Фильмнің соңғы нұсқасын бекіту құқығы

Right of a director to decide how a film is ultimately released for public viewing

Final cut privilege (also known as final cutting authority) is the right or entitlement of an individual to determine the final version of a motion picture for distribution and exhibition. The final cut on a film can be held by film studios, studio executives, executive producers, film producers, directors, screenwriters, and sometimes actors. The authority can also be shared between any of the above parties.

Studios are typically reluctant to give final cut rights to an individual who is not financially vested in the project and therefore often hold on to this authority or grant it to studio executives. In some instances, a studio may have a subsidiary that is a production company which retains final cut. Studio executives such as Kevin Feige for Marvel Studios and Kathleen Kennedy for Lucasfilm will often have final cut authority. The actor Matt Damon, who was a producer on the 2016 film Manchester by the Sea, had final cut authority instead of the film's director, Kenneth Lonergan. Actors can also negotiate for final cut authority. The actor Kevin Costner had final cut on the 1999 film For Love of the Game due to the worldwide success of Dances with Wolves. Costner and the director Sam Raimi had creative disputes over the finished product. Although Universal Pictures sided with Raimi's changes, Costner's changes were made because he contractually held the authority.

Directors will seek final cut authority for creative reasons; however, the right is usually only granted to established directors who have been determined by their record to be bankable, such as Steven Spielberg, James Cameron, Peter Jackson, Quentin Tarantino, The Wachowskis, or the Coen brothers. This authority is not absolute. If a director goes over budget, exceeds runtime, misses the production schedule, or otherwise does not stick to the agreed upon terms, he or she can lose final cut. When a film is released with a final cut made by someone other than the director, sometimes producers will subsequently release a director's cut of the film, which is a version of the film as the director would have cut it or more closely follows their vision of the project. A promise of a release of a director's cut can sometimes entice a director to join a project or help smooth over creative differences. These versions of a film can act as an additional marketing tool for film distribution, and often the term director's cut is used only for marketing purposes and has nothing to do with what the director actually wanted. Director's cuts are usually released via digital distribution, such as on DVDs or through streaming services.