Фиск Джубили Сингерс: Африка-Американдық әншілер тобы

African American a cappella ensemble

The Fisk Jubilee Singers are an African American a cappella ensemble, consisting of students at Fisk University in Nashville, Tennessee. The first group was organized in 1871 to tour and raise funds for college. Their early repertoire consisted mostly of traditional spirituals, but included some songs by Stephen Foster. The original group toured along the Underground Railroad path in the United States, as well as performing in England and Europe. Later 19th century groups also toured in Europe. In 2002, the Library of Congress honored their 1909 recording of "Swing Low, Sweet Chariot" by adding it in the United States National Recording Registry. In 2008 they were awarded a National Medal of Arts.

The singers were organized as a fundraising effort for Fisk University. The historically black college in Nashville, Tennessee, was founded by the American Missionary Association and local supporters after the end of the American Civil War to educate freedmen and other young African Americans. In 1871, the five year old university was facing serious financial difficulty. To avert bankruptcy and closure, Fisk's treasurer and music director, George Leonard White, a white Northern missionary dedicated to music and proving African Americans were the intellectual equals of whites, gathered a nine member student chorus, consisting of four black men (Isaac Dickerson, Ben Holmes, Greene Evans, Thomas Rutling) and five black women (Ella Sheppard, Maggie Porter, Minnie Tate, Jennie Jackson, Eliza Walker) to go on tour to earn money for the university. On October 6, 1871, the group of students, consisting of two quartets and a pianist, started their U. S. tour under White's direction. After a concert in Cincinnati, the group donated their small profit to the victims of the Great Chicago Fire of October 1871. the name "Jubilee Singers" seemed fitting. The Jubilee Singers' performances were a departure from the familiar "black minstrel" genre of white musicians performing in blackface. One early review of the group's performance was headlined "Negro Minstrelsy in Church Novel Religious Exercise," while further reviews highlighted the fact that this group of Negro minstrels were, oddly enough, "genuine negroes." "Those who have only heard the burnt cork caricatures of negro minstrelsy have not the slightest conception of what it really is," Doug Seroff quotes one review of a concert by the group as saying. This was not a uniquely American response to the group's performance, but was typical in audience receptions in Europe as well: "From the first the Jubilee music was more or less of a puzzle to the critics; and even among those who sympathised with their mission there was no little difference of opinion as to the artistic merit of their entertainments. Some could not understand the reason for enjoying so thoroughly as almost everyone did these simple unpretending songs." As the tour continued, audiences came to appreciate the singers' voices, and the group began to be praised. The Jubilee Singers are credited with the early popularization of the Negro spiritual tradition among white and northern audiences in the late 19th century; many were previously unaware of its existence. At first the slave songs were never sung in public, according to Ella Sheppard; "they were sacred to our parents, who used them in their religious worship and shouted over them It was only after many months that gradually our hearts were opened to the influence of these friends and we began to appreciate the wonderful beauty and power of our songs. After the rough start, the first United States tours eventually earned $40,000 for Fisk University. In early 1872 the group performed at the World's Peace Jubilee and International Musical Festival in Boston, and they were invited to perform for President Ulysses S. Grant at the White House in March of that year. This tour raised an estimated $150,000 for the university, funds used to construct Fisk's first permanent building. The original Jubilee Singers disbanded in 1878 because of their grueling touring schedule. As Ella Sheppard, one of the original Jubilee Singers recalled, "our strength was failing under the ill treatment at hotels, on railroads, poorly attended concerts, and ridicule." Porter also said, "There were many times, when we didn’t have place to sleep or anything to eat. Mr. White went out and brought us some sandwiches and tried to find some place to put us up." Other times while the singers would wait in the railway station, White "and some other man of the troupe waded through sleet or snow or rain from hotel to hotel seeking shelter for us". This troupe, formed by White, consisted of Jennie Jackson, Maggie Porter, Georgia Gordon, Mabel Lewis, Patti Malone, Hinton Alexander, Benjamin W. Thomas, and newcomers R. A. Hall, Mattie Lawrence, and George E. Barrett. A. Cushing was the agent who managed their bookings. In July 2007, the Fisk Jubilee Singers went on a sacred journey to Ghana at the invitation of the U. S. Embassy. It was a history making event, as it was their first time visit to Ghana. In 2008, the Fisk Jubilee Singers were selected as a recipient of the 2008 National Medal of Arts, the nation's highest honor for artists and patrons of the arts. The award was presented by President George W. Bush and First Lady Laura Bush during a ceremony at the White House.

1871–1878 — George Leonard White, founding director. White had organized groups of singers with Ella Sheppard under the Fisk name since 1866. White asked Ella Sheppard to help prepare the group for its inaugural tour in 1871. Fisk University President E. M. Cravath disbanded the original Fisk Jubilee Singers in July 1878. It would not re form under the auspices of Fisk University for 20 years, until 1899. However, groups independent of Fisk University carried on the name and legacy. 1879–1898 — George Leonard White and Frederick Loudin established a group in September 1879—not associated with Fisk University—and shared the musical directorship for about two years. Frederick Loudin continued as sole director, with some organizational and musical involvement by White. From 1889–1898, the group was named Loudin’s Fisk Jubilee Singers. In 1884, Maggie Porter, who had sung in both the original group and Loudin’s group, and her new husband, singer Daniel Cole, formed their own separate company, calling it Fisk Jubilee Singers and toured the U. S., Canada and Europe during the 1880s and 90s. 1899–1923 — John Wesley Work, Jr. (a. k. a. John W. Work II) championed “Jubilee music” at Fisk University since joining the faculty in 1896. In 1899, University President E. M. Cravath, who had dissolved the group 20 years earlier, commissioned Work with re instituting it. He shared directorship with his wife, Agnes. Ella (Sheppard) Moore assisted, and also directed the Jubilee Club on campus. In Folk Song of the American Negro, Work proclaimed, “Mrs. Ella Sheppard Moore has been so closely connected with the presentation of [Negro folk songs] to the world, so intimately associated with their preservation that it is impossible to think of the one separate and apart from the other.” Due to budgetary constraints, it operated as Fisk University Jubilee Quartet from 1909–1916 in which Work sang First Tenor. It is this group that made the first sound recordings of spirituals in authentic rendering, including the 1909 recording of Swing Low, Sweet Chariot, which was added to the United States National Recording Registry in 2002. 1923–1927 — Rev. James A. Myers, second tenor in the Fisk University Jubilee Quartet, took leadership of that group and the Fisk Jubilee Singers after John W. Work II resigned. 1928–1947 — Henrietta Crawley Myers (a. k. a. Mrs. James A. Myers), a singer under John W. Work II, took directorship of the group after her husband passed. During these years, The Jubilee Singers, as she called it, was made up of former members of the Fisk University Jubilee Singers. Despite serving on the Fisk University faculty and the group maintaining their international prominence under her direction, it is not clear whether this group was directly affiliated with Fisk University. They also have appeared with popular performers including Danny Glover, Hank Williams Jr., Faith Hill, and Shania Twain. Noted as the premier carriers of the Negro spirituals, the Fisk Jubilee Singers were selected in November 2008 as one of nine recipients of the 2008 National Medal of Arts. The award, which is the highest recognition for artistic excellence given by the United States Government, was presented by President George W. Bush and First Lady Laura Bush. In 2021, the Fisk Jubilee Singers won their first Grammy at the 63rd Annual Grammy Awards.

The documentary Jubilee Singers: Sacrifice and Glory, aired on PBS' American Experience in 2000, with repeat airings as recent as 2021. The Fisk Jubilee Singers performed at the world premiere. On 15 May 2010 BBC Radio 4 broadcast a play The Jubilee Singers about the Fisk Jubilee Singers' European Tour of 1873 by Adrian Mitchell. (The poet, playwright and human rights campaigner died in 2008.) It portrayed the relationship between the singers and a Welsh journalist who admired them and later acted as their publicist. From 8 May to 22 May 2010, the radio drama series Adventures in Odyssey released a three episode saga entitled "The Jubilee Singers." In this saga, listeners can hear Frederick Douglass tell the story of George Leonard White, Benjamin Holmes, Ella Sheppard, Maggie Porter, and others in their struggle to save Fisk University out of a financial crisis. It was written by Dave Arnold and directed by Paul McCusker. In 2013, composer Harvey Brough and lyricist Justin Butcher, wrote "The Year of Jubilee", a piece for soloists and choir telling the story of the Fisk Jubilee Singers. It was first performed at St. Luke's Church, Holloway, London in April 2013 and also with the university of Southampton Voices in May 2014. The latter performance was relevant in that the Fisk Jubilee Singers performed in Southampton 140 years prior to the concert. In 2016, Tyehimba Jess published a book of poems entitled "Olio" that includes a crown of sonnets which follows the lives of the first troupe of Fisk Jubilee Singers. In 2018, American country music artist Rodney Atkins released a single titled "Caught Up in the Country" that featured the Fisk Jubilee Singers. It reached the top 20 of the Billboard Hot Country Songs chart in 2019. "Jubilee", an a cappella musical based on the Jubilee singers written and directed by Tazewell Thompson, had its world premiere at Arena Stage in Washington, D. C., in 2019. Paul T. Kwami, the director of the Jubilee singers since 1994, died on September 10, 2022.

1996, the National Arts Club honored the Singers with a Presidential Lifetime Achievement Award. 2000, the singers were inducted into the Gospel Music Hall of Fame. 2008, the group was awarded the National Medal of Arts. and received a Grammy nomination for Best Gospel Performance. 2021: Their album Celebrating Fisk! The 150th Anniversary Album was nominated for a Grammy Award in the Best Roots Gospel Album category. The album won the Grammy the first for the Fisk Jubilee Singers.