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Filmmaking contract
In the film industry, an option agreement is a contract that "rents" the rights to a source material to a potential film producer. It grants the film producer the exclusive option to purchase rights to the source material if they live up to the terms of the contract and make a film (or series) from it. Some examples of producers are film studios, production companies or an individual. Source materials are often a book, theatrical play, or screenplay; however, they may also be articles, video games, songs, or any other work of intellectual property. The term is often used as a verb. For example, "Paramount optioned a short story by Ted Chiang."

When a work is optioned, the producer has not actually purchased the right to use the source material; they have simply purchased the option to purchase the rights to the work at some point in the future, if they are successful in setting up a deal to actually film a movie (or series) based on it. Purchasing the actual rights to a work is called "exercising" the option. This requires another contract, the "Rights Purchase Agreement". Option agreements detail the rights of the producer and the original author, including how long the agreement lasts, the fees paid to the author, and any plans for rights associated with derivative works (for example, a future prequel to a book). The producer usually has to outline their plan for financing, writing, casting, and shooting the film or series. Financially, the contract qualifies as a financial option and may be valued by applying real options analysis.

Film option agreements last for a set amount of time, which is called the "option period" and is often around eighteen months. After the option period expires, the producer no longer has an exclusive right to buy the screenplay and the original work's rights are returned to the author. The fee for the first option period can be detracted from any income received from the project after the original work is exercised, while the fee for the extension cannot. A portion of the film's financing is usually used to pay the exercise price. This is also called the "purchase price", for obvious reasons. The producer has until the end of the last extension period to exercise the option.

Options are not expensive by the standards of Hollywood movies. For True Romance, Quentin Tarantino received US$50,000 to option his script. Many writers are happy to receive a few thousand dollars. Option contracts typically do specify the eventual cost of the screenplay, if the producer does end up exercising the option. Since optioning a screenplay is far cheaper than buying it, options are very popular in Hollywood for speculative projects.