Кайли Миноуг альбомы (1994)

1994 album by Kylie Minogue
Kylie Minogue's 1994 album

Kylie Minogue is the fifth studio album recorded by Australian singer Kylie Minogue. Deconstruction released it in the United Kingdom on 19 September 1994, while a release was issued through Mushroom Records in Australia on the same date. After leaving Pete Waterman Entertainment, Minogue wanted to establish her credibility and signed with the independent record label Deconstruction in early 1993. She became involved with a diverse group of collaborators in order to experiment with different sounds. After generally unsuccessful sessions with Saint Etienne and The Rapino Brothers, Minogue collaborated with new producers including Brothers in Rhythm, M People, Farley & Heller, and Jimmy Harry. Musically, Kylie Minogue is a dance pop album containing elements of dance, R&B and adult contemporary music. Lyrically, the album touches on themes of love, seduction and womanhood. Music critics praised the production and Minogue's vocals, while observing the start of a new phase in Minogue's career. The album peaked in the top five in the United Kingdom and Australia, alongside being certified gold in both countries. It attained top 40 positions in Switzerland, Sweden and Scotland. Minogue received three nominations at the ARIA Music Awards of 1995 for her work on Kylie Minogue, winning Best Video for "Put Yourself In My Place". To promote the album, a limited edition coffee table book photographed by Ellen von Unwerth and Katerina Jebb was released to highfliers. Three singles were released—"Confide in Me", "Put Yourself in My Place" and "Where Is the Feeling? "—each of which peaked inside the top 20 in the UK; the first two reached the top 20 in Australia. Minogue was involved with two film projects at the time Kylie Minogue dropped, which delayed the promotional process several times. The album was re issued in Europe in 2018 and returned to the UK Albums Chart and the Scottish Albums Chart.

In 1991, Minogue released her fourth studio album under Pete Waterman Limited (PWL), titled Let's Get to It. The album was recorded after songwriter Matt Aitken had left Stock Aitken Waterman (SAW) earlier that year, which left Pete Waterman and Mike Stock to write and produce the album. Minogue, who co wrote six tracks with the producers for the album, was disappointed with the output. She felt SAW had reverted to formulaic sounds and by the time Let's Get to It came out, "the magic [had] gone and the record sank quickly". By the end of 1992, PWL did not renew their contract with Minogue, believing the singer "was [not] moving in a direction that was going to be successful", according to PWL co owner David Howells. Minogue's final release under PWL was Greatest Hits (1992), which debuted at number one in the United Kingdom and reached number three in Australia. After the split, Minogue wanted to establish her credibility and refused to fall back into the same market as PWL. She turned down several major record labels, among them EMI and A&M, and subsequently signed to indie label Deconstruction in early 1993. Deconstruction was known for being an innovative part of the dance scene, but it was unusual for a mainstream pop artist to sign an indie label contract. Deconstruction founder Pete Hadfield found Minogue to be a driven and creative artist, who needs to show her more experimental side.

Hadfield intended to push Minogue towards a more unconventional approach to dance music. As work began on her new music, an early meeting with Deconstruction took place to discuss which direction Minogue intended to pursue. She decided to experiment with different sounds rather than record more pop songs. Minogue took an active role in planning for the album and sought a diverse group of collaborators to work with, including both mainstream and underground talents. Hadfield and Quentin Harrison of PopMatters referred to the process as the rebranding of Minogue as a pop artist. Early recording sessions for Kylie Minogue took place in 1993, with help from Saint Etienne and The Rapino Brothers. However, most of the tracks were deemed to be taking Minogue in the wrong direction and were scrapped. Some tracks were subsequently used as B sides on singles and bonus tracks for different editions of Kylie Minogue. Bob Stanley of Saint Etienne remarked that the singer's camp "had no idea what they wanted, apart from being different from the SAW stuff", though he expressed his amazement at her powerful voice that SAW's double tracking had masked. Several songwriters and producers unsuccessfully approached Minogue to work with them during the production process. She handed him some lyrics she had written for a song entitled "Baby Doll"; Prince managed to finish the song and record Minogue's lyrics on a cassette tape but never properly recorded it. Minogue and Lenny Kravitz had talked about working together, but he was busy making his fourth studio album Mama Said (1991), and composing Vanessa Paradis's 1992 self titled album. The singer and Bobby Gillespie of Primal Scream had talked about working together in 1992, before two other band members discussed doing a different version of "Don't Fight It, Feel It" (from Screamadelica, 1991) with Minogue, but their record label wanted the band to finish their 1994 album first. British groups the Beloved and the Auteurs wrote at least one song for Kylie Minogue, but the material did not work out. Nick Cave had talked about a song written especially for Minogue to sing from the point of view of a murdered woman.

Hadfield and fellow Deconstruction co founder Keith Blackhurst were friends with Steve Anderson and Dave Seaman, an electronic duo known as Brothers in Rhythm. Brothers in Rhythm had been involved with Minogue on a remix of "Finer Feelings", a single taken from Let's Get to It. Minogue met Brothers in Rhythm at DMC Studios in Slough, where they had a meeting and set up the original sessions. Anderson said that Minogue was inspiring and open to trying out different sounds, while the label had faith in them and did not want to limit creativity. Minogue's stylist William Baker found her to be the "perfect vehicle" for the duo's hybrids: "Her vocal range and willingness to experiment musically meant that Steve and Dave could push the envelope further." The producers initially had their work cut out for them because of Minogue's nasal vocals, while she gained confidence in her vocals throughout the course of recording Kylie Minogue. The producers were pleased with the result, calling it "without a shadow of doubt the best [Minogue track] we were involved with". Brothers in Rhythm was enlisted as the album's chief producer and produced four of the tracks: "Automatic Love" (a rework from material with the Rapino Brothers), These songs, recorded in New York City at the Axis Studios, Power Station and Whorga Musica, were the only tracks recorded outside the UK. Minogue recorded a song entitled "Intuition" during these sessions, which was shelved until 2019, when Harry gave the demo to American singer Liz for her album Planet Y2K. Neil Tennant and Chris Lowe, better known as Pet Shop Boys, were approached by Minogue's camp after the pair finished work on Very (1993). The demo for "Falling" was sent to Deconstruction, where it was reworked by Fire Island, an English music duo made up of Pete Heller and Terry Farley. Tennant found the result very different from the original demo, saying, "It doesn't really have the same tune in it, for instance, and they haven't put the chorus in, but I suppose that's very modern." Three of the songs on the album are cover versions of largely unknown tracks: "Where Has The Love Gone? ", "Time Will Pass You By" and "Where Is the Feeling?". Chris True of AllMusic wrote that the album is a remarkable change from Minogue's previous teen pop material with an "atmosphere and style in the songs that wasn't there on Let's Get to It". In the biography Kylie: Naked (2012), Nigel Goodall and Jenny Stanley Clarke describe the album as a collection of "upbeat dance tracks, lightweight funky numbers and smoochy ballads". Paul Bowler of Record Collector noted the album "frolics gaily amongst the myriad contemporary dance styles of '94". while an editor of Be With Records pointed out the ambient, Balearic and R&B elements. Portions of hip hop, acid jazz and club music were also listed by Harrison. The opening part of the track features an arrangement by musician Will Malone and a piano section by Anderson, which was performed on a Bösendorfer. Frankie Knuckles and David Morales' classic musical elements influenced Anderson when he produced Minogue's cover of "Where Is the Feeling?". The producers added live piano, guitar and percussion to the album's version of the song. "Surrender" is a seductive slow jam track, with Balearic pop, jazz and R&B influences. Cinquemani compared "Surrender" to a less sensual rendition of songs recorded by Tia Carrere for Dreams (1993). "Put Yourself in My Place" is a melancholy quiet storm power ballad with trip hop beats that resembles late 1980s American R&B tracks. Produced by Heller and Farley, "Where Has The Love Gone" and "Falling" are tempestuous uptempo tracks that run over six minutes each. The album ends with "Time Will Pass You By", is a sophisticated, grinning piano house song.

The album touches on themes of love and womanhood. Robbert Tilli and Machgiel Bakke of Music & Media compared the sensual tone throughout the album to Madonna's Erotica (1992). "Confide in Me" talks about Minogue's earnest seduction and manipulating people to confide into her. "Put Yourself in My Place" is a plaintive appeal to a former lover who had fallen for someone else. "Automatic Love" is a chilled out track that contains technology references. Minogue sings "I didn't feel you enter / In my main menu / But every time I touch the key / The screen is showing you." She sings in a wide range of notes while adding sighs, murmurs, and whispers on several tracks. The album also features sitars and subtle backing vocals.

British photographer Rankin shot the artwork for Kylie Minogue, with the assistance of British stylist Katie Grand. Mark Farrow was selected to design the cover. Deconstruction paid for Rankin and Grand to fly to Los Angeles and do a photoshoot with Minogue for Dazed & Confused, a British fashion magazine that Rankin founded in 1991. The shoot for an inlay section called "Kylie Bible" lasted for around six or seven hours outside a film studio. Grand tried to make Minogue's image more androgynous. She wears a dark Paul Smith trouser suit and a pair of glasses. In the biography Kylie (2014), Sean Smith says Minogue posed like "a leopard sizing up her prey" while wearing Clark Kent glasses, further writing that the cover is remarkably different from her previous ones. Tamasin Doe of Evening Standard noted the cover reflects the trend of wearing glasses to be taken seriously, and linked Minogue's solemn image to the television series Joe 90. Christian Guiltenane of Classic Pop comments that Minogue's image had changed considerably in just five years, saying the shots are a mix of "sultry poses, avant garde styling and sex". A replica of the green taffeta suit that Minogue worn for the cover shot was donated to the Cultural Gifts Program of the Arts Centre Melbourne. Kylie Minogue is the second studio album named after the singer, following her debut Kylie in 1988. Smith feels the simple title might seem to be unimaginative, but it shows Minogue eager to start over and reintroduce herself to the public. Australian programme Rage wrote that the title completes "the 'rebirth' feel [that Minogue] had established by leaving PWL". Charles Shaar Murray of The Daily Telegraph suggested the artwork shows two different sides of Minogue, an intelligent modern woman with deep desires. Bowler commented that by subtly adding Minogue's surname to the title, as well as her formal outfit and lascivious pose on the cover, she successfully announced "the arrival of a more sophisticated artist" who wanted to be taken seriously.

Kylie Minogue was released on 19 September 1994 in the UK and other European countries by Deconstruction, and in Australia simultaneously by Mushroom Records. In Japan, it was released on 21 October 1994 by the former of the two labels with two bonus tracks: "Love Is Waiting" (written by Tracy Ackerman, Mike Percy and Tim Lever of Dead or Alive) and "Nothing Can Stop Us". Deconstruction issued the album in Canada in 1995, featuring an alternate artwork and a franglais version of "Confide in Me", known as "Fie toi à moi". Following the release of Enjoy Yourself (1989), Minogue failed to find an audience in the United States. American independent label Imago Records intended to release Kylie Minogue in the US, with a commercial release of "Confide in Me" in November 1994. The label, however, was facing serious financial problems and quickly parted ways with BMG in 1995. Imago withdrew all current releases, including the album, which was scheduled for Spring 1995. Kylie Minogue was re released in Australia in 1998 to celebrate the 25th anniversary of Mushroom Records. BMG and Mushroom released a special edition of Kylie Minogue with remastered tracks in May 2003, which contains remixes, B sides, and a previously unreleased track, titled "Dangerous Overture". The album was later reissued on vinyl for the first time, as a double vinyl, by Be With Records in 2016 in the UK; and in 2018 by BMG as a white vinyl exclusively through Sainsbury's supermarket chain in European countries. Several album tracks and two unreleased tracks ("Gotta Move On" and "Difficult by Design") from Kylie Minogue appear on Hits+ (2000), which was released in Europe. Minogue promoted the album with a limited edition coffee table book that was not commercially available in October 1994. The minimalist photographs are mostly black and white, depicting a stripped back Minogue. Ellen von Unwerth shot the photographs in New York City while Minogue recorded there. "It wasn't my choice to get down to a négligé but that's the way Ellen shoots", Minogue said. Photographer Katerina Jebb and Baker, Minogue's frequent collaborators, met for the first time and came up with a Debbie Harry themed photoshoot for the book. Baker provided many old punk style costumes for Minogue; among them was a 1970s sleeveless Marilyn Monroe T shirt that once belonged to a staff member at Andy Warhol's the Factory studio. Minogue defended herself by claiming that she had plans to do a coffee table book before Sex came out, and that the book was inspired by Janet Jackson's topless image on the cover of her 1993 self titled album.

Kylie Minogue experienced moderate worldwide success. It fell to number 13 the following week and spent a total of 20 weeks on the chart. The British Phonographic Industry (BPI) certified Kylie Minogue gold within a month of the album's release for selling over 100,000 copies in the UK. In 2016, the reissue of Kylie Minogue sold out 500 copies on its initial pre order run.