Queen тобының «Innuendo» альбомы: Соңғы шығарма және тарихы

Innuendo is the fourteenth studio album by the British rock band Queen, released on 4 February 1991 by Parlophone in the United Kingdom and it is the band's first studio album to be released by Hollywood Records in the United States. Produced by David Richards and the band, it was the band's last album to be released in lead singer Freddie Mercury's lifetime, and their most recent one to be composed of entirely new material, save for The Cosmos Rocks by the Queen + Paul Rodgers collaboration. It reached the No. 1 spot on the UK album charts for two weeks, and also peaked at No. 1 in Italy, the Netherlands, Germany, and Switzerland, staying at No. 1 for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984. The album was recorded between March 1989 and November 1990. In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February 1991. Stylistically, Innuendo is in some sense a return to Queen's roots, with its harder rock sound, complex musical composition (title track), psychedelic effects ("I'm Going Slightly Mad"), and strong vocals from Mercury ranging three octaves (F2 F5). Nine months after the album was released, Mercury died of AIDS derived bronchopneumonia. The album cover was designed by Queen and Richard Gray. The booklets and single covers from the album are inspired by illustrations by 19th century French artist Jean Jacques Grandville. Innuendo was voted the 94th greatest album of all time in a national 2006 BBC poll.

Queen released their thirteenth album, The Miracle, in May 1989, but unlike their previous albums, they did not conduct a live tour. Freddie Mercury conducted an interview with BBC Radio 1, where he said that he wanted to break from the "album – tour – album – tour" routine. He had privately been diagnosed as HIV positive in 1987, and was now diagnosed with AIDS, which was not yet publicised; however, rumours had been spreading since 1988 about Mercury's health and of the possibility that he had the disease, with speculation fuelled by a clear physical decline in his appearance, particularly weight loss. While he kept quiet due to his personal rule not to talk to the media, the other band members denied the rumours; at one point, band member Roger Taylor told reporters that "he is healthy and working". While Mercury accepted the award for the band at the Dominion Theatre, Brian May spoke for the band. Mercury's increasingly gaunt appearance at the ceremony sparked further speculation from the public about his health, which persisted throughout 1990. Mercury did not speak publicly about his health, saying that he did not want to sell his music out of the people's sympathy. He was determined to continue working on music with Queen for as long as he could, saying that he would "keep working until I fucking drop". Mercury was persistently bothered by reporters at his London home, making it difficult for the band to record music. As a result, the band relocated to Mountain Studios in Montreux, where the safer and more peaceful atmosphere allowed the band to concentrate. The album was released in the US under a new label, the Disney owned Hollywood Records, in an effort to garner greater exposure there. Hollywood had also secured the rights to Queen's Elektra and Capitol back catalogs, and began reissuing albums early in 1991, marking Queen's 20th anniversary.

"Innuendo" began as a jam session in Switzerland amongst Brian May, Roger Taylor and John Deacon in spring 1989. Freddie Mercury was upstairs and heard them playing the beat, and turned it into a song, creating the melody and starting off the lyrics. From then on all four worked on polishing the track and Taylor took over the lyrics (which were written as a tribute to Led Zeppelin and their song "Kashmir"). The middle section, written by Mercury, was included later and it featured a synth orchestra programmed by producer David Richards and a flamenco interlude played by Yes guitarist Steve Howe, who had come to visit them and was asked to play. "Innuendo" was released as a single in January 1991, debuting at No. 1 in the UK.

"I'm Going Slightly Mad" was begun in Mercury's London house, after he had the idea of writing a song about madness, inspired by Noël Coward's camp one liners. Most of the lyrics like "banana tree" or "one needle", came from both him and his friend Peter Straker, who stayed up all night in Mercury's kitchen, devising ever more outlandish lines. The music is Mercury's and is one of the earliest songs the band were working on in Montreux when Steve Howe came in. The video that accompanied the song saw Mercury dressed in a costume suit with wild hair, white gloves, long pointing shoes and extremely heavy make up, filmed in black and white. Whilst Queen fans were thoroughly amused by the band in the video, in the documentary, Champions of the World, Taylor confessed, from the band's perspective, the video was marred by Mercury's appearance having to be camouflaged by costume and make up, as Taylor admitted Mercury looked "pretty ill, at that point."

"Headlong" was written by May at the studio they had in Switzerland. He recorded it for his debut solo album, Back to the Light, which he was making at the same time, but after hearing Mercury sing it, decided it worked better as a Queen song.

"I Can't Live with You" was also written for May's solo album. He gave it to the band as well since Taylor, Deacon and Mercury were fond of the track. Drums were programmed on synth by May, and the keyboard pads were added by the producer. An alternative version of this song appeared on the 1997 compilation album Queen Rocks, billed as the "'97 Rocks Retake". It was said to be more along the lines of how May and Taylor originally wanted the track to sound, with a harder, guitar driven rock edge. May has stated in an interview that most of the original demo is in the recording, making the song "impossible" to mix.

"Don't Try So Hard" came from Mercury. The intro "rain" is actually the pre set sound of the Korg M1, which appears when it is switched on ("00: Universe").

"Ride the Wild Wind" was composed by Taylor, who recorded a demo with his own vocals. The album version is sung by Mercury with Taylor on backing vocals. The song is a sort of sequel of Taylor's A Night at the Opera composition, "I'm in Love with My Car", which focused on Taylor's passion for cars and racing. This time, the song involved all of the other members, that gave life to a fast song with beating drums and rhythmic bass line, eerily note for note similar to The Smiths' "Shakespeare's Sister", which create the sensation of speed and engine's roar. In the mid part, a May solo, which accentuates the sense of high velocity, and also gives the song a heavier sound. In some parts, a racing car can be heard.

"All God's People" was co written by Mercury and Mike Moran, initially as part of Mercury's Barcelona project under the title "Africa by Night". He'd asked May to play guitar, then one thing led to another and the entire band played. The keyboard parts were played by Moran. Similar to "Somebody to Love" from A Day at the Races, "All God's People" has a strong gospel influence.

"These Are the Days of Our Lives" was written by Taylor. Keyboards were programmed by all band members in the studio, and conga percussion was recorded by David Richards. The music video for this song was Mercury's last appearance in a video medium, and with his knowing farewell look straight at the camera, Mercury whispers "I still love you" at the end of the song. By the time the video was made, it had become impossible to disguise that Mercury was seriously ill. The video was filmed in colour, but converted to black and white to minimise Mercury's frail appearance. At a later date, colour footage of the band making the video was released, revealing just how ill Mercury was at the time.

"Delilah" is a song Mercury penned for his favourite female calico cat named Delilah. Although Mercury had about 11 cats, Delilah was special. May recorded his solo using a talk box. Taylor later admitted he is not fond of the song, stating "I hate 'Delilah'. That's just not me."

The fly away rocker "The Hitman" was started by Mercury. The original version was apparently on keyboards and in a different key. May took Mercury's riff (not uncommon), changed the key and recorded a demo of the heavy version. Deacon then re arranged the structure and they all filled the gaps in lyrics and recorded it. All of the backing vocals were done by May. The demo version is sung by May, with Mercury making spoken comments (like "Bite the bullet baby! ").

"Bijou" was an idea Mercury and May had of making a song "inside out", having guitar doing the verses and the vocal doing the break. Mercury put the chords, title and lyrics, and the two of them worked on the guitar parts. Mercury sang the first line and then May transferred the melody to his Red Special. The song was finished without any input from Taylor or Deacon. The inspiration for the song itself is twofold, Brian May; “The vocal is a succinct and very precise little verse, a little gem, a "Bijou" a jewel buried at the heart of the piece: hence the name of the song.” “My Mum was given a budgie by a friend it became a great companion for her after she lost my Dad. She called it "Bijou" and she would spend hours talking to it! It was her little Bijou.”
The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982, in support of the Greatest Hits II album. Due to Mercury's critical health at the time of its production, a fresh appearance by the band in a video was not possible. The track is a personal favourite of fellow British artist Elton John, who performed the song at the Freddie Mercury Tribute Concert with the remaining members of Queen, and Tony Iommi playing rhythm guitar. A different live version featuring Elton John on vocals later appeared on Queen's Greatest Hits III album.