Деклан МакГонагл: путь и вклад в ирландское современное искусство.

Declan McGonagle is a well known figure in Irish contemporary art, holding positions as director at the Orchard Gallery in Derry, the first director at the Irish Museum of Modern Art, and as director of the National College of Art and Design, Dublin. He writes, lectures and publishes regularly on art and museum/gallery policy issues, and curates exhibitions.

McGonagle was born in Derry in 1953. He attended St Columb's College before studying Fine Art at the College of Art and Design in Belfast. In the 70's and 80's he worked as a painter and a lecturer of Art and Design at the Regional Technical College, Letterkenny, County Donegal.

Derry City Council was responsible for setting up the Orchard Gallery on Orchard Street in the city of Derry, McGonagle was appointed to the post of curator in 1978 and remained there until 1984 during the height of The Troubles. He gave up painting a year after he joined the Orchard. Orchard Gallery established itself on a minimal budget, and McGonagle found that international artists were attracted by the concept of addressing the issues of communities in conflict. In 1983, he worked briefly for the Institute of Contemporary Arts in London, while keeping close contact and transferring exhibitions to the Orchard. He returned to Orchard in 1986 to continue running the gallery for another four years. In 1987 he became the first ever arts administrator to be shortlisted for the Turner prize for his work at the Derry gallery.

In 1990, McGonagle was appointed director of the newly established Irish Museum of Modern Art (Imma) in Dublin. He supported the contentious decision to use the 17th century Kilmainham Hospital location, as opposed to a new purpose built premises in the then redeveloping Dublin Docklands area. Aidan Dunne of the Irish Times notes that at Imma "over the years the lack of a large exhibition space has on occasion been a drawback." Hugh Linehan, arts and culture editor at The Irish Times, commented in 2021 that McGonagle " fatefully insisted it should be located in the Royal Hospital", and that "Imma has struggled to define itself against the backdrop of a beautiful but not very well suited exhibition space." McGonagle developed a strategy for working with contemporary artists to collect "for the future", he proposed to give educational and community related programmes equal importance to the curatorial work. In relation to Imma's collection, McGonagle is quoted as saying "most of what we buy is Irish," in 1993, "but I'm not operating a quota system. Part of that has to do with the practical dimension of how often you see international work. £100,000 is actually quite a modest sum, although it's a lot in Irish terms, so it's only right that we redistribute that wealth back into the system [ ] " In 1994 the gallery acquired a semi permanent Lawrence Weiner work for £20,000. During his ten year appointment as director at the Irish Museum of Modern Art, McGonagle saw the conversion of the property's stables into accommodation and studio spaces, the (then) part derelict Deputy Master's House restored as a specialist exhibition space, and the 48 acres of the grounds dotted with contemporary sculptures. The gallery's highest footfall to date was recorded in 1997 at 350,000, as a result of the popular Andy Warhol exhibition. In 1999, Imma administered the first Nissan Millenium Art Project award of £40,000 for a temporary artwork. The award was granted to Dorothy Cross for her 'Ghost Ship' project.

City Arts Centre, a community arts organisation founded in 1973, did not receiving Arts Council funding in 2001. McGonagle launched a 'Civil Arts Inquiry' (a two year series of "conferences and recorded public debates") meanwhile earning €50,000 per year. The 'Inquiry' had skeptics, dismissing it for not engaging with the art community and as a profit driven waste of time, without producing any results.

In 2008 McGonagle took up the post as Director of the National College of Art and Design, Dublin (NCAD). Under his governance, NCAD began an academic alliance in 2010 with UCD, and in 2012, McGonagle announced that the college was in talks regarding a possible merger with University College Dublin. McGonagle assured staff and students that a campus move to Belfield was not on the agenda. McGonagle resigned from NCAD in 2015 amidst controversy. Also that year, McGonagle was a member of the Turner Prize jury. to chair a new board at Imma. Shortly thereafter "she advised the then director, Declan McGonagle, that she was advertising his post." But because "after his first five years in the position, his contract had been renewed without the post being publicly advertised" McGonagle took legal action. In November 2000 Board members were informed that lawyers for McGonagle were applying to the High Court for an injunction restraining Imma from publicly advertising the director's position. The issue took on larger proportions as " public perception was that [Donnelly] was somehow against community arts and in favour of international blockbuster exhibitions, that she was a wealthy socialite out to bring down a man of the people." During this time there was public support for McGonagle and a high profile threats were made to withdraw collections and funding from the gallery should the director lose his position. The businessman and art collector Gordon Lambert claimed he intended to reassess his relationship with Imma
However, "after four months he won a renewal of his contract, but he then resigned" and was allegedly awarded €250,000 in the settlement. Other reports say he was "awarded five years’ salary (€370,000) five years’ pension contributions (€31,000), five years’ housing subsidy (€90,000) and a car."

McGonagle resigned from NCAD in 2015, a year in which "questions about accounting practices, a drastic increase in student numbers, the introduction of student charges, and questionable revenue management" emerged. In 2015, after numerous delays in producing its accounts over the course of 8 years, NCAD's state funding was put in question during a Committee of Public Accounts (a standing committee of the Irish parliament). Early in 2015 "The Comptroller & Auditor General Seamus McCarthy told the Public Accounts Committee that accounting practices in NCAD were "not fit for purpose"", and Labour TD Robert Dowds said it was "one of the most scandalous situations with which the committee has been presented". There were related student protests and a sit in in March 2015, followed by a near unanimous SIPTU vote at an Emergency General Meeting on April 15, 2015 of 'no confidence' in the senior management:<blockquote>"At an Emergency General Meeting of SIPTU members in NCAD, held on April 15, a motion was passed that stated: “Following the recent appearance of NCAD before the Public Accounts Committee and in support of the action of students, SIPTU members have expressed no confidence in the Senior Management Team of NCAD to plan for the long term fiscal and academic future of the college. We will as requested by our members bring this to the attention of the Department of Education and the HEA.”"