Забриски Пойнты: 1970 жылғы драмалық фильм

1970 US drama film by Michelangelo Antonioni

Zabriskie Point /z//ə/'/b//r//ɪ//s//k//i/ is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the United States. Some of the film's scenes were shot on location at Zabriskie Point in Death Valley. The film was an overwhelming commercial failure, and was panned by most critics upon release. The film was listed in the 1978 book The Fifty Worst Films of All Time. It has been described as "the worst film ever made by a director of genius". Its critical standing has increased, however, in the decades since.

In a room at a university campus, white and black students argue about an impending student strike. Mark leaves the meeting after saying he is "willing to die, but not of boredom" for the cause, which draws criticism from the young white radicals. Following a mass arrest at the campus protest, Mark visits a police station hoping to bail his roommate out of jail. He is told to wait but goes to the lock up area, asks further about bail for his roommate, is rebuffed, calls out to the arrested students and faculty and is arrested. He gives his name as Karl Marx, which a duty officer types as "Carl Marx". After he is released from jail, Mark and another friend buy firearms from a Los Angeles gun shop, saying they need them for "self defense" to "protect our women." In a downtown Los Angeles office building, successful real estate executive Lee Allen reviews a television commercial for Sunny Dunes, a new resort like real estate development in the desert. Instead of actors or models, the slickly produced commercial features casually dressed, smiling mannequins. In the next scene Allen talks with his associate about the greater Los Angeles area's very rapid growth as the two drive through crowded streets. Mark goes to a bloody campus confrontation between students and police. Some students are tear gassed and at least one is shot. As Mark reaches for a gun in his boot, a Los Angeles policeman is seen being fatally shot, although it is unclear by whom. Mark flees the campus and rides a city bus to suburban Hawthorne, California where, after failing to buy a sandwich on credit from a local blue collar delicatessen, he walks to Hawthorne Municipal Airport, steals a small Cessna 210 aircraft and flies into the desert. Meanwhile, Daria, "a sweet, pot smoking post teenybopper of decent inclinations,” is driving across the desert towards Phoenix in a 1950s era Buick automobile to meet Lee, her boss, who may or may not also be her lover.|group=Note

Later, a California highway patrolman suspiciously questions Daria. Hidden behind a portable toilet meant for tourists, Mark takes aim at the policeman, but Daria stands between the two of them to block this, apparently saving the policeman's life before he drives away. Daria asks Mark if he was the one who killed the cop in Los Angeles. He states that he wanted to, but someone else shot the officer first and that he "never got off a shot". Returning to the stolen aircraft, they paint it with politically charged slogans and psychedelic colors. Daria pleads with Mark to travel with her and leave the aircraft, but Mark is intent on returning and taking the risks that it involves. He flies back to Los Angeles and lands the plane at the airport in Hawthorne. The police (along with some radio and television reporters) are waiting for him, and patrol cars chase the aircraft down the runway. Instead of stopping, Mark tries to turn the taxiing aircraft around across the grass and is shot dead by one of the policemen. Daria learns about Mark's death on the car radio. She drives to Lee's lavish desert home, "a desert Berchtesgaden"

While in the United States for the 1966 premiere of his film Blowup, which had been a surprising box office hit, Antonioni saw a short newspaper article about a young man who had stolen an aircraft and was killed when he tried to return it in Phoenix, Arizona. Antonioni took this as a thread, with which he could tie together the plot of his next film. After writing many drafts, he hired playwright Sam Shepard to write the script. Shepard, Antonioni, Italian filmmaker Franco Rossetti, Antonioni's frequent collaborator screenwriter Tonino Guerra and Clare Peploe (later to become the wife of Bernardo Bertolucci), worked on the screenplay.

The lead roles went to two non professional actors, Mark Frechette and Daria Halprin. Halprin was cast based on her appearance in the documentary Revolution, and Frechette was offered the role when a casting director overheard him having a heated argument in a bus station. Neither actor performed a screen test. Most of the supporting roles were played by a professional cast, including, notably, Rod Taylor, along with G. D. Spradlin, in one of his early feature film roles, following many appearances on U. S. national television. Paul Fix, a friend and acting coach of John Wayne who had appeared in many of Wayne's films, played the owner of a roadhouse in the Mojave desert. Kathleen Cleaver, a member of the Black Panthers and wife of Eldridge Cleaver, appeared in the documentary like student meeting scene at the opening of the film.

Shooting began in July 1968 in Los Angeles, much of it on location in the wider southern downtown area. Exteriors of the art deco Richfield Tower were shown in a few scenes shot shortly before its demolition in November of that year. Various college campus scenes, excluding the scene of the student meeting, were filmed on location at Contra Costa Community College in San Pablo, California. The production then moved to location shooting at Carefree, Arizona, near Phoenix and from there to Death Valley. The production rented a mansion in Carefree and built a replica of it on the lot of Southwestern Studio in Carefree for the special effect of blowing it up. Location shooting also took place in the Mojave Desert. Early film industry publicity reports said Antonioni would gather 10,000 extras in the desert for the filming of the lovemaking scene, but this never happened. The scene was filmed with dust covered and highly choreographed actors from The Open Theatre. The United States Department of Justice investigated whether this violated the Mann Act, which forbade the taking of women across state lines for sexual purposes; however, no sex was filmed and no state lines were crossed, given that Death Valley is in California. Antonioni rejected the song because it was too subdued and instead synchronized a re recording of the band's "Careful with That Axe, Eugene", retitled "Come in Number 51, Your Time Is Up", with the film's violent ending scene. Roger Waters states in Classic Albums – Pink Floyd – Making The Dark Side of the Moon that while he loved the song, Antonioni said it was "too sad" and that it reminded him of church. Eventually it was reworked into a new song known as "Us and Them", which was released on their album The Dark Side of the Moon in 1973. "The Violent Sequence" remained unreleased until it was included on a 2011 boxed set of Dark Side of the Moon, where it was named "Us and them (Richard Wright Demo)". The accounts of Fahey and others differ. However, a portion of his Dance of Death was used in the film. Mark Frechette was living at Mel Lyman's intentional community at Fort Hill, Boston, at the time he made this film. He and Lyman hoped that the soundtrack would include some of the Americana type music Lyman had recorded with Jim Kweskin and the Jug Band. Frechette left copies of Lyman's newspaper Avatar around the studio and took time to play tapes of the band for the director and explain Lyman's work. When Antonioni seemed oblivious to the perceived importance of Lyman's music, Frechette quit the film, but returned six days later.

Following prolonged publicity and controversy in North America throughout its production, Zabriskie Point had its premiere at Walter Reade's Coronet Theatre in New York City on February 5, 1970, almost four years after Antonioni began pre production and over a year and a half after shooting began, before being generally released on February 9, 1970.

Despite the explicit language and sexual content, the film received an R rating rather than an X, in a shift in the MPAA's policy.

The film was panned by most critics and other published commentators of all political stripes, as were the performances of Frechette and Halprin. The New York Times reviewer Vincent Canby called Zabriskie Point "a noble artistic impulse short circuited in a foreign land." The counterculture audience MGM hoped to draw largely ignored the film during its brief theatrical run. Production expenses were at least $7 million and only $900,000 was made in the domestic release. The film was listed in the 1978 book The Fifty Worst Films of All Time. It has been described as "the worst film ever made by a director of genius" but it "is still absolutely watchable because of the magic of Antonioni's eye". Over 20 years after the film's release, Rolling Stone editor David Fricke wrote that "Zabriskie Point was one of the most extraordinary disasters in modern cinematic history." It was the only film Antonioni directed in the United States, where in 1994 he was given the Honorary Academy Award "in recognition of his place as one of the cinema's master visual stylists." With early 21st century screenings of pristine wide screen prints and a later DVD release, Zabriskie Point at last garnered some critical praise, mostly for the stark beauty of its cinematography and innovative use of music in the soundtrack, but opinions about the film were still mixed. In 1998, Jonathan Rosenbaum of the Chicago Reader included the film in his unranked list of the best American films not included on the AFI Top 100. On the review aggregator website Rotten Tomatoes, the film holds a 66% approval rating based on 32 reviews from film critics, with an average rating of 6.5/10.