Лондонның Хэмпстед ауданындағы Кенвуд үйі

Country house in Hampstead, London

Kenwood House (also known as the Iveagh Bequest) is a former stately home in Hampstead, London, on the northern boundary of Hampstead Heath. The house was originally constructed in the 17th century and served as a residence for the Earls of Mansfield during the 18th and 19th centuries. The house and part of the grounds were bought from the 6th Earl of Mansfield in 1925 by Edward Guinness, 1st Earl of Iveagh, and donated to the nation in 1927. The entire estate came under ownership of the London County Council and was open to the public by the end of the 1920s. It remains a popular local tourist attraction.

The house is at the north edge of Hampstead Heath, to the south of Hampstead Lane (the B519). It is in the London Borough of Camden, just south of its boundary with the London Borough of Haringey.

The original house on the property was presumed to have been built around 1616 by the King's Printer, John Bill, and was known as Caen Wood House. It was acquired in 1694 by the Surveyor General of the Ordnance, William Bridges, who demolished the house and rebuilt it; the original brick structure remains intact under the facade added in the 18th century. The orangery was added in about 1700. Bridges sold the house in 1704, and it went under several owners until 1754, when it was bought by the future Earl of Mansfield, William Murray.

In 1764, Murray commissioned Robert Adam to remodel the house. Adam was given complete freedom to design it as he chose. He added the library, one of his most famous interiors, to balance the orangery, and accommodate Lord Mansfield's extensive book collection. He also designed the Ionic portico at the entrance. The main Hampstead–Highgate road was moved to the north between 1793 and 1796 so that it would not run directly alongside the property. In 1794, King George III's visited the 2nd Earl of Mansfield at Kenwood House, Queen Charlotte said that his majesty was curious about the architectural improvements. The 2nd Earl died in 1796, and ownership passed to his son, David William Murray, 3rd Earl of Mansfield. William Atkinson undertook essential structural reinforcement to the house between 1803 and 1839, ensuring that Kenwood would stand the test of time. The property remained with the Mansfields throughout the rest of the century, but the Mansfields preferred to live at their Scottish seat, Scone Palace. In July 1835, King William IV and Queen Adelaide paid a royal visit to Kenwood, this was attended by 800 of the nobility and gentry, scattered around the Kenwood garden. The Marchioness of Salisbury wrote "The King and Queen and Royalties extremely well pleased: the King trotted about with Lord M. in the most active manner". The 6th Earl of Mansfield, Alan David Murray, inherited Kenwood from his brother in 1906, but soon decided to sell it. First he leased it, and after two years of negotiations, the house was leased in 1910 to the exiled Grand Duke Michael Mikhailovich of Russia and his morganatic wife, Countess Sophie of Merenberg. In 1914 the couple hosted a dinner and ball attended by European royalty including King George V and Queen Mary. The Grand Duke stayed at Kenwood until 1917, followed by American millionairess Nancy Leeds who moved out in 1920. In 1922 Lord Mansfield sold off the contents of the house and its future was uncertain.

Part of the grounds were bought by the Kenwood Preservation Council in 1922, after there had been threats that it would be sold to a building syndicate. This land came under control of the London County Council in 1924 and was opened to the public the following year by King George V. Lord Iveagh, a rich Anglo Irish businessman and philanthropist of the Guinness family, bought the house and the remaining not under public ownership from the Mansfield family in 1925 and left it to the nation upon his death in 1927; it was opened to the public the following year. Since then some furniture sold in 1922 has since been bought back. The paintings are from Iveagh's collection. Kenwood House was closed at the start of World War II. Following the war, the house came under ownership of the London County Council, and it re opened in 1950. The late 18th century extensions by Saunders were restored from 1955 to 1959. In 2019, 134,238 people visited the house.

There are two drives leading to the house from Hampstead Lane. Each has a gated white brick lodge. The north, or main entrance front of the house was designed by Robert Adam and is set in Stucco with a central portico. The south front is constructed out of a single Stucco block. It was restored to its original design in 1975. To the east of the house is the service wing, constructed from London stock brick. Opposite this is the brick house, designed as a cold plunge bath. The estate has a designed landscape with gardens near the house, probably originally designed by Humphry Repton, contrasting with some surrounding woodland, and the naturalistic Hampstead Heath to the south. There is also a garden designed by Arabella Lennox Boyd. The estate is Grade II* listed on the Register of Historic Parks and Gardens. One third of the estate is a Site of Special Scientific Interest, particularly the ancient woodlands. These are home to many birds and insects and the largest Pipistrelle bat roost in London. There are sculptures by Barbara Hepworth, Henry Moore and Eugène Dodeigne in the gardens near the house. Music concerts, originally classical but in more recent years predominantly pop concerts, were held by the lake on Saturday evenings every summer from 1951 until 2006, attracting thousands of people to picnic and enjoy the music, scenery and spectacular fireworks. In February 2007, English Heritage decided to abandon these concerts owing to restrictions placed on them after protests from some local residents. On 19 March 2008, it was announced that the concerts would return to a new location on the Pasture Ground within the Kenwood Estate, with the number of concerts limited to eight per season.

The house was the subject of a Margaret Calkin James poster in the 1930s, seen by many commuters on the London Underground. The 1999 British feature film Notting Hill had a scene filmed here. The 1995 British feature film Sense and Sensibility had scenes filmed here. Many scenes in the 2013 film Belle, in which William Murray figures as a character, are set in the house or its grounds, although filmed elsewhere. A scene from the 2016 novel Swing Time by Zadie Smith is set on the grounds of the estate.