Ванкувердің Батыс Аяғының тарихы: кірпіш жасаушылардан бастап мәдени әртүрлілікке дейін

Like all of Vancouver, the West End was originally a forested wilderness. The area was purchased in 1862 by John Morton, Samuel Brighouse, and William Hailstone, three men known as the "Three Greenhorn Englishmen", or just the "Three Greenhorns", a nickname they earned from others who thought they were buying a massive plot of wild land at an inflated price. The men had plans to establish a brickworks on the shore of Coal Harbour, and their land claim was originally staked with the hopeful intent of mining for porcelain clays, but the grade of clay was not fine enough for that use. When those plans failed (a lack of transportation being a key factor) they sold a good portion of the area, by then known as the Brickmaker's Claim, to Victoria investors who in turn tried to promote its development as New Liverpool. The only thing that happened with that scheme was a subdivision plan registered with the Land Titles office in New Westminster. Another name used for the property was the Brighouse Estate (Brighouse as a name came to refer to a particular part of Richmond, where "Greenhorn" J. Morton also owned property). One of the partners, observant that brick was a valuable building commodity despite the abundance of timber in the region, moved the brick clay operations to Sumas Mountain, establishing the community of Clayburn, now a neighbourhood of Abbotsford. Later, with the arrival of the Canadian Pacific Railway, with its terminus at nearby Coal Harbour, the West End became Vancouver's first upscale neighbourhood, home to the richest railroad families. Many of these families lived along Georgia Street, known at that time as "Blue Blood Alley" for all the posh mansions built there. Later mansions (including the Davie mansion) were built in then remoter areas of the West End as the financial district's land values displaced the high toned residences. This role was ultimately dropped with the increasing vogue for the upscale Shaughnessy neighbourhood, and as middle class housing of various kinds began to fill out the West End. As the city grew, the West End became a transitory place for new arrivals from elsewhere in Canada, the United Kingdom, and later for immigrants from other countries, establishing a tradition of diversity. Following World War II, a significant German commercial community emerged along Robson Street, giving birth to the nickname Robsonstrasse, a name still occasionally used in marketing despite the loss of its original meaning.

West End residents have been very active in shaping their neighbourhood and maintaining its liveability. In the 1970s, residents banded together to calm traffic that was using the neighbourhood as a shortcut between downtown Vancouver and the suburbs of the North Shore, across the Lions' Gate Bridge. They also staged a successful, yet destructive "Shame the Johns" campaign to rid the West End of the sex work that was then visible in the neighbourhood. This campaign was formed by a group of politicians called the Concerned Residents of the West End (CROWE), prominently containing cisgender white gay men, who aided in the formation of a 1984 injunction granted by then B. C. Supreme Court Justice Allan McEachern. This injunction banned sex workers from working west of Granville Street, which forcibly displaced them away from the relative safety and community support of Davie Street. Following this, they were forced into Yaletown, then Mount Pleasant, where they were repeatedly protested by "Shame the Johns vigilantes", down East Broadway, and eventually into the Downtown Eastside, where already vulnerable sex workers are more open to violence and abuse than ever before. These displacements were a worsened repetition of the early erasers that happened on Dupont and Alexander Street. Further, this displacement largely targeted transgender, two spirit and First Nations women, replicated the colonial practices and dispossession of land from the Musqueam, Burrard, and Squamish First Nations.

The West End is particularly famous among visitors for Robson Street. It was historically known as the Robsonstrasse, for the postwar period when it was a hub for immigrants from Germany, and was home to owner operated boutiques, schnitzel houses and other bistro style dining establishments until the 1980s when the transition to the current fashionable shopping and dining area stretching from Burrard Street to Jervis Street, began. Many restaurants and shops can also be found along Denman Street closer to Stanley Park, and Davie Street between Burrard and Jervis streets. Numerous parks and beaches can be found throughout the West End including Alexandra Park, Cardero Park, Nelson Park, Stanley Park and Sunset Beach. These parks range in size from 0.22 hectares (Morton Park) to over 406 hectare (Stanley Park). A portion of the Stanley Park Seawall promenade runs along the waterfront from Burrard Bridge to Ceperly Park. The area is also known for English Bay Beach, a large park on English Bay which is thronged during the annual Celebration of Light fireworks display each year mid summer. St. Paul's Hospital, one of Vancouver's largest and oldest health facilities, sits at the neighbourhood's eastern edge on Burrard Street. Community Centres in the West End include the Vancouver Aquatic Centre, West End Community Centre, Coal Harbour Community Centre and Barclay Manor. Depending on the centre, they offer swimming pools, gyms, fitness centres and an ice rink, as well as many meeting and all purpose rooms for rent.

On November 4, 2015, the Canadian Institute of Planners announced winners of its fifth annual Great Places in Canada contest. A jury of seven professional planners named the West End as the Great Neighbourhood. Juror Jaspal Marwah MCIP, RPP stated that "the West End makes it easy, safe and inviting for residents to walk and bike to work, to access thriving local businesses and to explore Vancouver's beaches, trails and Stanley Park. Transit access, traffic calming, street furniture, treed promenades, pocket parks and public spaces reflect a thoughtful approach to place making. Home to the city's LGBTQ community, the West End's density is evenly matched by its diversity of residents, and by a strong commitment to creating an inclusive community that prioritizes affordable housing.