Королева Космосы: Ғарыш патшайымының көтерілісі

1958 film by Edward Bernds

Queen of Outer Space is a 1958 American science fiction film shot in DeLuxe Color and CinemaScope. Produced by Ben Schwalb and directed by Edward Bernds, it stars Zsa Zsa Gabor, Eric Fleming, and Laurie Mitchell. The screenplay by Charles Beaumont, about a revolt against a cruel Venusian queen, is based on an idea supplied by Ben Hecht and originally titled Queen of the Universe. Upon its release, the film was promoted by Allied Artists and distributed to some locations as a double feature with Frankenstein 1970 starring Boris Karloff.

In the year 1985, Captain Patterson (Eric Fleming) and his spaceship crew (Dave Willock, Patrick Waltz, and Paul Birch) take their rocketship to an Earth space station. En route, the space station is destroyed by an interstellar energy beam, which also damages their rocketship. The crewmen crash land on Venus and are quickly captured. They learn the planet is under the dictatorship of the cruel Queen Yllana (Laurie Mitchell), a masked woman who has most men killed, keeping only male mathematicians and scientists on a prison colony moon orbiting Venus. In the queen's palace, the astronauts are aided by a beautiful courtier named Talleah (Zsa Zsa Gabor) and her Venusian friends (Lisa Davis, Barbara Darrow, and Marilyn Buferd). The women long for the love and attention of men again and plot to overthrow the evil queen to reestablish the "old order". Once Patterson is alone with the masked queen in her bedchamber, he has the opportunity to remove the mask, revealing her horribly disfigured face. This was caused by radiation burns received during a war between Venus and the men of another planet "10 Earth years ago". Later, in a fury, the queen decides she must destroy Earth in order to protect her world and preserve her power. In the presence of her armed guards, Talleah and the crewmen can only watch as she aims the energy beam "disintegrator" at Earth. Just after Yllana activates the weapon, Talleah's allies arrive and a struggle begins. The disintegrator immediately begins to malfunction and finally explodes, killing Queen Yllana. Talleah becomes the new leader of Venus. At a subsequent ceremony, she announces that Patterson's rocketship has been repaired and that he and his crew can now return to Earth. Talleah's technicians have also repaired the "electronic televiewer", which allows space command on Earth to contact Patterson. Command orders him not to attempt a return but to remain on Venus for at least a year, until an Earth relief expedition can arrive. Although the crew could return home in their repaired spaceship, they are elated to follow orders and stay. They begin celebrating with the Venusians in a flurry of hugs and passionate kisses.

The Three Stooges and the Bowery Boys director Edward Bernds recalled that, after producer Walter Wanger was released from prison for shooting agent Jennings Lang in the groin for having an affair with his wife Joan Bennett, Wanger could only find work at the low rent Allied Artists (formerly Monogram Pictures). In 1952, Wanger brought a ten page idea for a screenplay by Ben Hecht called Queen of the Universe that was a satirical look at a planet run by women. Several years later, with the idea of science fiction films being more common, Allied Artists revived the project with Wanger replaced on the film by Ben Schwalb, who was then producing the Bowery Boys films. Screenwriter Charles Beaumont did not think there was much in the Hecht screenplay, but Schwalb suggested spoofing the idea and had former Three Stooges screenwriter Ellwood Ullman touch up Beaumont's screenplay. Allied Artists retitled the film Queen of Outer Space as they thought the original title sounded more like a beauty pageant. The model was also used by the Bowery Boys in Paris Playboys (1954), which was co written by Bernds and Ullman. It is noteworthy, too, that the queen's guards wore uniforms that foreshadow (and may have even influenced) those worn on the later Star Trek television series, coming in the same three Starfleet colors; red, blue, and gold. In her 1991 autobiography One Lifetime is Not Enough, Gabor recounts a memorable line of her dialogue in the film and cites the production costs for creating the highly tailored fashions worn by her character:I made Queen of Outer Space, which was destined to become a classic. Written by Ben Hecht (of Front Page fame), Queen was one of the last films he wrote I play [Talleah], a scientist who is against all of Queen [Yllana's] cruelties and wants to see her banished. The highpoint comes when I declare, "I hate that queen", a line that even to this day causes a great deal of mirth among many of my gay friends. I liked Ben Hecht and adored my costumes, designed by Edith Head and costing a staggering $15,000 apiece.

In 1958, the film received generally positive reviews from critics in major newspapers and in trade publications. Most reviewers, including Charles Stinson of the Los Angeles Times, approached the film in their assessments as an amusing, mildly erotic parody or spoof, not as a true science fiction offering or even a faintly serious space adventure. In his November 13 review, Stinson characterizes the feature as "cheery frivolity" with "well constructed cheesecake", all of which is visually punctuated by "luscious DeLuxe color". He even compliments Gabor's performance:blockquote|Fortunately, Allied Artists' "Queen of Outer Space" is not science fiction. Because if it were, it would be horrid. However it is an elaborate parody of science fiction and, as such, it is quite good, indeed Naturally, the one and only Zsa Zsa Gabor is the principal attraction. She comes through superbly, demonstrating a nice touch for light, dotty comedy, as, with hair gone moon platinum, she floats about gauzily, tongue in cheek, flirting outrageously, satirizing herself and sighing deeply over the fact "zat de qveen vil destroy ze planet Earss unless ve stop her, Capt. Patterson". Zsa Zsa saves, of course. Variety, for decades a leading trade publication in covering the United States' entertainment industry, simply deemed Queen of Outer Space as "a good natured attempt to put some honest sex into science fiction". In Canada in 1958, Mike Helleur, a reviewer for Toronto's The Globe and Mail, compares the film's portrayal of life on Venus to "living backstage at the Folies Bergère", complete with light entertainment and rather scantily clad young women, who in this case take a "slapstick romp" through a Venusian queen's palace. One of several oddities that Helleur notices in the film is Gabor's singular identity among all the planet's inhabitants met by the Earthlings: "She is the only girl in Outer Space with a Hungarian accent".

The trade publication Motion Picture Daily reported in 1958 that the National Legion of Decency objected to the content of Queen of Outer Space. In its October 3 issue, less than a month after the film's release, the magazine provides a few examples of the Legion's classification system for judging a Hollywood production's level of "decency":Two pictures were placed in Class B, as morally objectionable in part for all by the Legion of Decency, which reviewed seven films this week. In the B category are "Man of the West" and "Queen of Outer Space." Objection to the first was explained thusly, "the highly moral nature of this story is substantially marred by excessive brutality and unnecessary suggestiveness." Of "Queen," the group said it contains "suggestive costuming."