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Bengali language poetry

Bengali poetry is a rich tradition of poetry in the Bengali language and has many different forms. Originating in Bengal, the history of Bengali poetry underwent three successive stages of development: poetry of the early age (like Charyapad), the Medieval period and the age of modern poetry. All ages have seen different forms of poetry and poetical tradition. It reached the pinnacle during the Bengali Renaissance period although it has a rich tradition and has grown independent of the movement. Major Bengali Poets throughout the ages are Chandidas, Alaol, Ramprasad Sen, Michael Madhusudan Dutt, Nabinchandra Sen, Rabindranath Tagore, Dwijendralal Ray, Satyendranath Dutta, Kazi Nazrul Islam, Jibanananda Das, Jasimuddin, Sukanta Battacharya, Al Mahmud.

Poetry in the colloquial dialect of Bengal first originated from Prakrit, and based upon local socio cultural traditions. It was antagonistic towards Vedic rituals and laws as opposed to the sahajaya traditions of the poets themselves who were mainly Buddhist sages. The medieval period marked the introduction of puthis, which played an important role in Muslim life and brought much Persian and Arabic influence to the poetic lexicon. Shah Gharibullah was said to have initiated this puthi trend with his epic "Amir Hamza". Many jongonamas, puthis based on battles, were written during this time. Jongonamas were generally elegiac in tone. Works relating to Karbala were called marsiya (meaning 'grief' in Arabic) literature. Both janganama and marsiya literature first developed in Arabia and later Persia. Muslim Sufis and soldiers introduced this form of poetry in the Bengali language to the masses in Bengal and Arakan. Well known poems of include Zainab's Chautisha by Sheikh Faizullah, Maqtul Husayn by Mohammad Khan and Qasim er Lodai O Fatima r Surotnama by Sherbaz. The works mixed Bengali folk poetry with Perso Arabian stories and themes, and are considered an important part of the Muslim culture of Bengal.

Charyapad is the oldest poetry and literary specimen of Bengali language. It is also the oldest work in the neo Indian Aryan language. The composers of these hymns, composed between the tenth and twelfth centuries AD, were easily Buddhist Siddhacharyas. The 24 major Charyapadas were by Lui Pa, Kukkuripa, Biruapa, Gundaripa, Chatilpa, Bhusuk Pa, Kahnpa, Kambalambarpa, Dombipa, Shantipa, Mahittapa, Veenapa, Sarhapa, Shabar Pa, Azdebpa, Dhenpana, Dankapa, Darikpa Dhampa, Tantripa, Laridombipa. 1200 1350 AD of Bengali literature has been marked as the "dark age of Bengali Literature." During this time Srikrishnakirtan was composed by Baduchandidas. The other remarkable poets of Vaishnava literature of this era were Vidyapati, Jnandas, Govindadas, Yashoraj Khan, Chandkaji, Ramchandra Basu, Balram Das, Narhari Das, Vrindavan Das, Basudavas, Bansibad. Syed Sultan, Harhari Sarkar, Fateh Paramananda, Ghanshyam Das, Gayas Khan, Alaol, Deen Chandidas, Chandrashekhar, Haridas, Shivram, Karam Ali, Pir Muhammad, Hiramani, Bhavananda. Famous poets of Mangal Kavya are Kanahari Dutt, Narayan Dev, Vijaygupta, Bipradas Piplai, Madhav Acharya, Mukundaram Chakraborty, Ghanram Chakraborty, Srishyam Pandit, Bharat Chandra Roy Gunakar, Khemananda, Ketka Das Khemananda, Dwij Madhav, Adi Rupram, Manik Ram, Mayur Bhatt, Khelaram, Rupram, Sitaram Das, Shyamj. The 18th century two brilliant Shakta bhakti court poets were Bharatchandra Ray and Ramprasad Sen.

Following the Partition of India in 1947, Bengali poets were divided along nationalistic lines of India and Pakistan. West Bengal still had a great literary culture around it. Many Poets like Shakti Chattopadhyay, Binoy Majumdar, Samir Roychoudhury, Malay Roy Choudhury, Subimal Basak, Pranabkumar Chattopadhyay, Subodh Sarkar emerged. The poets of East Bengal took different yet similar path, many taking inspiration from Kazi Nazrul Islam and other major poets. Some of the popular Bengali Muslim poets of this period included Farrukh Ahmad, Talim Hossain, Golam Mostofa and Raushan Yazdani. The Bangladesh Liberation War and struggle for freedom became a popular theme in the years that followed. Al Mahmud is considered one of the greatest Bengali poets to have emerged in the 20th century.