Marie Vorobieff

Russian painter

Maria Bronislavovna Vorobyeva Stebelska (Мария Брониславовна Воробьёва Стебельская; Maria Bronislavovna Vorobyova Stebelskaya; 1892 – 4 May 1984), also known as "Marie Vorobieff" or Marevna, was a 20th century, Russian born painter known for her work with Cubism and pointillism. She is internationally known for convincingly combining elements of cubism (called by her "Dimensionalism") with pointillism and – through the use of the Golden Ratio for laying out paintings – structure. She has been accredited with being the first female cubist painter. Though she lived the greater part of her life abroad – her formative years as a cubist painter in France and her mature years in England – she is often referred to as a "Russian painter". From her relationship with the Mexican cubist painter and later muralist Diego Rivera in Paris she had a daughter, Marika Rivera (1919 2010), who became a professional dancer and film actress.

Marevna was also known, depending on the preferred usage or transliteration, as Maria Marevna, Marie Marevna, Marie Vorobiev, Maria Vorobieva, Marie Vorobieff Marevna, Maria Marewna Worobiew, Marevna Vorobëv, Marevna Vorobyev, Marevna Vorobieva, Marevna Vorobev Stebelska, Marevna Vorobyov Stebelska, Maria Vorobyova Stebelskaya, Maria Bronislawowna Worobjewa Stebelskaja, Maria Bronislavovna, Maria Rozanowicz Vorobieff, and Rosanovitch Marevna Vorobiev. Reputedly, the nickname Marevna was given to her by Maxim Gorky after a Russian fairy sea princess.

Marevna reputedly was born in 1892 in Cheboksary in the administrative district of Kazan in Russia as Maria Bronislavovna Vorobyova Stebelskaya to the Polish nobleman Bronisław Stebelski and the Russian actress Maria Vorobyova (née Rosanovich), the wife of Alexander Vorobyov. She spent a lonely childhood in Tiflis, now Tbilisi, the capital of Georgia, then under Russian control. In 1910 she went to Moscow to study at the Stroganov Art Academy, but in the following year left for Italy. On the island of Capri she was introduced to Maxim Gorki who named her after a Russian fairy sea princess, Marevna, a name she adopted and made her own. A petite blue eyed blonde, she was said not to have been a conventional beauty; but an outgoing nature paired with the proverbial depth of the Russian soul seems to have given her a special charm that easily elicited an enthusiastic echo from her contemporaries.

In 1912, as a twenty year old budding talent, Marevna moved to Paris, where she continued her art studies and soon began displaying her work at exhibitions. She became acquainted and, indeed, friends with some of the greatest artists and writers of the early twentieth century then resident in Montparnasse and especially at La Ruche. Among them were Georges Braque, Marc Chagall, Jean Cocteau, Ilya Ehrenburg, Maxim Gorki, Max Jacob, Moise Kisling, Pinchus Krémègne, Fernand Léger, Henri Matisse, Amedeo Modigliani, Pablo Picasso, and Chaïm Soutine. Three years later, in 1915, the gifted Mexican painter Diego Rivera, also temporarily resident in Paris at La Ruche – no Adonis but a known womanizer of violent temper – began a relationship with her while he was still in a common law marriage with the Russian artist Angelina Beloff, six years his senior and then pregnant with his only son Diego Jr., who was not, however, to survive for more than 14 months. In his autobiography, Rivera tells the following story:

As I was leaving her hotel room, intending to return to Angeline, Marievna embraced me. A knife was hidden in her sleeve, and as I kissed her for the last time, she carved a wide gash in the back of my neck As I lay on the floor unconscious, Marievna cut her throat. Neither of us died, however. According to Rivera, "[a]bout six months after I had resumed living with Angeline, Marievna began taking a stand before the door of our house She was pregnant and she was accusing me of deserting her with child Even if, by barest chance, I was really her [Marika's] father, neither she nor Marievna ever actually needed me". At her first wedding in 1938, Marika married the Provence painter Jean Paul Brusset, by whom she had a son, Jean Brusset. After the break up of her daughter's second marriage, mother, daughter and the two grandsons moved to a significantly smaller though still sizeable property in Ealing, "the queen of the London suburbs", a few steps down the road from Ealing Abbey, a Roman Catholic Benedictine monastery and parish church. In Ealing Marevna "enjoyed some three more fruitful decades before her demise there in 1984". This was to gloss over the low points in the early 1960s. The Pushkin Club for Russian exiles in London arranged an exhibition of her paintings but the poor lighting and hanging made for a disaster and even at the rock bottom price of $60 there were no sales. In the Christmas Bazaar sale the club sold off her small watercolors for not more than $3. At home the household dogs had access to her storage and damaged her paintings. No money was available from her family for paint or materials nor was there even a room to paint in. She was fortunate enough then to meet Anya Teixeira at the Club. The latter bought her materials from her meager earnings as a clerk. These included the rolls of canvas from which the ultra large pictures of her former colleagues in the Russian School of Paris painted. She successfully pleaded for Marevna to have the use of a large room to paint in so she could resume her career. Marevna died in London on 4 May 1984.

While unfortunately the contract for the work ended in court proceedings, the catalogue and online reproductions of over 100 pictures are available (for reference only) on the official site of Anya Teixeira for the years up till 1967. These slides undoubtedly helped the subsequent purchase of much of Marevna's work by Oscar Ghez, the Swiss collector. This catalogue and the slides have been digitized and are held for research purposes by the Women's Art Library, a branch of Goldsmiths College, London. A significant number of her paintings were collected by the Cooke family while they lived at Athelhampton house, and were sold in a public auction by Dukes Auction house, Dorchester, held at the house in October 2019. A list of the paintings sold is available at https://app. dukes auctions. com/en/auction/992 athelhampton house an auction on the premises?page=15