Уильям Нельсон: Рок-музыкант, художник және экспериментатор

William Nelson (born 18 December 1948) is an English singer, guitarist, songwriter, producer, painter, video artist, writer and experimental musician. He rose to prominence as the chief songwriter, vocalist and guitarist of the rock group Be Bop Deluxe, which he formed in 1972. Nelson has been described as "one of the most underrated guitarists of the seventies art rock movement". In 2015, he was recognised with the Visionary award at the Progressive Music Awards.

Nelson was born in Wakefield in the West Riding of Yorkshire, to Jean and Walter Nelson. His father was an alto saxophone player, and his mother a dancer. and Elliot (born 1981), both born with Bill’s second wife, Jan. Elle and Elliot played in their own band, Honeytone Cody, between the late 1990s and 2014. Some time around April 1995 Nelson married Emiko, who was previously married to Yellow Magic Orchestra drummer Yukihiro Takahashi.

Nelson was educated at the Wakefield College of Art, where he developed an interest in the work of poet and filmmaker Jean Cocteau. At this time he was also developing as a musician, drawing upon Duane Eddy as a primary guitar influence. His first record was a brief contribution on the album A Austr: Musics from Holyground, with Brian Calvert, Chris Coombs, Ted Hepworth, Mike Levon and Brian Wilson. Levon recorded and produced the album which appeared on Levon's own Holyground Records label in 1970. After that, Nelson appeared in a much more substantial role with Lightyears Away on Astral Navigations released in 1971. On one track, "Yesterday", written by Coombs, Levon recorded Nelson's lead guitars in an acid rock style, supporting Coombs' stylophone riff. This track also gave Nelson his first airplay by John Peel

Meanwhile, with his producer from Harvest John Leckie, Nelson did some production (and, in Nelson's case, sessions keyboards) work for the band Skids, whose guitarist Stuart Adamson was an admirer of Nelson's musicianship. Fruitful friendships followed. Vocalist Richard Jobson would appear as a support act reading poetry on the Invisibility Exhibition tour. After Adamson's death in 2001, Nelson composed a piece in memory of his departed friend, called simply "For Stuart", which appeared on 2003's The Romance of Sustain Volume One: Painting With Guitars This debut release on the label persuaded Phonogram to acquire the remaining tracks for Cocteau in order to release Quit Dreaming And Get on the Beam as a Bill Nelson album on their subsidiary label Mercury Records in 1981. The release contained bonus disc Sounding The Ritual Echo (Atmospheres for Dreaming) featuring experimental, ambient instrumentals which Nelson had recorded privately at his home. Subsequent Mercury releases included The Love That Whirls, which included a bonus disc of Nelson's soundtrack for The Yorkshire Actors' stage production of Jean Cocteau's 1946 film La Belle et la Bête/Beauty and the Beast. Nelson had already contributed music (and released it under the title Das Kabinet on Cocteau) to the same company's similar adaptation of Robert Wiene's 1920 silent film classic The Cabinet of Dr. Caligari. Freed from the demands of a mainstream, commercial record company, Nelson released considerable quantities of singles and LPs on Cocteau throughout the decade, much of it by himself but also a number of singles by other artists, notably Last Man in Europe, A Flock of Seagulls, The Revox Cadets, Richard Jobson, Q (16), Fiat Lux, Man Jumping and Yukihiro Takahashi. The more ambitious Cocteau releases by Nelson himself included the four LP box set of experimental electronic music Trial by Intimacy (The Book of Splendours) and the later ambient two LP collection Chance Encounters in the Garden of Lights, which contained music informed by Nelson's Gnostic beliefs. In 1989, he released the 4 CD box set Demonstrations of Affection. He was hired by English new wave artist Gary Numan to produce his 1983 album Warriors, with Numan saying that Bill Nelson was his "favourite guitar player, bar none." However, the two musicians failed to maintain a working relationship, and ultimately Nelson chose not to be credited for his production role on the album. Nelson also contributed towards several tracks on David Sylvian's Gone to Earth (1986). Nelson was commissioned by Channel 4 to write music for the 1987 television drama series Brond. In the 1980s a deal with CBS Records' Portrait imprint failed, leaving the one album Getting the Holy Ghost Across (US title: On a Blue Wing) with further tracks from that album's sessions issued on the UK mini LP Living for the Spangled Moment. In the late 1980s, Nelson signed to Enigma Records, which went out of business shortly after re releasing his entire Cocteau catalogue. As the decade ended, Nelson suffered a series of personal setbacks, including a divorce, tax problems and an acrimonious dispute with his manager over his back catalogue rights. In the case of one album, the unreleased Simplex, Nelson discovered his manager had been selling copies via mail order without Nelson's authorisation or knowledge; Nelson claimed he never received any royalties from these sales.

In 1992, Nelson released Blue Moons and Laughing Guitars on Virgin which consisted of demos for a proposed band including four guitarists and two drummers which never materialised. "This is what I do behind locked doors," he wrote on the sleeve, prefiguring much of his later, home recorded work including My Secret Studio (4 CD + 2 CD) and Noise Candy (6 CD). In the same year, Nelson worked with Roger Eno and Kate St John as producer (with Roger Eno) on the duo's album The Familiar, on which Nelson also played guitar and other instruments. This experience fortuitously not only sowed the seeds of Eno's, Nelson's and St. John's participation in the 'ambient supergroup' Channel Light Vessel, which also featured Laraaji and Mayumi Tachibana, but also introduced Nelson to Voiceprint Records, whose subsidiary labels included All Saints and Resurgence, both of which would release a number of CLV and Nelson recordings over the next few years. In 1995, Nelson released two very different albums. Crimsworth (Flowers, Stones, Fountains And Flames) was an ambient piece which had provided the soundscape to an art installation. Practically Wired, or How I Became Guitarboy! was a return to guitar based instrumental music, something Nelson had barely touched for the previous decade and a half. In 1996, Nelson augmented his sound with drum and bass for After The Satellite Sings, credited as a major influence on David Bowie's Earthling album by Bowie's then guitarist Reeves Gabrels. By 1996, Nelson's troubles with his former manager were resolved in a lawsuit which enabled Nelson to recover much of his back catalogue. It proved such a good experience that he resolved to contribute live music performances, dedicated CDs of new material, and anything else that seemed appropriate, to any such future events. Nelsonica became an annual fixture in his calendar for the next decade or so. Attendees at 2002's Nelsonica 02 received a copy of Astral Motel, the first convention CD release. Honeytone Cody played one set, Nelson and his brother Ian played a second, while Nelson's newly assembled seven piece band The Lost Satellites, which also included Ian, played a third. It was a resounding success and an annual institution was born. Three further albums followed in 2003: The Romance of Sustain Volume One: Painting With Guitars, Plaything, and a second Nelsonica CD Luxury Lodge,. Since then, Nelson has released an average of four albums a year, often in small runs which soon go out of print. He has accomplished this using his own series of branded record labels: Almost Opaque then Discs of Ancient Odeon for the Nelsonica releases; Universal Twang then Sonoluxe for the others. (Nelson's Sonic Masonic imprint lasted for only one release, 2004's Satellite Songs)

Nelson's in house releasing was made possible by the financial backing of Sound on Sound magazine, whose website hosts his online shop and is named after Red Noise's Sound on Sound album. In 2004, the magazine also put up the money for Nelson to take his band Bill Nelson and the Lost Satellites on tour around the UK as The Be Bop Deluxe And Beyond Tour. Most of the decade's remaining albums were lead electric guitar oriented and non vocal. Improvisation against pre recorded backing tracks played a major role in And We Fell into A Dream while the very different Theatre of Falling Leaves eschewed lead guitar in favour of keyboards. The decade closed with more voice based material as Nelson crooned through Golden Melodies of Tomorrow, delivered more familiar rock and ballad vocals on Fancy Planets and delved into romantic songwriting in The Dream Transmission Pavilion. In the first half of the decade, Nelson published his collected online diaries from 1999–2003 under the moniker diary of a hyperdreamer. A second volume covering entries from 2005–2006 would appear in 2015. The last ten years of this diary remain on his official website to this day. He also gave extensive interviews to biographer Paul Sutton Reeves for a book, the publication of which was put on hold for around two years when publisher Sean Body died. Music in Dreamland Bill Nelson & Be Bop Deluxe, finally materialised in 2008. In the second half of the decade, Nelson's live performances (mostly at the Nelsonica events) broadened out from solo work to encompass two other bands. One was the improvisational, three piece Orchestra Futura consisting of Nelson, Dave Sturt (bass) and Theo Travis (assorted woodwind, brass). (The duo of Sturt and Travis already played together as Cipher.) The other was the more conventional rock oriented, seven piece Bill Nelson and the Gentlemen Rocketeers (again including Sturt and Travis) which played songs with vocals from the extensive Nelson/Be Bop Deluxe back catalogue. By 2006, Universal Music (UK) had re issued three Mercury albums: Quit Dreaming and Get on the Beam, The Love that Whirls and Chimera had all been remastered and released with bonus tracks. Sonoluxe had reissued the CBS album Getting the Holy Ghost Across / On a Blue Wing with all the original tracks including those from Living for the Spangled Moment.

In 2010, Nelson published the first part of an autobiography. In March 2011, motivated by a desire to capture the flavour of recent gigs on film for posterity via DVD release, Bill Nelson and the Gentlemen Rocketeers played a concert of songs spanning Nelson's career before a live audience in front of in house cameras at Metropolis Studios, London. Dissatisfied with the resultant sound mix, Nelson remixed it himself at his own expense. Using Nelson's remix, ITV Studios Home Entertainment released a DVD of the event. This initial release quickly sold out. A promised television broadcast of the recording only materialised in a few selected territories, excluding the UK. The video and audio recording has subsequently been reissued on other formats including CD and LP. However, having signed away his rights to these recordings, Nelson has made no money on these releases. In 2011, Cherry Red Records' subsidiary Esoteric Recordings commenced a roll out re release of Nelson's back catalogue for many of his releases between 1981 and 2002 with the 8 CD compilation The Practice of Everyday Life which covered 40 years of recordings. Other notable reissues have included the 4 CD The Book of Splendours and the 6 CD Noise Candy. The Esoteric deal did not involve a rights buyout, so Nelson is properly compensated for these reissues. In 2013, Nelson finally began releasing his out of print CD back catalogue from 2002 onwards as digital downloads via Bandcamp. On this platform he subsequently released the three volume compilation The Dreamer's Companion in 2014 and brand new albums commencing with Special Metal from 2016 onwards. In addition to his numerous solo releases of recent years, Nelson has also made both film soundtracks and a number of collaborative recordings with other artists. In 2010, he released the soundtrack to the US TV documentary American Stamps as Picture Post while in 2014, he released the soundtrack to UK director Daisy Asquith's paean to cycling Velorama (a tie in with the 2014 Tour de France cycle race which went through Yorkshire) as Pedalscope. In 2012, Nelson finally completed The Last of the Neon Cynics, a long standing project with comic artist Matt Howarth: the latter supplied a comic (a PDF file) while the former provided a soundtrack to it. In 2014, he collaborated with fellow guitarist Reeves Gabrels (who has also worked with David Bowie and The Cure) on Fantastic Guitars. In 2014, Nelson suffered a complete hearing loss in his right ear. This put a stop to any plans for playing live (and by extension Nelsonica events built around live performance) for the foreseeable future. Yet he continued to record and release music despite this disability. The first album to be affected was Quiet Bells. According to Nelson's sleeve notes, "to slowly adjust to this problem, I decided to make an album that features mainly guitar, a gentle collection of instrumentals in a neo minimalist, ambient style." In 2014, Nelson was honoured by Wakefield Council with a Hollywood style star on the city’s walk of fame. He also designed an extremely limited edition 'Astroluxe Custom Ltd' guitar for the Eastwood company. In 2016, 46 years after recording his debut album, Nelson released a sequel entitled New Northern Dream.