Америкадағы Ұлттық Марияның Көтерілу Базиликасы

Historic church in Maryland, United States

The Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary, also called the Baltimore Basilica, is a Catholic cathedral in Baltimore, Maryland. It was the first Catholic cathedral built in the United States after the nation's founding, and was among the first major religious buildings constructed therein after the adoption of the U. S. Constitution. As a co cathedral, it is one of the seats of the Catholic Archdiocese in Baltimore, Maryland. Additionally it is a parish church (ranked minor basilica) and national shrine. It is considered the masterpiece of Benjamin Henry Latrobe, the "Father of American Architecture".

The interior is occupied by a massive dome at the crossing of the Latin cross plan, creating a centralizing effect which contrasts the exterior impression of a linear or oblong building. Surrounding the main dome is a sophisticated system of barrel vaults and shallow, saucer like secondary domes. The light filled interior designed by Latrobe was striking in contrast to the dark, cavernous recesses of traditional Gothic cathedrals. The Basilica houses many precious works of art, including two heroic portraits: the first entitled Descent from the Cross by Pierre Narcisse Guérin and the second, by Baron Charles de Steuben, depicts Louis IX of France burying his plague stricken troops before the siege of Tunis at the beginning of the Eighth Crusade in 1270. Both portraits were gifts of King Louis XVIII of France shortly after the 1821 opening of the Basilica.

Latrobe originally planned a masonry dome with a lantern on top, but his friend Thomas Jefferson suggested a wooden double shell dome (of a type pioneered by French master builder Philibert Delorme) with 24 half visible skylights. For the inner dome Latrobe created a solid, classically detailed masonry hemisphere. Grids of plaster rosettes adorn its coffered ceiling.

A 32 month, $34 million restoration project was completed in 2006. The restoration included a total incorporation of modern mechanical systems throughout the building, while also restoring the interior to Latrobe's original design. Many "misguided accretions" were corrected. The original wall colors (pale yellow, blue, and rose) were restored, as was the light colored marble flooring which for decades had been a dark green color. Twenty four skylights in the main dome were re opened, and the stained glass windows (installed in the 1940s) were given to St. Louis parish in Clarksville (whose new church was designed around them) and replaced with clear glass windows. Additionally, the Basilica's crypt was made accessible to the public, as well as the expansive masonry undercroft (basement) of the church. The undercroft, until 2006, had been filled with sand from the original building of the cathedral, which prevented Carroll and Latrobe's vision of a Chapel in the undercroft. During the restoration, the sand was removed, and the Our Lady Seat of Wisdom Chapel was finally realized. Cardinal William Keeler, then Archbishop of Baltimore, and one of the many champions of the restoration project, completed the restoration without dipping into the coffers of the Archdiocese, instead using private funds donated for the sole purpose of the restoration. The Basilica was closed to the public from November 2004 through November 2006, reopening in time for the Basilica's Bicentennial and the biannual meeting of the United States Conference of Catholic Bishops, which was held in Baltimore to mark the occasion.

On August 23, 2011, an earthquake that jolted the East Coast from Georgia to Quebec rattled through the Basilica, sending nearly 1,000 linear feet of cracks through its ceilings and walls. A seven month, $3 million restoration was completed on Easter Sunday 2012.