles in A New Hope were based on filmed World War I and World War II dogfights. In a 2005 interview, George Lucas was asked the origins of the name "Darth Vader", and replied: "Darth is a variation of dark. And Vader is a variation of father. So it's basically Dark Father." (Rolling Stone, June 2, 2005). Vader is the Dutch word for "father" (the Dutch word is instead pronounced "fah der"), and the German word for "father" (Vater) is similar. However, in the earliest scripts for Star Wars, the name "Darth Vader" was given to a human Imperial general with no apparent relationships. Commentators have noted the strong political analogies in the Star Wars universe to contemporary American politics. Major analogies include Lucas's opposition to the Vietnam War being seen in the original trilogy. Lucas even said in 2005 that Star Wars "was really about the Vietnam War, and that was the period where Richard Nixon was trying to run for a [second] term, which got me to thinking historically about how do democracies get turned into dictatorships. Because the democracies aren't overthrown; they're given away." This claim was likewise backed up by the 1973 draft for the first movie, then called The Star Wars, where Lucas specifically mentioned that the theme involved an independent planet named Aquillae that was compared to North Vietnam, and that the Empire was "America 10 years from now", and by Walter Murch, who claimed Lucas, after his failure with Apocalypse Now, decided to do Star Wars as a way to channel the anti war and pro Vietcong ideology in a disguised form. Ian McDiarmid, when recalling something Lucas told him during filming of Return of the Jedi, also implied that the Oval Office, and in particular, Nixon's presidency, played a role in the design of the Emperor's throne room. Political themes in Rogue One have also been noted. The political and military conflict of the prequel films, especially Attack of the Clones and Revenge of the Sith, bears a strong similarity to elements of the American Civil War (1861–1865): the Galactic Republic's Clone army (officially called the "Grand Army of the Republic") represents the Union Army (whose veteran organization was named Grand Army of the Republic), while the Confederacy of Independent Systems mimics the Confederate States of America (also abbreviated as "the Confederacy"). The character of Count Dooku is directly based on Confederate General Robert E. Lee.