Жылдам, Мысық! Өлтір! Өлтір!

1965 film by Russ Meyer

Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co written by Meyer and Jack Moran. It follows three go go dancers who embark on a spree of kidnapping and murder in the California desert. The film is known for its violence, provocative gender roles, and eminently quotable "dialogue to shame Raymond Chandler". It is also remembered for the performance of star Tura Satana, whose character Richard Corliss called "the most honest, maybe the one honest, portrayal in the Meyer canon". Faster, Pussycat! was a commercial and critical failure upon its initial release, but it has since become widely regarded as an important and influential film. The screenplay is credited to Jack Moran from an original story by Russ Meyer. The first draft was titled The Leather Girls and was written over a brief four day period by Moran, who also collaborated with Meyer on Common Law Cabin and Good Morning and Goodbye! The screenplay went through a second working title—The Mankillers—and had already begun production when the sound editor, Richard S. Brummer, came up with the now immortal final title. Although neither Moran nor Meyer overtly cited any prior works as inspiration, the plot has been called a "loose remake of The Desperate Hours, or possibly The Virgin Spring" by one prominent film critic

Haji had worked with Meyer on Motorpsycho. She recommended Tura Satana to him. Lori Williams later said, "Russ didn't want to hire me because he didn't think I had a big enough bust! I said I could use pushups in my bra, which I did. He didn't know whether it would work, but then in rehearsals he finally said okay. I kind of did my part like a cartoon, like the rest of the film, bigger than life."

Faster, Pussycat! had a modest budget of about $45,000 and was shot in black and white in order to save money. The film began shooting at the Pussycat Club, a strip club in Van Nuys, before moving on to the California desert later that night. The film's early racing scene was shot on the dry salt flats of Cuddeback Lake, the gas station scene was filmed in the town of Randsburg, and the scenes at the Old Man's house at Ollie Peche's Musical Wells Ranch outside the town of Mojave. During principal photography, the cast and crew stayed at the Adobe Motel in Johannesburg. Meyer, who got his start making films while serving in the US Army's 166th Signal Photographic Company during World War II, had a reputation for running strictly regimented film shoots with a small crew composed largely of former Army buddies. Actor Charles Napier, who appeared in five of Meyer's films, said that "Working with Russ Meyer was like being in the first wave landing in Normandy during World War II." Meyer considered the Faster, Pussycat! shoot no different, saying "It was the usual thing with me. It's like being in the military. Everybody has to get up and do their jobs to get things together, and that's it." Meyer's directorial style and the rules he imposed upon cast and crew caused clashes with his equally strong willed star, Tura Satana. There was also friction between Susan Bernard and her director and co stars, much of which they attributed to the presence of her mother on the set (necessitated by Bernard's being a sixteen year old minor at the time). Bernard has said in interviews that she was truly scared of Satana, and some have thought that this contributed to her performance as a frightened kidnapping victim. According to Satana,blockquote|Everybody [on set] did everything from moving props to marking scenery and marking spots where we had to be in the next take. I had to stage the fight scenes because nobody else knew how to do them, and so literally when I did the fight scenes, I really had to pick up each and every one of those guys and carry them through in order for them to look realistic. Basically I had to lay one guy on the floor because he was afraid he was going to get hurt. A lot of it actually had to be done in reverse, so try to imagine doing a fight scene that way. The track was never released commercially, but it did appear in February 1966 as a promotional only 45 rpm single without a B side.

Faster, Pussycat! Kill! Kill! premiered in Los Angeles on August 6, 1965. Atypically for a Meyer film, it was a box office failure upon its initial release.

In the years since, the film has been regarded more favorably, gaining in both commercial and critical stature. In his review of the film's 1995 re release, Roger Ebert gave the film three out of four stars. Noted feminist film critic B. Ruby Rich said that when she first saw Faster, Pussycat! in the 1970s she "was absolutely outraged that [she had] been forced to watch this misogynist film that objectified women and that was really just short of soft core porn." Upon viewing it again in the early 1990s, however, she "just loved it" and wrote a piece in The Village Voice reappraising the film and discussing her change in opinion. and 377th on the Sight & Sound "Greatest Films Poll". It is frequently mentioned on lists of the best B movies and cult films of all time. The film has also been influential on other filmmakers. Writer director John Waters stated in his book Shock Value that "Faster, Pussycat! Kill! Kill! is, beyond a doubt, the best movie ever made. It is possibly better than any film that will be made in the future." He later said on its re release that "it ages like fine wine." Filmmaker Quentin Tarantino referenced the film and thanked Meyer in the credits of his film Death Proof, and it was reported in Variety in 2008 that Tarantino was interested in remaking Faster, Pussycat!

In May 2021, it was reported that a television series adaptation of the film is in development from bigbaldhead Productions, the production company run by Norman Reedus, and AMC Studios.