The Landlord

1970 film by Hal Ashby
the 1970 film

The Landlord is a 1970 American comedy drama film directed by Hal Ashby, adapted by Bill Gunn from the 1966 novel by Kristin Hunter. The film stars Beau Bridges in the lead role of a privileged and ignorant white man who selfishly becomes landlord of an inner city tenement, unaware that the people he is responsible for are low income, streetwise residents. Also in the cast are Lee Grant, Diana Sands, Pearl Bailey, and Louis Gossett Jr. The film was Ashby's directorial debut.

Elgar Enders, who lives off an allowance from his wealthy parents, buys an inner city tenement in Park Slope, Brooklyn, which is undergoing gentrification, planning to evict the occupants and construct a luxury home for himself. However, once he ventures into the tenement, he grows fond of the low income black residents. Enders decides to remain the landlord and help fix the building. He rebels against his WASP upbringing and, to his parents' dismay, romances two black women. The first is Lanie, a mixed race dancer at a local black club. Lanie has light skin and features due to her having a mother of Irish descent and a father of African descent, and has experienced colorism. Their relationship is strained, as Elgar has an affair with one of his tenants, Fanny, and gets her pregnant. Her boyfriend, Copee, a black activist with an identity crisis, is enraged when he finds out about the pregnancy, and tries to kill Elgar with an axe but stops. He is taken away in a straitjacket. In recovery at the hospital, Fanny tells Elgar she can't raise the child herself with Copee returning home. Elgar balks at being a single father, so Fanny suggests they give the child up for adoption, but only to a white family to start a new life. The story ends with Elgar taking custody of the child, mending his relationship with Lanie, and moving in with her.

Actor Role Beau Bridges Elgar Winthrop Julius Enders Lee Grant Joyce Enders Diana Sands Francine "Fanny" Johnson Pearl Bailey Marge Walter Brooke William Enders Louis Gossett Jr. Copee Johnson (as Lou Gossett) Marki Bey Lanie Melvin Stewart Professor Duboise Susan Anspach Susan Enders Robert Klein Peter Coots Will Mackenzie William Enders Jr.
Charlie Murphy, older brother of Eddie Murphy, lived in the neighborhood where the film was shot, and he appears in a brief scene as a boy stealing Elgar's hubcaps.

The film was a commercial disappointment. Arthur Krim of United Artists later did an assessment of the film as part of an evaluation of the company's inventory:
What was expected to be provocative material to the new modern film audience of 1968 1969 in depicting black and white relationships in an urban setting, emerged as a film which we felt would be of limited interest to the audience of 1970 an audience more and more sated with films of this genre. This is still a type of film we intend to continue to make but at one quarter the cost. Unfortunately, at the time this film was programmed, unrealistic optimism about the potential audience for this type of film prevailed.