Линдерхоф: Баварский дворец Людвига II в стиле рококо

Building in Ettal, Bavaria, Germany

Linderhof Palace (link=no) is a schloss in Germany, in southwest Bavaria near the village of Ettal. It is the smallest of the three palaces built by King Ludwig II of Bavaria and the only one which was actually completed and that he lived in most of the time from 1876.

Ludwig already knew the area around Linderhof from his youth when he had accompanied his father King Maximilian II of Bavaria on his hunting trips in the Bavarian Alps. When Ludwig II became King in 1864, he inherited a hunting lodge, the so called Königshäuschen ("King's little house") from his father, and in 1869 began enlarging the building. In 1874, he decided to tear down the Königshäuschen and rebuild it in its present day location in the park. At the same time three new rooms and the staircase were added to the remaining U shaped complex, and the previous wooden exterior was clad with stone façades. The building was designed in the style of the second rococo period. Between 1863 and 1886, a total of 8,460,937 marks was spent constructing Linderhof.

Although Linderhof is much smaller than Versailles, it is evident that the palace of the French Sun King Louis XIV (who was an idol for Ludwig) was its inspiration. The staircase, for example, is a reduction of the famous Ambassador's staircase in Versailles, which would be copied in full in Herrenchiemsee, another palace project by Ludwig that was designed less as a residential building than as a homage to the Sun King. Stylistically, however, the building and its decor take their cues from the mid 18th century Rococo of Louis XV, and the small palace in the Graswang was more directly based on that king's Petit Trianon on the Versailles grounds. The symbol of the sun that can be found everywhere in the decoration of the rooms represents the French notion of absolutism that, for Ludwig, was the perfect incorporation of his ideal of a God given monarchy with total royal power. Such a monarchy could no longer be realised in Europe in the second half of the nineteenth century. The bedroom was important to the ceremonial life of an absolute monarch; Louis XIV of France used to give his first (lever) and last audience (coucher) of the day in his bedchamber. In imitation of Versailles, the bedroom is the largest chamber of Linderhof Palace. By facing north, however, the Linderhof bedroom inverts the symbolism of its Versailles counterpart, showing Ludwig's self image as a "Night King", because he had gotten into the habit of turning night into day and vice versa.

Linderhof, in comparison to other palaces, has a rather private atmosphere. In fact, there are only four rooms that have a real function.

The two tapestry chambers are almost identical and have no specific function. The western one is sometimes called "Music Room" because of the aeolodion (an instrument combining piano and harmonium) in it. Only the curtains and the coverings on the furniture are real products of the Parisian Gobelin Manufactory. The scenes on the walls are painted on rough canvas in order to imitate real tapestries.

The model for this room was not Louis XIV's bedchamber in Versailles but the bedroom of the Rich Rooms in Munich Residence. This room was completely rebuilt in 1884 and could not be totally finished until the king's death two years later. The position of the bed itself on steps in the alcove that is closed off by a gilded balustrade, like the baroque Munich model, gives it the appearance of an altar and thereby glorifies Ludwig II as he slept during the day. He often also spent the night waking and reading in this room, which was illuminated by numerous candles, among other a glass candelabra with 108 candles. The king was very well read about the legends and mythologies of the Middle Ages as well as about court life and the arts in the era of Louis XIV. The two console tables are of Meissen porcelain (which was the king's favorite china).

The gardens surrounding Linderhof Palace are considered one of the most beautiful creations of historicist garden design, designed by Court Garden Director Carl von Effner. The park combines elements of Renaissance and Baroque formal gardens with landscaped sections that are similar to the English landscape garden.

Deriving from the romantic image of animated nature Ludwig was fascinated by trees. For this reason a tall, 300 year old linden tree was allowed to remain in the formal gardens although disturbing its symmetry. Historic pictures show a seat in it, where Ludwig used to take his "breakfast" at sunset hidden from view amongst the branches. Contrary to common understanding the tree did not give the palace its name. It came from a family called "Linder" that used to cultivate the farm (in German "Hof" = farm) that over centuries had been in the place where now Linderhof palace is.