Неміс әншісі Лале Андерсен және «Лилли Марлен» әні

German singer

Lale Andersen (23 March 1905 – 29 August 1972) was a German chanson singer songwriter born in Lehe (now part of Bremerhaven). She is best known for her interpretation of the song "Lili Marleen" in 1939, which by 1941 transcended the conflict to become World War II's biggest international hit. Popular with both the Axis and the Allies, Andersen's original recording spawned versions, by the end of the War, in most of the major languages of Europe, and by some of the most popular artists in their respective countries.

Andersen was born in Lehe and baptized Elisabeth Carlotta Helena Berta Bunnenberg, but known informally as "Liese Lotte"—a diminutive of her first two names—to friends and family; this continued after her first marriage when she was known as "Liselotte Wilke". In 1922, aged 17, she married German Impressionist painter (1894–1971). They had three children: Björn, Carmen Litta, and (1929–2017) the youngest of whom also enjoyed a career in the German music industry. Shortly after the birth of their last child, the marriage broke up. Leaving the children in the care of her siblings Thekla and Helmut, Andersen went to Berlin in October 1929, where she reportedly studied acting at the Schauspielschule at the Deutsches Theater. In 1931, her marriage ended in divorce. Around this time, she began appearing on stage in various cabarets in Berlin. From 1933 to 1937, she performed at the Schauspielhaus in Zürich, where she also met Rolf Liebermann, who would remain a close friend for the rest of her life. In 1938, she was in Munich at the cabaret Simpl, and soon afterwards joined the prestigious Kabarett der Komiker (Comedians' Cabaret) in Berlin. Andersen was awarded a gold disc for over one million sales of "Lili Marleen" [His Masters Voice – EG 6993]. It is thought that she was awarded her copy after the end of World War II. A copy of this particular gold disc owned by the "His Masters Voice" record company was discarded during the renovation of their flagship store on Oxford Street, London, during the 1960s where, hitherto, it had been on display. However, the disc was recovered and is now in a private collection. Nazi officials did not approve of the song and Joseph Goebbels prohibited it from being played on the radio. Andersen was not allowed to perform in public for nine months, not just because of the song but because of her friendship with Rolf Liebermann and other Jewish artists she had met in Zurich. In desperation, she reportedly attempted suicide. Andersen was so popular, however, that the Nazi government allowed her to perform again, albeit subject to several conditions, Shortly before the end of the war, Andersen retired to Langeoog, a small island off the North Sea coast of Germany.

After the war, Andersen all but disappeared as a singer. In 1949, she married Swiss composer Artur Beul. In 1952 she made a comeback with the song "Die blaue Nacht am Hafen", which she had written the lyrics for herself. In 1959, she had another hit "Ein Schiff wird kommen ", a cover version of "Never on Sunday", the title song from the movie of the same name, originally sung in Greek by Melina Mercouri. Each song won her a gold album in West Germany. In 1961, she participated as the West German representative in the Eurovision Song Contest with the song "Einmal sehen wir uns wieder", which only reached 13th place with three points. Fifty six years old at the time, she held the record of the eldest participant at Eurovision for over 45 years – surpassed only in 2008 by the 75 year old Croatian entertainer 75 Cents. With her death, She was the first female Eurovision contestant and first German speaking Eurovision contestant to pass away and third overall, following Jacques Pills and Jean Paul Mauric, the later also appeared in Eurovision 1961.

Note a: Lale Andersen often wrote her own lyrics, usually under the pseudonym Nicola Wilke. Note c: Although some online resources give 1924 as the year of the marriage, Lehrke's book contains a copy of the wedding announcement that had appeared in the Nordwestdeutsche Zeitung on 1 April 1922. Note d: In her early career, Lale Andersen was sometimes billed as Liselotte Wilke.