Бір қадам алға: Ғылыми фантастикалық антологиялық сериял

American TV anthology series

Alcoa Presents: One Step Beyond (also known as One Step Beyond) is an American anthology series created by Merwin Gerard. The original series was broadcast for three seasons by the American Broadcasting Company (ABC) from January 1959 to July 1961.

Created by Merwin Gerard and produced by Collier Young, One Step Beyond was hosted by John Newland, "your guide to the supernatural" (also credited as "Our guide into the world of the unknown"). Newland, who also directed every episode, presented tales that explored paranormal events and various situations that defied "logical" explanation. One Step Beyond purported only to tell stories based on "human record" (documented historical events). Unlike other anthology programs, the ABC network series episodes were presented in the form of straightforward 30 minute docudramas, all said to be based on "human record" (implying historically factual events); however, the incidents depicted were closer to popular urban legends dramatized for the screen. The program included the corporate name of sponsor Alcoa in its title for its initial run. In syndication, the program title became simply One Step Beyond. One Step Beyond filled the time slot at 10 p. m. Tuesday vacated by the crime/police reality show Confession. Among its varied tales, One Step Beyond dealt with premonition of death ("The Day the World Wept: The Lincoln Story") and disaster ("Tidal Wave", "Night of April 14th"); the existence of ghosts ("The Last Round", "The Death Waltz"); and wildly improbable coincidence ("Reunion"). Paula Raymond appeared in the third episode of the first season, initially broadcast on February 3, 1959, in the episode titled "Emergency Only," which also featured Jocelyn Brando as a screaming fortune teller at a party. Joan Fontaine and Warren Beatty play husband and wife in the episode "The Visitor."

A January 1961 episode, "The Sacred Mushroom," deals with the discovery of mind altering drugs. Newland traveled to Mexico where he met with a local shaman who was an initiate in ritual use of magic mushrooms. The then unknown mushrooms were purportedly able to increase the user's psychic powers. Newland ingested several mushrooms and allowed his reactions to be filmed for broadcast. This was the only episode of the entire series to have a relatively reality based "documentary" tone, rather than the scripted docudramas that comprised all other episodes. Although the subject matter (the enhancement of psychic powers) accorded with the rest of the series, this episode was somewhat controversial and was omitted from the syndication; it has been seen only rarely since its original broadcast. However, according to Newland, it was the most popular episode of the series. A complete transcript of this episode is reproduced in chapter seven of The Sacred Mushrooms of Mexico by Brian Akers.

The show used a large number of writers. Larry Marcus was the most prolific contributor, with over 30 episodes to his credit. Marcus would later win an Emmy for his work on Route 66, and receive an Oscar nomination for his screenplay for The Stunt Man. Other relatively frequent contributors included show creator Merwin Gerard; Don M. Mankiewicz (who would later write for Star Trek); Gabrielle Upton (who wrote for a wide range of anthology shows, including The Alfred Hitchcock Hour, and was later head writer of The Guiding Light); and Howard Rodman (later story editor of Route 66 and creator of Harry O). Charles Beaumont wrote two episodes of One Step Beyond just before jumping over to The Twilight Zone, to which he was a major contributor. Francis Cockrell also wrote two episodes; he was a frequent writer on Alfred Hitchcock Presents and would later contribute to the second season of The Outer Limits.

The last 13 episodes of the third season were filmed at MGM Studios, Borehamwood, England, due to a suggestion by Newland. According to Newland, "I thought it would give a little boost to the show because Great Britain offered good actors, good situations, and good settings. We sought permission from Alcoa, and they okayed it."