Гиш Жен: Американдық-қытай жазушысының өмірі мен шығармалары

American writer and speaker

Gish Jen is a second generation Chinese American. Her parents emigrated from China in the 1940s; her mother was from Shanghai and her father was from Yixing. Born in Long Island, New York, she grew up in Queens, then Yonkers, then Scarsdale. Her birth name is Lillian, but during her high school years she acquired the nickname Gish, named for actress Lillian Gish. with a BA in English, and later attended Stanford Business School (1979–1980), but dropped out in favor of the University of Iowa Writers' Workshop, where she earned her MFA in fiction in 1983. Her fifth novel, The Resisters, was released in February 2020 and is a post automation, feminist baseball dystopia. Set in the not so distant future, most jobs are now automated, much seacoast land is under water due to climate change, and the Internet and various social apps have been replaced by one all seeing Alexa like sentient Internet. The story centers around a "surplus" family with a prodigy pitching daughter where baseball becomes their field of resistance to an autocratic America. A related short story ("Tell Me Everything") was commissioned by The New York Times as part of their Privacy Project and published January 5, 2020. Audible commissioned a novella spin off called "I, Autohouse" as part of its Audible Originals series. Jen's second story collection, Thank You, Mr. Nixon, was published by Knopf on February 1, 2022. It consists of eleven interconnected stories that span the 50 years since Nixon's historic visit to China and meeting with Chairman Mao. The tenth story in the collection, "No More Maybe", was published in the March 19, 2018 edition of The New Yorker, and the final story in the collection, "Detective Dog", was published in the November 22, 2021 edition of The New Yorker, and takes place in COVID ravaged New York City. "Detective Dog" was selected for the "Best American Short Stories of 2022".

In 2013 Jen published her first non fiction book, entitled Tiger Writing: Art, Culture, and the Interdependent Self. Based on the Massey Lectures that Jen delivered at Harvard in 2012, Tiger Writing explores East–West differences in self construction, and how these affect art and especially literature. Jen's second work of non fiction is "The Girl at the Baggage Claim: Explaining the East West Culture Gap," published in February 2017. This is a provocative study of the different ideas Easterners and Westerners have about the self and society and what this means for current debates in art, education, geopolitics, and business. Drawing on stories and personal anecdotes, as well as recent research in cultural psychology, Jen reveals how this difference shapes what we perceive, remember, say, do, and make – in short, how it shapes everything from our ideas about copying and talking in class to the difference between Apple and Alibaba. Jen has also published numerous pieces in The New York Times, The New Yorker, The Washington Post, and The New Republic, among others. In response to the 2021 Atlanta spa shootings, Jen penned an op ed for the Times.