George Biddle

American painter

George Biddle (January 24, 1885 – November 6, 1973) was an American painter, muralist and lithographer, best known for his social realism and combat art. A childhood friend of President Franklin D. Roosevelt, he played a major role in establishing the Federal Art Project (1935–1943), which employed artists under the Works Progress Administration.

Born to an established Philadelphia family, Biddle attended the elite Groton School (where he was a classmate of Franklin D. Roosevelt). He completed his undergraduate studies and later earned a law degree from Harvard (1908 and 1911, respectively). He passed his bar examination in Philadelphia. Biddle's legal career was short lived, however, and by the end of 1911 he had left the United States to study at the Académie Julian in Paris. In the next two years he studied at the Pennsylvania Academy of the Fine Arts. Returning to Europe in 1914, Biddle spent time in Munich and Madrid, studying printmaking in the Spanish capital, before trying his hand at impressionism in France. As he remembered, "I gobbled up museums, French Impressionism, cubism, futurism, and the old masters; I copied Velasquez in Madrid and Rubens in Munich ." contributed to the establishment of the Federal Art Project, an arm of the Works Progress Administration that produced several hundred thousand pieces of publicly funded art. Biddle himself completed a mural titled The Tenement for the Justice Department building in Washington, D. C., and made sketches of the opera Porgy and Bess during its late 1930s tour. His works were exhibited at the 1939 New York World's Fair. During these years Biddle also wrote several books and taught at the Colorado Springs Fine Arts Center. Biddle was hired in 1940, along with eight other prominent American artists, to document dramatic scenes and characters during the production of the film The Long Voyage Home, a cinematic adaptation of Eugene O'Neill's plays. He served as president of the National Society of Mural Painters from 1935 to 1936. During World War II, Biddle was appointed chairman of the United States Department of War's Art Advisory Committee and served to recruit artists to that body. Biddle himself traveled through Algeria, Tunisia, Sicily, and Italy with the 3rd Infantry Division and produced works documenting that unit's activities. He wrote a book on his war travels: Artist at War Tunisia Sicily Italy, Viking Press, 1944. When the Art Advisory Committee was disbanded, he produced combat art for Life magazine. In 1950, Biddle was appointed to the U. S. Commission of Fine Arts, serving until 1951 and again from 1953 to 1955.

Biddle's best known work is in the mural Society Freed Through Justice, five fresco panels in fifth floor stairway of the Robert F. Kennedy Department of Justice Building in Washington, D. C., produced under the U. S. Treasury Department's Section of Painting and Sculpture. At the time of Biddle's death in 1973, New York Times art critic John Canaday called the mural "the best he ever did. It depicted the everyday people of this country with extraordinary dignity, and it still stands up today."

Some factors that contributed to Biddle's artwork are the many art movements that he was involved in. Biddle was involved in "French Impressionism; the American Ashcan School; the School of Paris and Cubism during those early and exciting days when it first exploded on the world; Regionalism, the Mexican Mural Movement, and the New Deal Subsidy of Art". He also was involved in the "post war currents of contemporary art". George Biddle achieved a lot of goals that helped other artists make their way. His work serves as a "kind of index to the many style and themes which occupied artists in the first half of the 20th century".

Illustrations for Porgy and Bess libretto (1930). Commissioned by George and Ira Gershwin. Portrait of Helene Sardeau, the Artist's Wife (1931), Corcoran Gallery of Art, Washington, D. C.
Self Portrait (1933), Philadelphia Museum of Art. Murals for Robert F. Kennedy Department of Justice Building (1936), Washington, D. C.
Murals for Supreme Court of Justice of the Nation (1940), Mexico City, Mexico. Portrait of Man Ray (1941), Philadelphia Museum of Art. Portrait of Frieda Lawrence (1941), Philadelphia Museum of Art. Murals for National Library of Brazil (1942), Rio de Janeiro, Brazil.

Green Island. Coward McCann, New York 1930. Adolphe Borie. American Federation of Arts, Washington, D. C. 1937. An American Artist's Story. Littlem, Brown & Co., Boston 1939. (memoir)
Artist at War. The Viking Press, New York 1944. George Biddle's War Drawings. The Hyperion Press, distributed by Duell, Sloan and Pearce, 1944
The Yes and No of Contemporary Art. An Artist's Evolution. Harvard University Press, Cambridge, Mass. 1957. Indian Impressions. The Orion Press, New York 1960. Tahitian Journal. University of Minnesota Press, Minneapolis 1968.