Либер мен Столлер: Американдық ән жазушылары мен продюсерлер дуэті

American songwriting and record producing duo
infobox musical artist
| image=JerryLeiber MikeStoller Hounddog bookcover. jpg
| caption= Mike Stoller (left) and Jerry Leiber (right) flanking Elvis Presley on the cover of Leiber and Stoller's joint
autobiography, Hound Dog
| name = Leiber and Stoller
| occupation = Songwriter and record producer duo (Leiber – LyricistStoller – composer)
| genre = Popular music, R&B, rock and roll, Broadway tunes
| years active = 1950–2011
| label = Spark Records
| module =
Infobox| decat = yes| child = yes
| title= Jerry Leiber
| label1 = Birth Name
| data1 = Jerome Leiber (Michael Stoller, born March 13, 1933). As well as many R&B and pop hits, they wrote numerous standards for Broadway. Leiber and Stoller found success as the writers of such crossover hit songs as "Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with the Coasters, they created a string of ground breaking hits—including "Young Blood" (1957), "Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including "Love Me" (1956), "Jailhouse Rock" (1957), "Loving You", "Don't", and "King Creole". They also collaborated with other writers on such songs as "On Broadway", written with Barry Mann and Cynthia Weil; "Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co written by Leiber and Phil Spector. They were sometimes credited under the pseudonym Elmo Glick. In 1964, they launched Red Bird Records with George Goldner and, focusing on the "girl group" sound, released some of the notable songs of the Brill Building period. In all, Leiber and Stoller wrote or co wrote over 70 chart hits. They were inducted into the Songwriters Hall of Fame in 1985 and the Rock and Roll Hall of Fame in 1987.

Both born to Jewish families, Leiber came from Baltimore, Maryland, but they met in Los Angeles, California in 1950, where Stoller was a freshman at Los Angeles City College while Leiber was a senior at Fairfax High. Stoller had graduated from Belmont High School. After school, Stoller played piano and Leiber worked in Norty's, a record store on Fairfax Avenue, and when they met, they found they shared a love of blues and rhythm and blues. Stoller's name at birth was Michael Stoller, but he later changed it legally to "Mike". Their first hit composition was "Hard Times", recorded by Charles Brown, which was a rhythm and blues hit in 1952. which became a hit for her in 1953. was an even bigger hit. Presley's showstopping mock burlesque version of "Hound Dog", playfully bumping and grinding on the Milton Berle Show, created such public outcry and controversy that on The Steve Allen Show they slowed down his act, with an amused Presley in a tuxedo and blue suede shoes singing his hit to a basset hound. Allen pronounced Presley "a good sport", and the Leiber Stoller song would be forever linked to Presley. Leiber and Stoller's later songs often had lyrics more appropriate for pop music, and their combination of rhythm and blues with pop lyrics revolutionized pop, rock and roll, and punk rock. They formed Spark Records in 1954 with their mentor, Lester Sill. "Stand By Me" (written with Ben E. King), and "On Broadway" (written with Barry Mann and Cynthia Weil). For the Coasters alone, they wrote 24 songs that appeared in the US charts. In 1955, Leiber and Stoller produced a recording of their song "Black Denim Trousers and Motorcycle Boots" with a white vocal group, the Cheers. Soon after, the song was recorded by Édith Piaf in a French translation titled, "L'Homme à la Moto". The European royalties from another Cheers record, "Bazoom (I Need Your Lovin')", funded a 1956 trip to Europe for Stoller and his first wife, Meryl, on which they met Piaf. Their return to New York was aboard the ill fated SS Andrea Doria, which was rammed and sunk by the Swedish liner MS Stockholm. The Stollers had to finish the journey to New York aboard another ship, the Cape Ann. After their rescue, Leiber greeted Stoller at the dock with the news that "Hound Dog" had become a hit for Elvis Presley. Also in 1975, they produced the Procol Harum album Procol's Ninth, which included the UK Top 20 single "Pandora's Box" and a version of Leiber and Stoller's "I Keep Forgettin'". In the late 1970s, A&M Records recruited Leiber and Stoller to write and produce an album for Elkie Brooks; Two Days Away (1977) proved a success in the UK and most of Europe. In 1979, Leiber and Stoller produced another album for Brooks: Live and Learn. As of 2007, their songs are managed by Sony/ATV Music Publishing. With collaborator Artie Butler, Stoller wrote the music to the musical The People in the Picture, with book and lyrics by Iris Rainer Dart. Stoller and Butler's music received a 2011 Drama Desk Award nomination. On August 22, 2011, Leiber died in Cedars Sinai Medical Center in Los Angeles, aged 78, from cardio pulmonary failure. He was survived by his sons Jed, Oliver, and Jake. Stoller wrote both music and lyrics to the song "Charlotte", recorded by Steve Tyrell and released in advance of the 2012 Democratic National Convention in Charlotte, North Carolina.

In the 1950s the rhythm and blues of the black entertainment world, up to then restricted to black clubs, was increasing its audience share in areas previously reserved for traditional pop music, and the phenomenon now known as "crossover" became apparent. They released "Yakety Yak", which was a mainstream hit, as was the follow up, "Charlie Brown". This was followed by "Along Came Jones", "Poison Ivy", "Shoppin' for Clothes", and "Little Egypt (Ying Yang)". They produced and co wrote "There Goes My Baby", a hit for the Drifters in 1959, which introduced the use of strings for saxophone like riffs, tympani for the Brazilian baion rhythm they incorporated, and lavish production values into the established black R&B sound, laying the groundwork for the soul music that would follow.