Пәстүм: ежелгі грек-рим қаласының қираған орындары

Ruined Ancient Greek and Roman city in southern Italy
the ancient city

Paestum ('/p//ɛ//s//t//ə//m/ PESTəm, /USalso/'/p//iː//s//t//ə//m/ PEEstəm, ) was a major ancient Greek city on the coast of the Tyrrhenian Sea, in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BC that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Paestum was established around 600 BC by settlers from Sybaris, a Greek colony in southern Italy, under the name of Poseidonia (Ποσειδωνία). The city thrived as a Greek settlement for about two centuries, witnessing the development of democracy. In 400 BC, the Lucanians seized the city. Romans took over in 273 BC, renaming it Paestum and establishing a Latin colony. Later, its decline ensued from shifts in trade routes and the onset of flooding and marsh formation. As Pesto or Paestum, the town became a bishopric (now only titular), but it was abandoned in the Early Middle Ages, and left undisturbed and largely forgotten until the eighteenth century. Today the remains of the city are found in the modern frazione of Paestum, which is part of the comune of Capaccio Paestum in the Province of Salerno in the region of Campania, Italy. The modern settlement, directly to the south of the archaeological site, is a popular seaside resort with long sandy beaches. The Paestum railway station on the Naples Salerno Reggio Calabria railway line is directly to the east of the ancient city walls.

The Greek settlers who founded the city originally named it Poseidonia (Ποσειδωνία). It was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. with massive colonnades having a very pronounced entasis (widening as they go down), and very wide capitals resembling upturned mushrooms. Above the columns, only the second Temple of Hera retains most of its entablature, the other two having only the architrave in place. These were dedicated to Hera and Athena (Juno and Minerva to the Romans), although previously they often have been identified otherwise, following eighteenth century arguments. The two temples of Hera are right next to each other, while the Temple of Athena is on the other side of the town center. There were other temples, both Greek and Roman, which are far less well preserved. Paestum is far from any sources of good marble. Unsurprisingly, the three main temples had few stone reliefs, perhaps using painting instead. Painted terracotta was used for some detailed parts of the structure. The large pieces of terracotta that have survived are in the museum. The whole ancient city of Paestum covered an area of approximately 120 hectares. Only the 25 hectares that contain the three main temples and the other main buildings have been excavated. The other 95 hectares remain on private land and have not been studied. The ancient city was surrounded by defensive walls, which are largely intact. The walls are approximately long in its polygonal perimeter, typically high, and thick. Corresponding with the cardinal points, there were four main openings in the wall: Porta Sirena (east to the hills); Porta Giustizia (south, now to the modern village Paestum); Porta Marina (west to the sea); and Porta Aurea (north), which was later destroyed. Positioned along the wall were 24 square or round towers. There may have been as many as 28, but some of them (and Porta Aurea) were destroyed during the construction of a highway during the 18th century that effectively cut the ancient site in two. The central area is completely clear of modern buildings and always has been largely so, since the Middle Ages. Although much stone has been stripped from the site, large numbers of buildings remain detectable by their footings or the lower parts of their walls, and the main roads remain paved. A low built heroon or shrine memorial to an unknown local hero survived intact; the contents are in the museum. Numerous tombs have been excavated outside the walls.

The first Temple of Hera, built around 550 BC by the Greek colonists, is the oldest surviving temple in Paestum and the one farthest south. 18th century archaeologists named it "the Basilica" because some mistakenly believed it to be a Roman building. (The original Roman basilica was essentially a civic form of building, before the basilica plan was adopted by the Early Christians for churches.) Inscriptions and terracotta statuettes revealed that the goddess worshiped here was Hera. Later, an altar was unearthed in front of the temple, in the open air site usual for a Greek altar. The faithful could attend rites and sacrifices without entering the cella or inner sanctuary. The columns have a very strong entasis or curvature down their length, an indication of an early date of construction. Some of the capitals still retain visible traces of their original paint. The temple is wider than most Greek temples, probably because there are two doors and a row of seven columns running centrally inside the cella, an unusual feature. This may reflect a dual dedication of the temple. Having an odd number of columns, here nine, across the shorter sides also is very unusual; there are eighteen columns along the longer sides. This was possible, or necessary, because of the two doors, so that neither has a view blocked by a column. On the highest point of the town, some way from the Hera Temples and north of the center of the ancient settlement, is the Temple of Athena. It was built around 500 BC, and was for some time incorrectly thought to have been dedicated to Ceres. The architecture is transitional, being mainly built in early Doric style and partially Ionic. Three medieval Christian tombs in the floor show that the temple was at one time used as a Christian church. The second Temple of Hera was built around 460–450 BC, just north of the first Hera Temple, the two both part of a Heraion, or sanctuary to the goddess. It was once thought to be dedicated to Poseidon, who may have been a secondary focus of worship there. Instead of the typical 20 flutes on each column, they have 24 flutes. The Temple of Hera II also has a wider column size and smaller intervals between columns. The temple was also used to worship Zeus and another deity, whose identity is unknown. There are visible on the east side the remains of two altars, one large and one smaller. The smaller one is a Roman addition, built when a road leading to a Roman forum was cut through the larger one. It also is possible that the temple originally was dedicated to both Hera and Poseidon; some offertory statues found around the larger altar are thought to demonstrate this identification.

In the central part of the complex is the Roman Forum, thought to have been built on the site of the preceding Greek agora. On the north side of the forum is a small Roman temple, dated to 200 BC. It was dedicated to the Capitoline Triad, Jupiter, Juno and Minerva. To the north east of the forum is the amphitheater. This is of normal Roman pattern, although much smaller than later examples. Only the western half is visible; in 1930 AD, a road was built across the site, burying the eastern half. It is said by local inhabitants that the civil engineer responsible was tried, convicted and received a prison sentence for what was described as wanton destruction of a historic site. There is also a small circular council hall (bouleuterion) or assembly space (ekklesiasterion), with seats in tiers. It was probably never roofed, but had a wall around it, perhaps with a small arcade round the inside. This ceased to have a role in Roman times and was filled over. The heroön, close to the forum and the Temple of Athena, probably celebrated the founder of the city, though constructed around a century after the death of this unnamed figure. It was a low tumulus with a walled rectangular enclosure faced with large stones around it. When it was excavated in 1954 a low stone chamber with a pitched roof was discovered at the centre, half below the surrounding ground level and half above. This contained several large, rare, and splendid bronze vessels, perhaps not locally made, and a large Athenian pottery black figure amphora of about 520–500 BC. The bronze vessels had traces of honey inside. These are all now in the museum. The open air temenos was established at the start of Greek occupation: a temple on the site was not built until the early fifth century BC. A nude goddess is a figure alien to Greek culture before the famous Cnidian Aphrodite by Praxiteles in the fourth century: iconographic analogies must be sought in Phoenician Astarte and the Cypriote Aphrodite. "In places where the Greeks and Phoenicians came in contact with one another, there is often an overlapping in the persona of the two deities."

The National Archaeological Museum of Paestum holds the largest collection, but many significant pieces were removed from the site before modern controls and are in a number of collections around the world. The National Archaeological Museum of Spain in Madrid has especially rich holdings, with two important Imperial Roman statues and many, very fine vases (see below). Other pieces, mostly painted pottery, are in the Louvre, the Antikensammlung Berlin, and other museums in Europe and America. In the case of painted pottery, a number of individual artists, especially from the fourth century BC, have been identified and given notnames whose work has been found in tombs around the city and the region, and sometimes farther afield. It has been presumed that these artists were based in the city.

The highlights of the National Archaeological Museum of Paestum are mentioned above: the Sele metopes, the Tomb of the Diver, and the contents of the Heroon. The displays also show a number of large painted terracotta architectural fragments from the temples and other buildings, many Greek terracotta figurines, and incomplete larger terracotta statues, and pottery including painted vases.

According to Strabo, the city was founded as Poseidonia (named after the Greek deity of the sea) by Greek Achaeans from Sybaris. The colonists had built fortifications close to the sea, but then decided to found the city farther inland at a higher elevation. The fortifications might have been built to the south of Poseidonia on the promontory where Agropoli is now. According to the historical tradition the sanctuary to Poseidon was located there, after which the city would have been named. The date of Poseidonia's founding is not given by ancient sources, but the archaeological evidence gives a date of approximately 600 BC. Alternatively in fact, the Sybarites may have been Troezenians. Aristotle wrote that a group of Troezenians was expelled from Sybaris by the Achaeans after their joint founding of that city. It is presumed that Poseidonia harbored refugees from its mother city, Sybaris, when that city was conquered by Croton in 510 BC. In the early fifth century, Poseidonia's coins adopted the Achaean weight standard and the bull seen on Sybarite coins. A. J. Graham thinks it was plausible that the number of refugees was large enough for some kind of synoecism to have occurred between the Poseidonians and the Sybarites, possibly in the form of a sympolity. following the rediscovery of the Roman cities of Pompeii and Herculaneum, and during the construction of a new coastal road south from Naples. The modern settlement had begun to revive by at least the sixteenth century, to the side of the ancient ruins. After a complicated start, the rediscovery of the three relatively easily accessible, and early, Greek temples created huge interest throughout Europe. Giovanni Battista Piranesi visited to make a book of highly atmospheric but also accurate etchings, published in 1778; these and other prints were widely circulated. The complete and relatively simple form of the temples became influential in early Greek Revival architecture. In 1740 a proposal was made, but not executed, to remove columns for the new Palace of Capodimonte in Naples. Initially, eighteenth century savants doubted that the structures had been temples, and it was suggested variously, that they included a gymnasium, a public basilica or hall, or a "portico". thought they were Etruscan, in line with his theories that Greek colonists merely had joined existing cultures in Italy, founded by peoples from farther east. He derived the etymology of "Poseidonia" from an invented Phoenician sea deity. The first modern published account of the ruins was Les Ruines de Paestum in 1764, by G. P. M. Dumont, who had been taken to the site in 1750, along with the architect Jacques Germain Soufflot, by Count Gazzola, an engineer for the government in Naples. Gazzola had drawn or commissioned measured drawings, to which Dumont added his own, as well as, more artistic plates. There was an expanded edition in 1769, the same year when a still more extensive account was published by the Englishman Thomas Major. By 1774 there were nine different illustrated publications on the site.

On September 9, 1943, Paestum was the location of the landing beaches of the U. S. 36th Infantry Division during the Allied invasion of Italy. German forces resisted the landings from the outset, causing heavy fighting within and around the town. Combat persisted around the town for nine days before the Germans withdrew to the north. The Allied forces set up their Red Cross first aid tents in and around the temples, as they were regarded as "off limits" to bombing by both sides.

In 2024, the Italian Ministry of Culture announced that two Doric style temples were uncovered at Paestum.

The coins of Paestum begin about 550 BC. These early issues were perhaps all festival coins. They usually have Poseidon with upraised trident. Issues continue until the reign of Tiberius. For unknown reasons Paestum alone of all the smaller Italian mints, was allowed to continue minting bronze coins by a Senatorial decree of about 89 BC, after this had been centralized. Later coins carry "P. S. S. C.", standing for "Paesti Signatum Senatus Consulto" to reflect this.

In his partially fictionalized travelogue, The Innocents Abroad (1869), Mark Twain includes Paestum in the itinerary in Chapter 1 of the "great pleasure excursion to Europe and the Holy Land." The itinerary includes: "Rome [by rail], Herculaneum, Pompeii, Vesuvius, Vergil’s tomb, and possibly the ruins of Paestum can be visited "
In the novel My Ántonia (1918) by Willa Cather, the professor Gaston Cleric contracts a fever after spending the night outdoors admiring "the sea temples at Paestum". In the film Mare Nostrum (1926) by Rex Ingram, they visit Paestum. Gate to the Sea, a historical novel by Bryher published in 1958, portrays the flight of Harmonia, a Greek high priestess, from Poseidonia (Paestum), where the Greek inhabitants have been enslaved and culturally dominated by the Lucani since the death of Alexander the Great in 323 BC. Scenes in the 1963 film Jason and the Argonauts (1963) were filmed here – notably when the Argonauts assist King Phineus (Patrick Troughton), who has been blinded and is tormented by harpies for his transgressions against the gods. In return for his advice on how to reach Colchis, the Argonauts render the harpies harmless by caging them. Scenes in the 1981 film Clash of the Titans (where Perseus fights and kills Medusa's guardian, a two headed dog) take place in Paestum. In the 2007 video game Medal of Honor: Airborne, the second mission set during Operation Avalanche takes place in Paestum.