Рембрандттың "Валтасар мерекесі" суреті

Painting by Rembrandt

Belshazzar's Feast is a major painting by Rembrandt now in the National Gallery, London. The painting is Rembrandt's attempt to establish himself as a painter of large, baroque history paintings. The date of the painting is unknown, but most sources give a date between 1635 and 1638. His son Belshazzar used these cups for a great feast where the hand of God appeared and wrote the inscription on the wall prophesying the downfall of Belshazzar's reign. and arranged them in columns, rather than right to left, as Hebrew is written." This last detail is essential as it relates to the question of why Belshazzar and his advisers were not able to decipher the inscription and had to send for Daniel to help them with it. The biblical story does not identify the language of the cryptic message, but it is generally assumed to be Aramaic, which, like Hebrew, is written in right to left rows, and not in right to left columns as in the painting. Although there is no accepted explanation why the Babylonian priests were unable to decipher the writing, the point of this unconventional arrangement – reading the text in the painting in the conventional row wise left to right order results in a garbled message – may be to suggest why the text proved incomprehensible to the Babylonian wise men; This explanation is in accordance with the opinion of the amora Shmuel, which is mentioned in the Babylonian Talmud, Tractate Sanhedrin, 22a, among various dissenting views.

The painting was in possession of the Earl of Derby at Knowsley Hall since 1736. The picture, however, was barely known beyond England, and it was not considered a masterpiece. As it was exhibited at the Art Treasures Exhibition in Manchester in 1857, the curator George Scharf wrote: "The whole picture, notwithstanding the boldness of the attitudes, is tame, and inadequate in execution." This lack of admiration can be explained in comparison to contemporary depictions of the biblical story, especially Belshazzar's Feast by John Martin (c. 1821), that earned much more reputation by its size and grandeur of its composition. This assessment changed in the second half of the 20th century together with the revaluation of Rembrandt's historical paintings. After Belshazzar's Feast was acquired by the National Gallery in 1964, it became very popular and was used many times as an illustration for commercial products like album covers. In 2014, it was the third most licensed image of the National Gallery. The palette of this painting is unusually rich encompassing such pigments as vermilion, smalt, lead tin yellow, yellow and red lakes, ochres and azurite.