American Gangster (film)

2007 film by Ridley Scott

In 2000, Universal Pictures and Imagine Entertainment purchased the rights to "The Return of Superfly", by Mark Jacobson, an article published in New York magazine story about the rise and fall of the 1970s heroin kingpin Frank Lucas. In 2002, screenwriter Steven Zaillian brought a 170 page script to director Ridley Scott, who expressed interest in making two films from it. However, Scott did not immediately pursue the project, choosing to make Kingdom of Heaven instead. In November 2003, Universal and Imagine entered negotiations with Brian De Palma to direct Tru Blu, with a script by Zaillian based on the life of Frank Lucas. Zaillian interpreted the account as one of "American business and race", focusing the script thematically on corporate business. Production was initially slated for a spring 2004 start. The following May, Benicio del Toro entered negotiations to star as Detective Richie Roberts, who brought down Lucas. Production of Tru Blu was reset to begin in early fall 2004, with the film slated for a release date of June 3, 2005. In September 2004, Dania Ramirez entered negotiations to join the cast of the film, now titled American Gangster. Universal Pictures reported that it greenlit American Gangster with a budget of $80 million, which escalated to $93 million, with $10 million for development costs and $3 million for the delay of the production start date. Sources close to the director insist that the budget was $93 million from the beginning. The studio also sought for American Gangster to be produced in Toronto rather than New York City to save money, but Fuqua resisted the re location. The studio's parent company General Electric received tax credits in New York City, so production was moved to the city. This change increased the budget to $98 million. Fuqua's camp insisted that it was seeking ways to reduce the budget, but the studio argued about several aspects of the project under him. The director had wanted to film a Vietnam sequence in Thailand and to cast notable names such as Ray Liotta and John C. Reilly in minor roles. To add to the studio's budgetary concerns, Fuqua was rewriting the script during the pre production process. The director did not have a shot list, final locations, and supporting actors signed to initiate production. Fuqua was fired on October 1, 2004, four weeks before principal photography would begin. After Fuqua's departure, the studio met with Peter Berg to take over directing the film, and Denzel Washington had approved of the choice. The cancellation cost the studio $30 million, of which $20 million went to Washington and $5 million went to del Toro due to their pay or play contracts. In March 2005, American Gangster was revived as Universal and Imagine entered negotiations with Terry George to revise Zaillian's script and direct the film, which was to be financed with a target budget of US$50 million. Will Smith was approached to replace Washington as Frank Lucas, though an offer would be postponed until George completed his revision of the script. George cut many key scenes, characters and Asian locations to reduce costs, but the project failed to progress given financial problems and producer Grazer feeling they "couldn't make it right" without the removed material. In February 2006, Ridley Scott entered talks with the studio to take over American Gangster from George, returning to Zaillian's draft as the film's basis. Washington returned to his role as Lucas, and Russell Crowe was attached to star as Roberts. Crowe was drawn to the project based on his previous work with the director on Gladiator and A Good Year, Washington wanted to work with Crowe again, after 1995's Virtuosity. The rappers T. I., RZA, and Common were added to the cast to appeal to younger audiences.

Principal photography began in July 2006 in New York City. American Gangster was filmed over a period of approximately four months in over 180 different locations, most of them across New York; it set the record for containing the highest number of filming locations of a movie. In his interview with ComingSoon. net, Scott stated that "[he] just walked in [ ] and [ ] just sho[o]t in the house." Several gas masks were brought by producers due to health hazards and sanitary concerns existing in the buildings. Scott found filming in Harlem to be difficult, commenting that the rapid gentrification in Harlem provided poor opportunities for shooting angles. Filming locations began setting up in Thailand in November 2006, after Branko Lustig consulted with Suvit Yodmanee, the country's tourism minister. Filming for American Gangster concluded in Chiang Mai the following month.

In 2006, Greg Calloway was approached by producers to produce a soundtrack for the film. He presented the idea to Atlantic Records chairman Craig Kallman, and one of the company's artists, T. I., got an acting role in the film. However, the deal did not go further because Universal Pictures owned the rights to the film; "It was a Universal film and they were not going to give the soundtrack to WMG" (Atlantic's parent company). Thus Scott brought back Marc Streitenfeld, who had worked with him in A Good Year. The composer stated that "the overall tone needed to be something bigger and darker" given the characters' strong personalities, and while not being the original intention, he added shades of blues and soul music to fit the 1970s setting. The musical score for American Gangster was recorded between April and May 2007 by Streitenfeld, with the help of orchestrator Bruce Fowler and conductor Mike Nowak, using an 80 piece orchestra recorded in sections as well as acoustic pre records, performed by Streitenfeld himself. Additional score material was composed and recorded by Hank Shocklee. The official soundtrack album for American Gangster was released by Def Jam Recordings within a week of the film's release. In addition to Streitenfeld and Shocklee's score material, the soundtrack album also features songs influenced by music in the 1960s and 1970s, including from blues and soul musicians such as Bobby Womack, The Staple Singers, Sam & Dave, and John Lee Hooker. Grazer stated that "I wanted to introduce a visual and sonic world that is a contained entity of the '70s", and Scott felt it was vital to have "the brand of music that was Harlem at the time." Over two weeks before the release of American Gangster, a screener for the film leaked online. The film debuted in the United States and Canada on November 2, 2007, in 3,054 theaters.

American Gangster was released in DVD and HD DVD format on February 19, 2008. The home release included an unrated extended version of the film, featuring 18 additional minutes and an alternative ending. The film topped both the DVD sales charts with 4 million units during its first week in stores, more than three times as many copies as second place Michael Clayton, and the rental charts. American Gangster ended up as the 14th best selling DVD of 2008. It also topped the high definition charts despite being released in the same week Toshiba announced it would discontinue the HD DVD format. On October 14, the film saw its release on Blu ray.

A mobile game based on the film was released by Gameloft on November 1.

In its opening weekend in the United States and Canada, it grossed an estimated $43.6 million, averaging $14,264 per theater, placing the film first in the weekend box office. It marked the biggest opening weekend out of any film in both Washington and Crowe's careers. In its second week, grosses declined by 44.8 percent to $24 million, being beaten out by Bee Movie. In contrast by its third week, screenings for American Gangster increased to 3,110 theaters as the film surpassed the $100 million mark. American Gangster finished its box office run in North America with $130,164,645. It repeated the feat in its second week, grossing an estimated £1.82 million ($3.7 million) at the box office and beating out Beowulf two consecutive times. The weekend of November 16–18 saw American Gangster take $14.7 million from fourteen territories internationally. At the same time, American Gangster expanded in the European market; it received $2.8 million from 366 theaters in Germany and $3.6 million from 366 screens in France during its opening weekend. Releases followed in Norway and Sweden the succeeding week, where it earned $392,608 and $465,238 from thirty seven and fifty nine theaters, respectively. The film was released in the United Arab Emirates during the film's sixth week and grossed a modest $281,922 at the box office during its first week in the emirate. Similarly, it earned $6.9 million in international markets during its sixth week, adding the total at the time to $40.9 million. By January 25, 2008, American Gangster opened in thirty seven markets, bringing international grosses to $93 million. In February, screenings for the film debuted in Mexico—with a modest $820,482 opening weekend—and Japan, where it opened at the box office with $2.3 million, landing in second place. American Gangster grossed over $266.5 million worldwide at the box office, with international grosses making up 51 percent ($136.3 million). It ranked as the 19th highest grossing film of 2007 both domestically and worldwide.

Review aggregate Rotten Tomatoes reports that 81% of critics have given the film a positive review based on 218 reviews, with a rating average of 7.00/10, with the consensus being: "American Gangster is a gritty and entertaining throwback to classic gangster films, with its lead performers firing on all cylinders." On Metacritic, which assigns a weighted mean score out of 100 to reviews from film critics, the film has a score of 76 based on 38 reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Roger Ebert of the Chicago Sun Times gave the film a perfect four star rating and opined, "This is an engrossing story, told smoothly and well." Ebert also praised Crowe's performance, saying that his contribution to the storytelling was "enormous". Paul Byrnes of The Sydney Morning Herald felt that American Gangster was "one of the most intelligent gangster films in years" and expressed that the film offers "the spectacle of grand themes and two bigger than life characters played by two of the best actors in cinema." Concluding his review, Byrnes gave the film four out of four stars. IGN's Jim "Stax" Vejvoda rated the film four out of five stars, praising the acting—particularly of the two protagonists, "both dynamic presences on screen, with neither actor outweighing the other's importance to the story"—and declaring that despite being preceded by other gangster stories such as Scarface and The Sopranos, American Gangster managed to justify its existence with "emphasis on the human and class elements of the story". Manohla Dargis of The New York Times strongly commended the film, opining that "greatness hovers just outside American Gangster." She continued: "It's a seductive package, crammed with all the on screen and off screen talent that big studio money can buy, and filled with old soul and remixed funk that evoke the city back in the day, when heroin turned poor streets white and sometimes red." In comparison, some reviewers were more critical of American Gangster. Jonathan Crocker of Time Out London was polarized with the film, criticizing its aesthetics. In his review, he wrote, "Scott's meticulous aesthetics can't touch the urban texture and deep focus of The French Connection, The Godfather, Serpico and Prince of the City – all looming heavily in intertextual nods." In contrast, Crocker praised Washington's acting, writing, "He's immense: centering every scene with tractor beam charisma, that dangerous, easy charm hovering between a luxury smile or blazing violence." In conclusion, Crocker gave the film three out of five stars. Similarly, Owen Gleiberman of Entertainment Weekly gave the film a 'C−' grade, expressing that American Gangster is "never dull, but it could have used more good old fashioned melodramatic intrigue." Gleiberman found Washington's performance to have "a ghastly ingenuity". Empires Ian Freer rated the film three stars out of five; he stated that it was "undeniably enjoyable" and praised the cast, but also noted that he felt that "very little in the movie feels fresh, re treading scenes, riffs and imagery from the whole history of crime flicks" and that the film did not explore enough of Lucas' story and Scott's visual imagination. Slant Magazine journalist Nick Schager harshly criticized the film, giving the film a one out of four stars rating. Schager remarked that the film was "dumb as a rock", and that it was "far too convinced of its import to be any fun." Giving American Gangster a two out of five stars, Peter Bradshaw of The Guardian was disappointed with Washington's acting, asserting, "He doesn't seem to relax and enjoy himself in the role, or even inhabit it very satisfyingly." He resumed: "He never has the menace of his dirty cop in Training Day, and we don't see anything like the transformation from street hustler to leader in Malcolm X. That shoulder shimmying swagger is rarely seen, and the brand classic robes of American Gangster sit on him heavily."

Lucas admitted to several news outlets that only a small portion of the film was true, and that much of it was fabricated for dramatic effect. In addition, Richie Roberts criticized the film for portraying him in a custody battle while in real life he never had a child. Roberts criticized the portrayal of Lucas, describing it as "almost noble". Former DEA agents Jack Toal, Gregory Korniloff, and Louis Diaz filed a lawsuit against Universal saying that the events in the film were fictionalized and that the film defamed them and hundreds of other agents. The lawsuit was eventually dismissed by US District Judge Colleen McMahon. While McMahon noted that the intertitle that appears at the end of the film, stating that Lucas' collaboration led to the arrest of many corrupt DEA agents, was "wholly inaccurate", in that Lucas' cooperation did not lead to the convictions, and opined that "[i]t would behoove a major corporation like Universal (which is owned by a major news organization, NBC) not to put inaccurate statements at the end of popular films", she stated that the film failed to meet legal standards of defamation because it failed to "show a single person who is identifiable as a DEA agent". Many of Lucas' other claims, as presented in the film, have also been called into question, such as being the right hand man of Bumpy Johnson, rising above the power of the Mafia and Nicky Barnes, and that he was the mastermind behind the Golden Triangle heroin connection of the 1970s. Ron Chepesiuk, a biographer of Frank Lucas, deemed the story a myth. Associated Press entertainment writer Frank Coyle noted that "this mess happened partly because journalists have been relying on secondary sources removed from the actual events."

American Gangster earned various awards and nominations, in categories ranging from recognition of the film itself to its screenplay and music, to the performances of Ruby Dee and Denzel Washington. Prior to the film's release, it was observed as a candidate for the Academy Awards based on its style and the performances of its actors, including the possibility of an Academy Award for Best Director for Ridley Scott. Award Category Recipient Result Academy Awards Best Supporting Actress Ruby Dee Best Art Direction Arthur Max and Beth A. Rubino BAFTA Awards Best Film Best Original Screenplay Steven Zaillian Best Cinematography Harris Savides Best Music Marc Streitenfeld Best Editing Pietro Scalia Golden Globe Awards Best Motion Picture – Drama Best Director Ridley Scott Best Actor – Motion Picture Drama Denzel Washington Empire Awards Best Thriller Satellite Awards Best Actor Denzel Washington Best Supporting Actress Ruby Dee Best Editing Pietro Scalia Best Original Song Anthony HamiltonFor the song "Do You Feel Me" Screen Actors Guild Award Best Supporting Actress Ruby Dee Best Cast

The film was recognized as a candidate for best film by the National Association for the Advancement of Colored People and the Broadcast Film Critics Association. In addition, the film was included on 54 reviewer lists of the ten best films of 2007, three of them at the top spot. Among the lists ranking American Gangster as one of the best of the year were those of The Miami Herald, Rolling Stone and the Associated Press.