Sans Soleil

1983 French documentary by Chris Marker

Sans Soleil (sɑ̃ sɔlɛj; "Sunless") is a 1983 French documentary film directed by Chris Marker. It is a meditation on the nature of human memory, showing the inability to recall the context and nuances of memory, and how, as a result, the perception of personal and global histories is affected. The title Sans Soleil is from the song cycle Sunless by Modest Mussorgsky, a brief fragment of which features in the film. Sans Soleil is composed of stock footage, clips from Japanese movies and shows, excerpts from other films as well as documentary footage shot by Marker. In a 2014 Sight and Sound poll, film critics voted Sans Soleil the third best documentary film of all time.

Expanding the documentary genre, this experimental essay film is a composition of thoughts, images and scenes, mainly from Japan and Guinea Bissau, "two extreme poles of survival". Some other scenes were filmed in Cape Verde, Iceland, Paris, and San Francisco. A female narrator reads from letters supposedly sent to her by the (fictitious) cameraman Sandor Krasna. Sans Soleil is often labeled a documentary, travelogue, or essay film. Despite the film's modest use of fictional content, it should not be confused with a mockumentary. The fictional content derived from the juxtaposition of narrative and image adds meaning to the film along with occasional nondescript movement between locations and lack of character based narrative. Chris Marker has said: "On a more matter of fact level, I could tell you that the film intended to be, and is nothing more than, a home movie. I really think that my main talent has been to find people to pay for my home movies. Were I born rich, I guess I would have made more or less the same films, at least the traveling kind, but nobody would have heard of them except my friends and visitors."

Sans Soleil contains some stock footage, clips from Japanese films and television, and a few excerpts from other films. The original documentary footage was filmed by Marker with a 16mm Beaulieu silent film camera in conjunction with a non sync portable tape recorder; the film contains no synchronous sound. Some of the stock footage shots were colourized with an EMS Spectre video synthesizer. A number of sequences in Sans Soleil are borrowed from other filmmakers who are not mentioned until the film's credits, except the footage of the Icelandic volcano which is accredited in narration to Haroun Tazieff. The filmmakers whose footage was used who were not mentioned in the narration are Sana Na N'Hada, Jean Michel Humeau, Mario Marret, Eugenio Bentivoglio and Daniele Tessier. Pierre Camus was an assistant director; Anne Marie L'Hote and Catherine Adda, assistant editors; Antoine Bonfanti and Paul Bertault, mixing. The film was assembled largely in the 1970s, a period when Marker was part of a political commune and preferred to downplay his authorial signature, which may partly explain why he is represented in the film by Sandor Krasna's letters. The title "Conception and editing: Chris Marker," at the end of the credits, is the only indication that Sans Soleil is his film.

The sequence in San Francisco references Alfred Hitchcock's 1958 film Vertigo and Marker's own 1962 film La Jetée. Marker's use of the name "The Zone" to describe the space in which Hayao Yamaneko's images are transformed is a homage to Stalker, a 1979 film by Andrei Tarkovsky, as noted in one of the letters read in the film. English rock band Kasabian used a sound clip from the documentary in their 2009 album West Ryder Pauper Lunatic Asylum at the beginning of the song "West Ryder Silver Bullet".