Мегаломания: История песни Incubus и её политический контекст.

Alternative rock
alternative metal jazz, and progressive rock. Some critics believed that the band were allowed to take more musical risks on the album following the commercial success of 2001's Morning View, although Einziger said in a 2004 interview that, "we've never felt we didn't have that freedom. We've always done what we wanted. It's kind of self serving, but that's how we do it. We try not to pay attention to anything but each other."

Einziger has said that "Megalomaniac" was originally written on an acoustic guitar, despite being one of the heavier songs on the album. Boyd remarked that "'Megalomaniac' means self exaltation, and to be crazy for big things. The song is about power crazed people and their destructive behavior." He adds, "lyrically speaking I know that there were a lot of things going on in and around the world and there were some very specific people in my mind coming dangerously close to having megalomaniacal tendencies and so I did my best to write those thoughts down." While it was written around the time George W. Bush ordered the 2003 invasion of Iraq, Boyd claimed the person in the song was a composite of several people, and primarily inspired by a character in the 1986 movie Three Amigos. The music video for the song was handled by Italian Canadian director Floria Sigismondi, and had allusions to both Adolf Hitler and Bush. Sigismondi came up with the concept for the video, with Boyd reflecting in 2004 that "when we did the video for 'Megalomaniac,' it was a really rewarding experience. Not only the outcome, the process was very rewarding as well. She's a great person. She knew exactly what she wanted to see and wasn't afraid to ask for it. She wasn't a screamer — some directors are screamers, they just yell at people. She didn't do that, which was nice." Due to the political references, MTV initially refused to show the "Megalomaniac" video except for late at night, as it was under pressure from conservative groups following the 2004 Janet Jackson Super Bowl controversy, where one of the singer's breasts was exposed at a halftime show they produced. In response to the Super Bowl controversy, MTV moved six potentially offensive videos to late night rotation, with "Megalomaniac" being the only one without any explicit sexual content. At the time, Einziger commented "it's ironic that this MTV scrutiny comes from an incident where someone bared their chest in public, while for the first time, our singer has his shirt on for an entire video." The line, "Come one, Come all into 1984" does not refer to the year, where all the band members were still children, but rather George Orwell's 1949 book Nineteen Eighty Four. The band played further shows in Australia, New Zealand, Malaysia and Europe before beginning a tour of North America in June 2004, which would continue for the rest of the year. To further promote the album in 2004, Incubus performed on Jimmy Kimmel Live!, the Top of the Pops in the United Kingdom and the Rove Live talk show in Australia. At a June 2004 show in London, the band notably performed the song "Take Me to Your Leader" for the first time since 1998, and went on to play it eight more times that year. These 2004 performances are to date the last time a Fungus Amongus/Enjoy Incubus song has been played live. In 2005, the band contributed the songs "Admiration", "Neither of Us Can See" and "Make a Move" to the soundtrack of the action film Stealth, with "Make a Move" being released as a single that year. The song "Aqueous Transmission" from Morning View also appeared on the film's soundtrack album.

A Crow Left of the Murder debuted at number two on the US Billboard 200, selling about 332,000 copies in its first week on the chart. It has since been certified platinum by the RIAA.

The album was generally well received by critics upon release. Stuart Green of Canadian publication Exclaim! gave it a positive review in March 2004, he wrote "with the addition of soulful Roots bassist Ben Kenney and a tasty fusion of everything from Faith No More style rap metal to the prog noodling of Rush (most notably on 'Sick Sad Little World', the album's standout track) to the earnest songwriting of, say, the Beatles or the Dave Matthews Band, this disc should establish them as the leaders of the new rock pack at least in artistry if not sales." Stephen Thomas Erlewine of AllMusic awarded the album four and a half out of five stars, claiming that, "at the beginning of their career, Incubus was rightly lumped in with the legions of post Korn alt metal/rap rock bands swarming America in the latter days of the 20th century", and that, "A Crow Left of the Murder is far more interesting than any of their other records, or their peers." Joshua Klein of The Washington Post stated, "A Crow Left of the Murder shows success has gone to the band's head, but only in the best sense. Here Incubus reverts to its weirder, wilder roots without abandoning its newfound pop appeal." Eric R. Danton of The Baltimore Sun wrote in his February 2004 review, "alternative metal bands have tended to embody self absorption far more than self awareness, and we've all seen how that has turned out: It's made Fred Durst wealthy in inverse proportion to his talent. Incubus, at least, has avoided many of the petulant excesses that fuel Limp Bizkit and Linkin Park. With a few pop savvy ballads and a hottie front man in Brandon Boyd, Incubus has even attracted an audience that encompasses more than surly teen age boys." He added, "the alt metal sound is mostly played out, but Incubus' determination to continue developing is clear here, and it will help to keep the band relevant in an increasingly splintered music scene." Scott Shetler of Slant Magazine gave it four out of five stars, writing "like it or not, Incubus is the prototypical rock band for the 21st century, appealing equally to both sexes — they’re likable guys who write memorable songs and it doesn’t hurt that they’ve got a model for a lead singer." Shetler adds, "Incubus have never made any huge leaps in terms of their sound, but they’ve always managed to change it just enough to stay slightly ahead of the pack, and with Crow they’ve simply done it again." In his review for the Alive at Red Rocks CD/DVD, Alex Henderson of AllMusic claimed that "some fans of their early rap metal/funk metal work see 2001's Morning View and 2004's A Crow Left of the Murder as a sellout." In a 2006 interview with The New Zealand Herald, Brandon Boyd reflected, "it's funny because the way it's perceived around the world is vastly different. For some people Crow was the best record we've ever done, but some people look at that record as a pause in our talent as a band." Kerrang! ranked it as the second best Incubus album in 2020, and stated it "[was] the sound of Incubus maturing; finding ever subtler applications for their melting pot of styles." Boyd also ranked it as his second favorite Incubus record in a 2022 Louder Sound article.

+Weekly chart performance for A Crow Left of the Murder Chart (2004) Peakposition

+Year end chart performance for A Crow Left of the Murder Chart (2004) Position New Zealand Albums (RMNZ) 33 US Billboard 200 61