Crimson альбомының жазбалары және мағынасы

Recording took place at Conway Studios in Los Angeles, California, with producer Jerry Finn between November 2004 and January 2005. Ryan Hewitt engineered the sessions with assistance from Seth Waldmann. A few people contributed to the recordings: Roger Joseph Manning Jr. (piano and keyboards), Nolan McGuire (guitar on "Sadie"), Heather Hannoura (spoken word on "Sadie") and Warren Fitzgerald (additional string arrangements). Finn mixed the recordings, while Dave Collins mastered them at Dave Collins Mastering. This album would prove to be the band's final album with Finn involved in any capacity before his death in 2008.

The song "Sadie" was written about Susan Atkins (aka Sadie Mae Glutz) a murderer in the Charles Manson family, who took part in the Sharon Tate murders in 1969. The quotation near the end of the song is a quote from Susan's testimony which is spoken by Heather Gabel, the band's merchandise and artwork creator. The song "Prevent This Tragedy" refers to the West Memphis Three, whose trial and conviction for triple homicide in 1993 is considered controversial. Skiba on "Sadie": That song was actually the first song that we wrote for Crimson. We were still touring on our previous record and I wrote it just on tour. We started playing it at soundcheck and we had planned to do this split with One Man Army on BYO. That’s where that song came from originally. But we knew even then that we were probably wanting to re record it and putting it on an album, which it was on Crimson later. So yeah, I think that came from knowing that we were starting to write a new record and wanting to take a different approach. As I said before, you don’t ever want to write the same record twice. So yeah, I think it was just a fresh start and it just had a different kind of feel and sort of set the tone for Crimson, not that there is other songs like it on the record. But it’s definitely a good thing to get the ball rolling. Andriano on "Smoke": <blockquote>It's the last song on the record. I actually wrote that song like two years ago. I knew I liked certain aspects of the song, and those were basically the aspects of the song that made it to the final version. For the two years before we recorded it, I had been kind of toiling over this. It was kind of the bane of my writing existence. It scared me, because I knew I liked parts of it but was really unhappy with other parts. I couldn't make the vibe work. There was a time when that song was really soft, actually. I tried to make it like a loud, mid tempo rock number, but nothing really worked. That was one that we spent a lot of time on actually, making that groove that we wanted that's there now, almost a ballad [like] kind of song. It gave us a lot of time to think about cool effects, effects we could use on the chorus and string parts that are in the song. According to Matt Skiba, the band were: <blockquote>"doing the photo shoot and we had a completely different idea of what the record was going to look like. And Monica was there doing our styling; she got a bunch of outfits and she did the styling for pretty much all the new pictures for the record. She was there and the photographer was just doing all these different things and he had her stand in. He was toying with these different ideas with just a small portion of her face in the picture and then, lo and behold, she's our cover star. So we thought it looked cool and the people at the art department are in cahoots with the photographer who is amazing. Everybody who worked on the thing was cool and hands on and saw these pictures of her and were asking “who is that?” I said “that's my girlfriend” and they said “that's perfect, we have to use her." I think it looks very cinematic, and that's what we were going for. Once it was coming together, it was like film noir." The artwork was posted online nine days later. "Time to Waste" premiered through AOL Music on April 16, 2005, before it was released as a Hot Topic exclusive single (with "We Can Never Break Up" as its B side) in early May 2005. Following this, Alkaline Trio appeared at The Bamboozle festival and went on a short series of East Coast dates with support from Colossal and Mike Park. The music video for "Time to Waste" was posted online on May 17, 2005, directed by Joe Hahn; with it, the band wanted to make "something simple, yet atmospheric", opting for Hahn's video treatment that shows timing passing. Crimson was made available for streaming through MTV2 on May 18, 2005, before being released on May 24 through Vagrant Records. Following this, the band went on a European tour in August and September, which included appearances at the Pukkelpop, Indoor and Reading and Leeds Festivals. Skiba participated in the Plea for Peace Tour in September 2005. The music video for "Mercy Me" was posted on Yahoo! Launch's website on September 18, 2005, while the track was released to radio on nine days later. The band supported My Chemical Romance on their headlining US tour in September and October 2005. Following this, they embarked on a UK tour in the next month with Mike Park. A two disc deluxe edition was released on December 6, 2005 through Vagrant. The second disc features demo recordings, acoustic versions of songs on the album and music videos. Around its release, the band performed at the FNX Throws a Holiday Show, Next Big Thing, and The Night The Buzz Stole Christmas radio festivals. "Burn" was released as a single on February 20, 2006; across the various CD, 7" vinyl and digital download versions, remixes, radio session and demo versions were included as extra tracks. Alkaline Trio went on a brief tour of Europe to promote the single in February 2006, before appearing at the Independence D festival in Japan. This was followed by a tour of Australia in early March 2006. From March to May 2006, the group went on The Occult Roots of Alkaline Trio: Early Songs for Eerie People tour, on which the group played material from their back catalog. They were supported by Against Me!.

The album sold 42,624 copies, charting at number 25 on the Billboard 200. By August 2008, the album sold 204,000 copies.