Джон Уильямс: Монтана штатының экс-өкiлi

American politician (born 1937)

John Patrick Williams (born October 30, 1937) is an American Democratic legislator who represented Montana in the United States House of Representatives from 1979 to 1997. Williams attended the University of Montana in Missoula, William Jewell College, and the University of Denver, Colorado, earning a BA. From 1961 to 1969 he was a member of the National Guard in Colorado and Montana, and was a teacher in Butte, Montana. His cousin was Evel Knievel, an American daredevil and showman.

In 1966 Williams was elected to the Montana House of Representatives in District 23 of Silver Bow County, winning reelection in 1968. From 1969 to 1971 he served as the executive assistant to Montana Representative John Melcher. Williams was a member of the Governor's Employment and Training Council from 1972 to 1978, and served on the Montana Reapportionment Commission from 1972 to 1973. In 1974 Williams ran an unsuccessful primary election campaign against future Senator Max Baucus for the Democratic Party nomination for Montana's U. S. House 1st District Representative. Baucus went on to win the November election, defeating Republican Dick Shoup. In 1978 Williams ran a successful primary campaign against Dorothy Bradley to win the Democratic nomination for the 1st District of Montana. That November, Williams defeated Republican Jim Waltermire in one of Montana's largest door to door campaigns, winning 57% of the vote and gaining election to the 96th U. S. Congress.

Williams was a vocal champion for Federal Arts Funding, and has been credited for saving the National Endowment for the Arts (NEA). for his staunch advocacy of the NEA, Williams garnered national attention during the Culture Wars of the late 1980s and early 1990s. John Frohnmayer, who served as chairman of the National Endowment for the Arts during that tumultuous era, said "(Williams) was a tireless and fearless supporter of the arts", and that he "risked his political career in doing so". Nearly a year later, in July 1988, the University of Pennsylvania's Institute of Contemporary Art (ICA) received an NEA grant and used it to fund a retrospective exhibition of Robert Mapplethorpe's work which included some graphic sexual imagery. The furor over the Serrano and Mapplethorpe images began when Donald E. Wildmon of the conservative American Family Association (AFA) saw the catalogue containing Serrano's photograph. Spurred by the AFA and other conservative groups, prominent Republican leaders in both the House and Senate urged that immediate action be taken against the Endowment. Thousands of citizens across the country flooded Congress with protests. A month later, Rev. Pat Robertson took out a full page newspaper advertisement addressed to members of Congress, which read: "Do you also want to face the voters with the charge that you are wasting their hard earned money to promote sodomy, child pornography and attacks on Jesus Christ? There is one way to find out. Vote for the NEA appropriation just like Pat Williams, John Frohnmayer, and the gay and lesbian task force want. And make my day." Congressional criticism of the NEA was spearheaded by senators Jesse Helms (R–NC) and Alfonse D'Amato (R–NY). Later, on July 26, 1989, Helms offered an amendment to prevent federal support for "obscene and indecent" art. Aware of the NEA's desperate situation, and the impossibility of pulling together a core of support for a straight, five year reauthorization, Representative Williams worked throughout the summer to formulate a compromise bill. In October, he announced that he and Representative Earl Thomas Coleman had devised legislation, the Williams Coleman compromise, that would alter the structure of the Endowment's grant making procedure; leave the obscenity determination to the Supreme Court; increase the percentage of NEA funding for state and local arts agencies; and provide for increased public access to the arts through increased funding for rural and inner city areas and arts education. His support for the NEA led him to be branded 'Porno Pat' by his opponents, and sign carrying protesters confronted him at airports in both Washington, D. C., and Montana. Since leaving the House of Representatives in 1997, Williams has continued to voice his support for the arts wherever he can, regularly spending time in Helena, Montana, where he speaks with members of the state legislature about arts policy and funding. In 2010, Montana governor Brian Schweitzer honored Williams with the Governor’s Arts Award for his efforts in saving National Endowment for the Arts. the National Association of Job Corps, and The President's Advisory Commission for Tribal Colleges. Williams was on the board of directors of the Student Loan Marketing Association, the now disbanded GSE subsidiary of U. S. A. Education (Sallie Mae). Williams also writes newspaper columns on occasion. Nominated for a seat on the Montana Board of Regents of Higher Education in 2012 by then governor Brian Schweitzer, Williams endured opposition to his pending confirmation. It arose due to publication of an out of context statement made to a New York Times reporter regarding half a dozen players on the University of Montana football team who had recently run afoul of the law. He referred just to those six as "thugs", but his statement was taken as referring to the entire team and program. Confusion was caused by Williams's continued attempts to clarify his statements. He was first quoted by ESPN saying, "Montana recruits thugs". Clarification of his statement did not come until his confirmation hearing; by that time the damage had been done. His confirmation to the Board of Regents was blasted to the Senate floor, and the Republican majority Senate rejected his appointment. Williams is a member of the ReFormers Caucus of Issue One.