Уильям Де Витт Снодграсс: Американдық ақын және Пулитцер жүлдесінің иегері

American poet

William De Witt Snodgrass (January 5, 1926 – January 13, 2009) was an American poet who also wrote under the pseudonym S. S. Gardons. He won the 1960 Pulitzer Prize for Poetry.

Snodgrass was born on January 5, 1926, in Beaver Falls, Pennsylvania, to Bruce De Witt, an accountant, and Jesse Helen (Murchie) Snodgrass. The family lived in Wilkinsburg, but drove to Beaver Falls for his birth since his grandfather was a doctor in the town. Eventually the family moved to Beaver Falls and Snodgrass graduated from the local high school in 1943. He then attended Geneva College until 1944 when he was drafted into the United States Navy. After demobilization in 1946, Snodgrass transferred to the University of Iowa and enrolled in the Iowa Writers' Workshop, originally intending to become a playwright but eventually joining the poetry workshop which was attracting as teachers some of the finest poetic talents of the day, among them John Berryman, Randall Jarrell and Robert Lowell. He received a Bachelor of Arts degree in 1949, a Master of Arts degree in 1951, and a Master of Fine Arts degree in 1953. Snodgrass was known to friends throughout his life as "De", pronounced "dee", but only published using his initials. He had a long and distinguished academic career, having taught at Cornell (1955 57), Rochester (1957 58), Wayne State (1959–68), Syracuse (1968 77), Old Dominion (1978 79), and the University of Delaware. One was The Führer Bunker cycle of poems, monologues by Adolf Hitler and his circle in the closing days of the Third Reich, a "poem in progress" that began to appear from 1977 onwards and was finally completed in 1995. An adaptation of these for the stage was performed in the 1980s. The other theme was the series written in response to DeLoss McGraw's surrealistic paintings, which eventually grew into a partnership. In these poems, often uproariously rhymed, Snodgrass stood his former confessional style on its head at the same time as satirizing contemporary attitudes.