Акустикалық сазды жазу процесі және Alice in Chains тобының тәжірибесі

Acoustic rock
grunge
hard rock the members returned home to Seattle after the end of their Lollapalooza tour and found themselves evicted from their residence after failing to pay the rent. Homeless, the band then moved into the London Bridge Studio in Seattle. During Alice in Chains' June–August 1993 appearance at Lollapalooza, guitarist Jerry Cantrell called producer Toby Wright with a proposal to collaborate on new material. Wright reacted positively and booked ten days at the London Bridge Studio. Despite Cantrell's assurances, the band did not have any planned tracks before the session began. Drummer Sean Kinney had said, "After playing loud music for a year, we'd come home and the last thing we wanted to do was crank up the amps right away. That stuff was written on buses and whenever we had downtime. We did Jar of Flies to see how it was to record with [bassist] Mike Inez. We just went into the studio with no songs written, to check out the chemistry. It all fell into place. The sounds and the tones were really good. We thought it would be a waste not to put that material out." The first session took place on September 7, 1993. Vocalist Layne Staley said the band "just wanted to go into the studio for a few days with our acoustic guitars and see what happened. We never really planned on the music we made at that time to be released. But the record label heard it and they really liked it. For us, it was just the experience of four guys getting together in the studio and making some music." The album's sessions lasted 14–18 hours a day, and recording was complete within seven days. Assistant engineer Jonathan Plum described the sessions as "exhaustive". The album was recorded on tape on a Neve 80 68 mixing console because Wright wanted the album's acoustic sound to be as natural as possible. Staley instructed that Pro Tools not be used within the studio; as Wright explained, "Layne absolutely had a working knowledge of his sonic preferences in the studio and felt analog sounded better for the band's sound." The album's tracks were mostly recorded within one or two takes. The album's acoustic guitar sound was particularly focused on. Wright recalled that "at some points we overdubbed some acoustics with micing those acoustics, but when they were recording live off the floor, I'd use whatever pick ups [Cantrell] had in his guitars at the time, trying to keep that sound as close to acoustic sounding as possible. So that it sounded like it was an acoustic guitar instead of an electrified acoustic guitar." Cantrell played using Ovation guitars during the album's sessions. To reflect the recording's acoustic climate, Kinney sometimes used brushes to obtain a softer feel. AKG 414 microphones were used for overhead registration, while D 12s were used for the floor and rack toms, and Sennheiser MD 421s were placed on the kick drum. 451s and 57s were mounted on the top side of the snare drum, while a 441 was fitted on the bottom side. The characteristic syncopated drum opening in "No Excuses" was a result of Kinney's improvised experimentation with side stick drumming. Wright was not an advocate of the technique and said that they "eventually wound up with some bongos and some smaller drums set up over the hi hat that we incorporated into that groove." Staley wrote much of the album's lyrics within the studio and arranged the album's vocal harmonies. Wright recalled the pace of Staley's work as quick, and that the vocal tracks were recorded within one or two takes via a Neumann M 49 microphone. Cantrell performed the lead vocals in the track "Don't Follow". Wright described Cantrell as an "awesome" singer, and stressed that "you couldn't have done all those harmonies without him." The album's sessions concluded on September 14. Wright mixed the album at Scream Studios in Los Angeles, California from September 17–22.

Due to the dominance of acoustic instruments in Jar of Flies, the album is often considered a continuation of the sound adopted by the band on the 1992 EP Sap. and jangle pop. Steve Huey of AllMusic stressed that "the mood is still hopelessly bleak, but the poignant, introspective tone produces a sense of acceptance that's actually soothing, in a funereal sort of way. Jerry Cantrell's arrangements keep growing more detailed and layered; while there are a few noisy moments, most of Jar of Flies is bathed in a clean, shimmering ambience whose source is difficult to pin down". Tom Sinclair of Entertainment Weekly noted that "No Excuses" has a '70s influenced style and described "Swing on This" as "postmodern boogie woogie". The album's lyrics are dark and gloomy, with Huey writing that "Jar of Flies is about living with the consequences, full of deeply felt reflections on loneliness, self imposed isolation, and lost human connections."

The album's title originates from a science experiment that Cantrell conducted in third grade. The experiment consisted of maintaining two jars full of flies. The flies in one jar would be overfed, while the flies in the other jar would be underfed. The flies that were overfed reproduced rapidly, but then died from overcrowding. The flies that were underfed managed to survive throughout the year. Concerning the anecdote, Staley said "I guess there's a message in there somewhere. Evidently that experiment had a big impact on Jerry." The first pressing of the compact disc for Jar of Flies included plastic flies visible on the front view of the clear spine. It earned a Grammy nomination for Best Recording Package. The record received a multi format reissue for its 30th anniversary in 2024. One of them was a vinyl record with the carcasses of real flies pressed into it and limited to 100 copies.

Jar of Flies was released on January 25, 1994, by Columbia Records. The album was promoted by two singles, "No Excuses" and "I Stay Away", both of which received music videos. "No Excuses" reached #1 on the Album Rock Tracks chart, becoming the first single by the band to do so. Cantrell admitted that "we couldn't believe that it did so well," and that "the success of Jar of Flies showed us that we could do what we liked and that other people would like it too." The album entered the Billboard 200 chart at number one; It was the only EP ever to gain this distinction until 2004, when the Collision Course mashup EP by Jay Z and Linkin Park also achieved the number one spot ten years later, and Bad Meets Evil's EP Hell: The Sequel in 2011. Jar of Flies sold 2,037,853 copies during its first year and was later certified triple platinum in 1995 and quadruple platinum in 2022. but lost to Buddy Jackson for "Tribute to the Music of Bob Wills and the Texas Playboys" performed by Asleep at the Wheel. The single "I Stay Away" was nominated for the Best Hard Rock Performance. In November 2011, Jar of Flies was ranked No. 4 on Guitar World magazine's top ten list of guitar albums of 1994. It was featured on Guitar World magazine's "Superunknown: 50 Iconic Albums That Defined 1994" list in 2014. In April 2014, Jar of Flies was ranked No. 12 on Rolling Stones "40 Best Records From Mainstream Alternative's Greatest Year" list. In May 2014, the EP was placed at No. 5 on Loudwires "10 Best Hard Rock Albums of 1994" list. In April 2019, the EP was ranked No. 42 on Rolling Stones "50 Greatest Grunge Albums" list. Cane Hill's lead vocalist Elijah Witt said that Jar of Flies was a major influence on the band's 2019 acoustic EP, Kill the Sun.

All lyrics written by Layne Staley, except where noted. All music written or co written by Jerry Cantrell, co writers are listed below.