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British children's television series (1989–1993)
the British television series Press Gang

Press Gang is a British children's television comedy drama consisting of 43 episodes across five series that were broadcast from 1989 to 1993. Produced by Richmond Film & Television for Central, it screened on the ITV network in its regular weekday afternoon children's strand, CITV, typically in a 4:45 pm slot (days varied over the course of the run). Aimed at older children and teenagers, the programme was based on the activities of a children's newspaper, the Junior Gazette, produced by pupils from the local comprehensive school. In later series, it was depicted as a commercial venture. The show interspersed comedic elements with the dramatic. As well as addressing interpersonal relationships (particularly in the Lynda Spike story arc), the show tackled issues such as solvent abuse, child abuse and firearms control. Written by ex teacher Steven Moffat, more than half the episodes were directed by Bob Spiers, a British comedy director who had previously worked on programmes such as Absolutely Fabulous and Fawlty Towers. Critical reception was very positive, particularly for the quality of the writing, and the series has attracted a cult following with a wide age range. Some of the team are "star pupils", but others have reputations for delinquency. One such pupil, Spike Thomson, is forced to work on the paper rather than be expelled from school. He is immediately attracted to editor Lynda Day, but they bicker, throwing one liners at each other. Their relationship develops and they have an on off relationship. They regularly discuss their feelings, especially in the concluding episodes of each series. In the final episode of the third series, "Holding On", Spike unwittingly expresses his strong feelings to Lynda while being taped. Jealous of his American girlfriend, Zoe, Lynda puts the cassette on Zoe's personal stereo, ruining their relationship. The on screen chemistry between the two leads was reflected off screen as they became an item for several years. Although the Lynda and Spike story arc runs throughout the series, most episodes feature self contained stories and sub plots. Amongst lighter stories, such as one about Colin accidentally attending a funeral dressed as a pink rabbit, the show tackled many serious issues. Jeff Evans, writing in the Guinness Television Encyclopedia, writes that the series adopts a "far more adult approach" than "previous efforts in the same vein" such as A Bunch of Fives. Some critics also compared it with Hill Street Blues, Lou Grant "and other thoughtful US dramas, thanks to its realism and its level headed treatment of touchy subjects." The first series approached solvent abuse in "How To Make A Killing", and the NSPCC assisted in the production of the "Something Terrible" episodes about child abuse. The team were held hostage by a gun enthusiast in series three's "The Last Word", while the final episode approaches drug abuse. The issue led episodes served to develop the main characters, so that "Something Terrible" is more "about Colin's redemption [from selfish capitalist], rather than Cindy's abuse." Although the series is sometimes referred to as a comedy, Moffat insists that it is a drama with jokes in it. The writer recalls "a long running argument with Geoff Hogg (film editor on Press Gang) about whether Press Gang was comedy. He insisted that it was and I said it wasn't – it was just funny." Some innuendo leads Moffat to claim that it "had the dirtiest jokes in history; we got away with tons of stuff We nearly got away with a joke about anal sex, but they spotted it at the last minute." Jeff Evans also comments that the series was filmed cinematically, dabbling in "dream sequences, flashbacks, fantasies and, on one occasion, a Moonlighting esque parody of the film It's a Wonderful Life." The show had a strong awareness of continuity, with some stories, incidents and minor characters referred to throughout the series. Actors who played short term characters in the first two series were invited back to reprise their roles in future episodes. David Jefford (Alex Crockett) was resurrected from 1989's "Monday – Tuesday" to appear in the final episode "There Are Crocodiles",

After the team leaves school, the paper gains financial independence and runs commercially. Assistant editor Kenny leaves at the end of series three to be replaced by Julie, who was the head of the graphics team in series one.

The show gained an even wider adult audience in an early evening slot when repeated on Sundays on Channel 4 in 1991. Nickelodeon showed nearly all of the episodes in a weekday slot in 1997. The final three episodes of the third series, however, were not repeated on the children's channel because of their content: "The Last Word" double episode with the gun siege, and "Holding On" with the repetition of the phrase "divorce the bitch". 2 episodes were broadcast on the CITV Channel on 5 & 6 January 2013, as part of a weekend of archive programmes to celebrate CITV's 30th anniversary. Since 2022, the full series is available online on the ITV streaming service ITVX.

Press Gang has attracted a cult following. A fanzine, Breakfast at Czars, was produced in the 1990s. Edited by Stephen O'Brien, it contained a range of interviews with the cast and crew (notably with producer Hastie), theatre reviews and fanfiction. The first edition was included as a PDF file on the series two DVD, while the next three were on the series five disc. An email discussion list has been operational since February 1997. Scholar Miles Booy observes that as Steven Moffat was himself a fan of Doctor Who, he was able to ingrate the elements that TV fans appreciated, such as:

series finales with big cliff hangers, rigorous continuity and a slew of running jokes and references which paid those who watched and rewatched the text to pull out its minutia. At the end of the second series, it is remarked that the news team have been following the Spike/Lynda romance 'since page one', and only the fans remembered – or discovered on reviewing – that "Page One" was the title of the first episode. Booy points out that Chris Carter and Joss Whedon would be acclaimed for these elements in the 1990s (in the shows The X Files and Buffy the Vampire Slayer), but "Moffat got there first, and in a children's TV slot. His was the first show to arrive with a Britain's fan's sensibility to formal possibilities." Two conventions were held in the mid 1990s in Liverpool. The events, in aid of the NSPCC, were each titled "Both Sides of the Paper" and were attended by Steven Moffat, Sandra Hastie, Dexter Fletcher, Paul Reynolds, Kelda Holmes and Nick Stringer. There were screenings of extended rough cuts of "A Quarter to Midnight" and "There Are Crocodiles", along with auctions of wardrobe and props. Sangster, O'Brien and Adrian Petford collaborated with Network DVD on the extra features for the DVD releases. Moffat has integrated many references to secondary characters and locations in Press Gang in his later work. His 1997 sitcom Chalk refers to a neighbouring school as Norbridge High, run by Mr Sullivan, and to the characters Dr Clipstone ("UneXpected"), Malcolm Bullivant ("Something Terrible") and David Jefford ("Monday Tuesday"/"There are Crocodiles"), The name "Talwinning" appears as the name of streets in "A Quarter to Midnight" and Joking Apart, and as the surname of the protagonist in "Dying Live", an episode of Murder Most Horrid written by Moffat, as well as the name of a librarian in his Doctor Who prose short story, "Continuity Errors", which was published in the 1996 Virgin Books anthology Decalog 3: Consequences. The name "Inspector Hibbert", from "The Last Word", is given to the character played by Nick Stringer in "Elvis, Jesus and Jack", Moffat's final Murder Most Horrid contribution. Most recently, in the first episode of Moffat's Jekyll, Mr Hyde (James Nesbitt) whistled the same tune as Lynda in "Going Back to Jasper Street".

A television film called "Deadline" was planned. It was set a few years after the series and aimed at a more adult audience. At one stage in 1992, series 4 was intended to be the last, and the movie was proposed as a follow up. However, making of the film fell through when a fifth series was commissioned instead. The idea of the follow up film was reconsidered several times during the 1990s, but every time fell through for various reasons. The Guardian advocated the show's revival, arguing that "a revamped Press Gang with Moffat at the helm could turn the show from a cult into a national institution a petri dish for young acting and writing talent to thrive. It's part of our TV heritage and definitely worthy of resuscitation." At the Edinburgh International Television Festival in August 2008, Moffat told how he got drunk after the wrap party for Jekyll and pitched the idea of a Press Gang reunion special to the Head of Drama at the BBC, John Yorke. Despite Yorke's approval, the writer said that he was too busy with his work on Doctor Who to pursue the idea.

Several products have been released, specifically four novelisations, a video and the complete collection on DVD. Four novelisations were written by Bill Moffat and published by Hippo Books/Scholastic in 1989 and 1990 based on the first two series. First Edition was based on the first three episodes, with Public Exposure covering "Interface" and "How to Make a Killing." The third book, Checkmate, covered "Breakfast at Czar's", "Picking Up the Pieces" and "Going Back to Jasper Street", and reveals that Julie left the graphics department to go to art college. The fourth and final book, The Date, is a novelisation of "Money, Love and Birdseed", "Love and the Junior Gazette" and "At Last a Dragon." Each book featured an eight page photographic insert. The complete series of Press Gang is available on DVD (Region 2, UK) from Network DVD and in Australia (Region 4) from Force Entertainment. Four episodes of the second series DVD features an audio commentary by Julia Sawalha and Steven Moffat, in which the actress claims to remember very little about the show.