Виртуальная Безумность: История Хиتا Jamiroquai

1996 single by Jamiroquai

"Virtual Insanity" is a song by British funk and acid jazz band Jamiroquai, released on 19 August 1996 as the second single from their third studio album, Travelling Without Moving (1996). The song interpolates parts of Jocelyn Brown's post disco hit "Somebody Else's Guy" (1984), and its award winning music video was released in September 1996, garnering ten nominations and winning four, including for "Video of the Year", at the 1997 MTV Video Music Awards. "Virtual Insanity" was a number one hit in Iceland and reached number three on the UK Singles Chart. As well as becoming a top ten hit in Finland, Ireland, and Italy, the song also climbed to number 38 on the US Billboard Modern Rock Tracks chart upon the single's release in the United States in 1997. The song also earned the band a Grammy Award for Best Pop Vocal Performance by a Duo or Group.

The song's lyrics took inspiration from a walk in an underground city in Sendai, Japan, by singer Jay Kay and the band's digeridoo player, Wallis Buchanan, with Kay writing: "Everything was covered in snow and there was absolutely no one about. [We took] these stairs that led down to this whole underground city with all the color and noise you get in Japanese streets." The song's title is a play off virtual reality. The song has a piano opening with "buoyant keyboards and soaring strings." The riff continues throughout the song. Thematically, the lyrics are concerned with issues like overpopulation, human genetic enhancement, eugenics, and ecological collapse. The first B side of the single is the song "Do U Know Where You're Coming From", in collaboration with M Beat. It was released as a single earlier in 1996. The second B side of the single is "Bullet". In the beginning of the song's album version, a sound that is sampled from the 1979 sci fi horror film Alien appears. It is the sound sequence when the S. O. S. signal appears on the screens of the spaceship Nostromo at the start of the film. The album version is longer, including the addition of extra vocals and a bridge.

The song received favourable reviews from music critics. Scottish newspaper Aberdeen Press and Journal viewed it as "cool if lyrically trite". Justin Chadwick from Albumism wrote that the "midtempo, piano driven groove" finds the singer "lamenting the proliferation of technology at the expense of human connection and preservation of our planet", as best evidenced in the chorus with lines such as, "Always seem to, be governed by this love we have / For useless, twisting, our new technology / Oh, now there is no sound—for we all live underground". He added, "While the song itself reflected Jamiroquai's more mature and polished sound at the time, it was the accompanying video unveiled the following month that became the band's transformative, watershed moment." Larry Flick from Billboard described it as "wriggling" and "funk fortified". A reviewer from Liverpool Echo noted, "If you stop dancing, and listen to the lyrics, you see a whole new side to singer Jay Kay." Music Week rated it four out of five, writing: "From its simple piano opening onwards, this gorgeous, immaculately recorded track doesn't put a note wrong. Further evidence that Jay Kay is maturing musically." Ted Kessler from NME declared it as a "bittersweet" gem and a "fine" single. Sam Taylor from The Observer remarked its "effortless swank". Aidin Viziri from Salon said the singer "keeps the party alive with unbridled enthusiasm", "exploring the chaos of modern life".

The music video for "Virtual Insanity" was directed by English filmmaker, director, and screenwriter Jonathan Glazer. The music video was filmed on 12 August 1996. Glazer was specifically chosen to direct the video due to his work on Radiohead's music video for "Street Spirit (Fade Out)". At the 1997 MTV Video Music Awards in September 1997, it earned ten nominations and won four awards, including "Breakthrough Video" and the "Best Video of the Year". In 2006, it was voted ninth by MTV viewers in a poll on music videos that 'broke the rules.' The single was released in the U. S. in 1997. At the 1997 MTV Video Music Awards, Jamiroquai performed the song on travelators (which Kay had originally intended for the music video), recreating the famous floor moving concept with two moving walkways on the stage floor that went in opposite directions. Kay danced on the walkways, with the two bugs crawling through the hall, a bird flying, and red blood all over the floor.

The video consists mainly of Jamiroquai's singer, Jay Kay, dancing and singing the song in a bright white room with a grey floor. Throughout the video, there are several combinations of plastic wrapped leather couches and chairs seemingly moving around the room on their own accord, which are the only pieces of furniture in the room, and Kay is seen using a sequence of elaborate dance manoeuvres to avoid being hit by them. The video earned recognition from critics for its special effects. The floor appears to move while the rest of the room stays still; in fact, this was the original idea but was later determined by one of Glazer's team that it would cost about £280,000 (280000.0 in 1996 is equivalent to about <calculated amount> in recent years; ~US$810,000 in 2024 terms) for the rig alone. Instead, it is the walls that move, an idea from one of Jonathan Glazer's crew which was initially seen as comically ridiculous by most of Glazer's team but was immediately recognised as brilliant by Glazer, who called up Kay at about 1am to inform him of the idea. Kay, possibly half asleep, did not understand the idea until he arrived at the set and understood Glazer's intention and saw the rig in action. At some points, the camera tilts up or down to show the floor or ceiling for a few seconds, and when it returns to the central position, the scene has completely changed; this was primarily done to mask the cuts and make it look like a continuous take. Other scenes show a crow flying across the room, a cockroach on the floor, the couches bleeding, and the other members of Jamiroquai in a corridor being blown away by wind. This became the second video released by Jamiroquai to be successfully done in one complete, albeit composited, shot; "Space Cowboy" was the first. In a short making of documentary, Glazer describes how the walls move on a stationary grey floor with no detail, which give the illusion that objects on the floor are moving. Parts of the floor had tape markings as a reference point for Kay, which had to be digitally deleted in post production, but Kay said he had to improvise parts such as where he does a blind 180 degree spin on his knees to avoid hitting a wall or when he tiptoes past an incoming couch that was about to pin him against the wall; in both cases, it was only upon playing the footage back that he realised how finely he had avoided danger.

In addition to heavy rotation on MTV and other music television networks upon release and still to this day, the video for "Virtual Insanity" has amassed more than 280 million views on YouTube as of April 2024 and has seen renewed attention on TikTok, gaining millions more views through various internet memes and remixes.

The music video for "Virtual Insanity" has been parodied, referred to, remixed, or imitated in countless music videos, television shows, and internet memes. A TV promo by comedian Chris Rock was made for the 1997 MTV Video Music Awards, whereby Rock imitates Jay Kay in a comedic fashion through digital superimposition. In 2007, the video's original director, Jonathan Glazer, uploaded a parody of the video whereby the room was digitally turned into a bathroom and had Jay Kay appear to interact with patrons in a comedic fashion, again using digital superimposition. Austin Mahone and Pitbull took inspiration from it in the video for their 2014 single "Mmm Yeah", and it is one of the many songs parodied in the video for FIDLAR's 2015 single "40oz. on Repeat". Other notable parodies include a cutaway from a 14th season Family Guy episode called "Scammed Yankees", which went viral as an internet meme in 2023 under the portmanteau "Cartermiroquai". It was also referenced in a 2021 episode of Robot Chicken. The music video also inspired a video game entitled Jamiroquai Game, wherein the player must avoid the various objects in the scene, akin to the video.

RegionDateFormat(s)Label(s)Ref. (Reference)United Kingdom19 August 1996CD, cassetteSony Soho SquareJapan11 September 1996CDEpicUnited States20 May 1997Rhythmic contemporary, contemporary hit radioWork