Ernie Anderson

American media personality (1923–1997)

Ernest Earle Anderson (November 12, 1923 – February 6, 1997) was an American radio and television personality, horror host, and announcer. Known for his portrayal of "Ghoulardi", the host of late night horror films on WJW Channel 8 on Cleveland television from 1963 to 1966, he worked as an announcer for the ABC television network from the late 1970s until the mid 1990s. He is the father of filmmaker Paul Thomas Anderson, whose production entity is known as the Ghoulardi Film Company.

Anderson was born in Boston and grew up in Lynn, Massachusetts, the son of Emily (Malenson) and Ernest C. Anderson. Anderson planned to go to law school, but instead joined the U. S. Navy during World War II to avoid being drafted.</blockquote>

After the war, Anderson attended Suffolk University for two years, then took a job as a disc jockey at WSKI in Montpelier, Vermont. Anderson worked as a disc jockey in Albany, New York and Providence, Rhode Island before moving to Cleveland, Ohio in 1958 to join radio station WHK. After WHK switched to a Top 40 format in late 1958, Anderson was let go as his persona did not fit with the format's newer, high energy presentation. According to Anderson's lifelong friend, comic actor Tim Conway, Anderson was at a WHK Christmas party "telling this long elaborate joke and just as he's about to deliver the punch line his boss cuts in and says it. So Ernie looks at him and says, 'Why did you do that?' And his boss says, 'I anticipated it.' So Ernie said, 'Anticipate this' and tells him '(expletive) yourself.' Well, Ernie got fired." Anderson switched to television, joining the Cleveland NBC affiliate KYW TV (now WKYC), where he first collaborated with Conway for some on air work. In mid 1961, both Anderson and Conway moved to then CBS affiliate WJW TV to host a local morning movie show called Ernie's Place, which also featured live skits and comedy bits reminiscent of Bob and Ray. When the two men joined the station, Anderson sold Conway to WJW's management team as a director for the program, although Conway lacked the qualifications and experience for that position. Conway proved unable to do the work, and other staffers, including technician Chuck Schodowski, were called in to assist, before Conway was ultimately dismissed. With Anderson deprived of his comic foil, Ernie's Place was canceled, but management soon offered him a horror host role for a local incarnation of Shock Theater that WJW acquired the rights to air late nights on Fridays.

From 1963 to 1966, Anderson hosted Shock Theater under the alter ego of Ghoulardi, a hipster that defied the common perception of a horror host. While this version of Shock Theater also featured grade "B" science fiction and horror films, Ghoulardi mocked the films he was hosting, and spoke in an accent laden beatnik slang. Often, comedic sound effects or music would be inserted in place of the movie's audio track. Occasionally, Ghoulardi would even insert himself into a film and appear to run from the monster, using a chroma key system that WJW normally utilized for art cards. He loved firecrackers (although their possession was illegal in Ohio) and started by blowing up apples and leftovers and graduated to blowing up model cars, statues, and other items sent in by viewers. One remnant of Ernie's Place was also revived: the live comedy sketches and skits, only with Chuck Schodowski assuming Conway's role as Anderson's primary sidekick. On occasion, Conway would make cameo appearances on the program and serve as a writer, but Conway had meanwhile become a nationally known star on ABC's comedy series McHale's Navy. Anderson's "Ghoulardi" persona often lampooned "unhip" targets, Dorothy Fuldheim being one of them. Fuldheim was the first woman to anchor a TV news show in the United States and a lifelong staffer for Cleveland's ABC affiliate WEWS. She openly disliked Anderson, feeling that the youth of Ohio were under attack with his pot jokes and childish antics, which she found distasteful. Ghoulardi responded by mocking her every week, usually referring to her as "Dorothy Baby". Their mutual on air jibes created what viewers considered a battle of "the beatnik and the empress of Ohio news." Anderson also developed "Parma Place", a weekly series of skits aired during the Ghoulardi show that parodied both the popular prime time soap opera Peyton Place and the bedroom community of Parma, Ohio. "Parma Place" became an instant hit among the viewers, but its heavy use of ethnic jokes and asides toward Parma eventually caused that city's elected officials to complain to WJW management. While the station acquiesced and ordered the cancellation of "Parma Place," the publicity from that incident and the Fuldheim feud put the Ghoulardi character at the peak of his popularity. By 1965, Anderson not only hosted Shock Theater but also the Saturday afternoon Masterpiece Theater and the weekday children's program Laurel, Ghoulardi and Hardy, all of which were ratings successes. Anderson also created the "Ghoulardi All Stars" sports teams, often attracting thousands of fans to as many as 100 charity contests annually. With help from Conway, Anderson even visited Hollywood to shoot a TV pilot and featured the audition and films of his trip on his show, which was highly unusual for local TV in 1966. Anderson, Conway, and Schodowski appeared in local and regional TV commercials that often included their quirky brand of humor. Promises of becoming an actor in Los Angeles and Anderson's fatigue led to his decision to leave Cleveland permanently in the summer of 1966. Shock Theater ended in October 1966, and the Ghoulardi name was retired. WJW tapped both Schodowski and weather presenter Bob Wells (aka "Hoolihan the Weatherman") to co host the successive program, Hoolihan and Big Chuck.

After moving to Los Angeles, Anderson first appeared on the first two episodes of Rango, a short lived comedy that starred Conway. Anderson and Conway soon collaborated on a comedy act, appearing on ABC's Hollywood Palace and releasing two comedy albums together. Beginning in 1974, Anderson replaced Lyle Waggoner as announcer for The Carol Burnett Show, on which his old performing partner Conway (who had been a recurring guest on the show) became a regular performer beginning in the following year. Anderson found it a challenge to land acting work. His son, Paul Thomas Anderson, also attributes this to his father's profound limitations as an actor: "He was a bad actor, so he never really made it No, he was bad. When we used to make home movies, he'd be in them and he was bad. We'd be like: 'You [expletive deleted]. No wonder you couldn't get any jobs." Anderson admittedly had lifelong difficulty with memorization. He moved behind the microphone when Fred Silverman made Anderson the voice of the ABC television network. His voice was heard in the ABC bumpers during the 1970s and 1980s, saying, "This is ABC!" Anderson's voice is likely best remembered for introducing and promoting the ABC television series The Love Boat and for his newscast introductions for various ABC stations across the country: "Eyewitness News starts NOW!" (WEWS in Cleveland, the employer of Dorothy Fuldheim, would be one of these affiliates, utilizing Anderson's voice throughout the 1980s.) Anderson was also the announcer of America's Funniest Home Videos from 1989 to 1995 and did the voiceover for the previews of new episodes during the first three seasons of Star Trek: The Next Generation until he was replaced by Don LaFontaine. In addition to his work for ABC, Anderson also did commercial work for Ford, RCA and other clients.

Anderson also lent his narration voice to animated television series. He narrated the opening intros to Jayce and the Wheeled Warriors and The Adventures of Super Mario Bros. 3 (all for DIC Entertainment) and narrated the first two television shorts of The Powerpuff Girls as part of The What a Cartoon! Show until his death in 1997, when the role was taken over by Tom Kenny.

Despite being a daily presence on American television, Anderson lived in relative anonymity in Southern California. "But that's all right", he said. "If I'm out in public and I feel like being recognized, I just raise my voice and say 'The Love Boat.'" Anderson had nine children in total. He had five children with his first wife, Marguerite Hemmer, whom he divorced around the time he ended his Ghoulardi show and left Cleveland. The three older children relocated to live with him in Studio City, while the two youngest children lived in Rhode Island with their mother. Anderson married actress Edwina Gough soon after she arrived in California, a few weeks after he did so. With Edwina, he had three daughters and one son, filmmaker Paul Thomas Anderson. They divorced in the mid 1990s. Ernie then married Bonnie Skolnick, who survived him for a very short time. and is buried in Hollywood Hills, Los Angeles. His son, director Paul Thomas Anderson, dedicated his 1997 film Boogie Nights to his memory. In addition, The Drew Carey Show episode "See Drew Run" was dedicated to his memory. His death was also mentioned on an episode of America's Funniest Home Videos that same year.

Among others he influenced, Anderson influenced the film work of his son Paul Thomas and of the director Jim Jarmusch. In Paul Thomas Anderson's third film Magnolia, Earl Partridge is dying of cancer like Ernie Anderson. Paul Thomas Anderson has also confirmed that the fireworks scene in his film Boogie Nights was inspired by his father's use of fireworks on the Ghoulardi program. Jarmusch, who watched Ghoulardi as a child living in the Cleveland area, has stated that he was greatly influenced by the character's "anti hierarchical appreciation of culture" and selection of "weird" background music. Anderson as "Ghoulardi" has also been cited as an early influence on many Cleveland and Akron area musicians who formed influential rock and punk bands in the 1970s, including Devo, The Dead Boys, Pere Ubu, and The Cramps. More than a decade after his death, radio stations could still license Anderson's voice for promotions. By paying a licensing fee, stations including New York City's WHTZ used Anderson's voice for positioning statements such as, "If it's too loud, you're too old" and "Lock it in and rip the knob off!"