Детская литература: история и особенности

Stories, books, magazines, and poems that are primarily written for children
the academic journal

Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. Modern children's literature is classified in two different ways: genre or the intended age of the reader, from picture books for the very young to young adult fiction. Children's literature can be traced to traditional stories like fairy tales, that have only been identified as children's literature in the eighteenth century, and songs, part of a wider oral tradition, that adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke. The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then.

There is no single or widely used definition of children's literature. One writer on children's literature defines it as "all books written for children, excluding works such as comic books, joke books, cartoon books, and non fiction works that are not intended to be read from front to back, such as dictionaries, encyclopedias, and other reference materials". However, others would argue that children's comics should also be included: "Children's Literature studies has traditionally treated comics fitfully and superficially despite the importance of comics as a global phenomenon associated with children". The International Companion Encyclopedia of Children's Literature notes that "the boundaries of genre are not fixed but blurred". Sometimes, no agreement can be reached about whether a given work is best categorized as literature for adults or children. Some works defy easy categorization. J. K. Rowling's Harry Potter series was written and marketed for children, but it is also popular among adults. The series' extreme popularity led The New York Times to create a separate bestseller list for children's books. Despite the widespread association of children's literature with picture books, spoken narratives existed before printing, and the root of many children's tales go back to ancient storytellers. Seth Lerer, in the opening of Children's Literature: A Reader's History from Aesop to Harry Potter, says, "This book presents a history of what children have heard and read The history I write of is a history of reception." It was only in the eighteenth century, with the development of the concept of childhood, that a separate genre of children's literature began to emerge, with its own divisions, expectations, and canon. The earliest of these books were educational books, books on conduct, and simple ABCs—often decorated with animals, plants, and anthropomorphic letters. In 1962, French historian Philippe Ariès argues in his book Centuries of Childhood that the modern concept of childhood only emerged in recent times. He explains that children were in the past not considered as greatly different from adults and were not given significantly different treatment. As evidence for this position, he notes that, apart from instructional and didactic texts for children written by clerics like the Venerable Bede and Ælfric of Eynsham, there was a lack of any genuine literature aimed specifically at children before the 18th century. Other scholars have qualified this viewpoint by noting that there was a literature designed to convey the values, attitudes, and information necessary for children within their cultures, such as the Play of Daniel from the twelfth century. Pre modern children's literature, therefore, tended to be of a didactic and moralistic nature, with the purpose of conveying conduct related, educational and religious lessons. The English philosopher John Locke developed his theory of the tabula rasa in his 1690 An Essay Concerning Human Understanding. In Locke's philosophy, tabula rasa was the theory that the (human) mind is at birth a "blank slate" without rules for processing data, and that data is added and rules for processing are formed solely by one's sensory experiences. A corollary of this doctrine was that the mind of the child was born blank and that it was the duty of the parents to imbue the child with correct notions. Locke himself emphasized the importance of providing children with "easy pleasant books" to develop their minds rather than using force to compel them: "Children may be cozen'd into a knowledge of the letters; be taught to read, without perceiving it to be anything but a sport, and play themselves into that which others are whipp'd for." He also suggested that picture books be created for children. In the nineteenth century, a few children's titles became famous as classroom reading texts. Among these were the fables of Aesop and Jean de la Fontaine and Charles Perraults's 1697 Tales of Mother Goose. The popularity of these texts led to the creation of a number of nineteenth century fantasy and fairy tales for children which featured magic objects and talking animals. Chapbooks, pocket sized pamphlets that were often folded instead of being stitched, These were brought from England to the American colonies in the mid seventeenth century. The first such book was a catechism for children, written in verse by the Puritan John Cotton. Known as Spiritual Milk for Boston Babes, it was published in 1646, appearing both in England and Boston. Another early book, The New England Primer, was in print by 1691 and used in schools for 100 years. The primer begins with "The young Infant's or Child's morning Prayer" and evening prayer. It then shows the alphabet, vowels, consonants, double letters, and syllables before providing a religious rhyme of the alphabet, beginning "In Adam's fall We sinned all ", and continues through the alphabet. It also contained religious maxims, acronyms, spelling help and other educational items, all decorated by woodcuts. Giulio Cesare Croce also borrowed from some stories children enjoyed for his books. A growing polite middle class and the influence of Lockean theories of childhood innocence combined to create the beginnings of childhood as a concept. In an article for the British Library, professor MO Grenby writes, "in the 1740s, a cluster of London publishers began to produce new books designed to instruct and delight young readers. Thomas Boreman was one. Another was Mary Cooper, whose two volume Tommy Thumb's Pretty Song Book (1744) is the first known nursery rhyme collection. But the most celebrated of these pioneers is John Newbery, whose first book for the entertainment of children was A Little Pretty Pocket Book." containing a mixture of rhymes, picture stories and games for pleasure. Newbery believed that play was a better enticement to children's good behavior than physical discipline, and the child was to record his or her behaviour daily. The book was child–sized with a brightly colored cover that appealed to children—something new in the publishing industry. Known as gift books, these early books became the precursors to the toy books popular in the nineteenth century. Newbery was also adept at marketing this new genre. According to the journal The Lion and the Unicorn, "Newbery's genius was in developing the fairly new product category, children's books, through his frequent advertisements and his clever ploy of introducing additional titles and products into the body of his children's books." Professor Grenby writes, "Newbery has become known as the 'father of children's literature' chiefly because he was able to show that publishing children's books could be a commercial success." The improvement in the quality of books for children and the diversity of topics he published helped make Newbery the leading producer of children's books in his time. He published his own books as well as those by authors such as Samuel Johnson and Oliver Goldsmith; the latter may have written The History of Little Goody Two Shoes, Newbery's most popular book. Another philosopher who influenced the development of children's literature was Jean Jacques Rousseau, who argued that children should be allowed to develop naturally and joyously. His idea of appealing to a children's natural interests took hold among writers for children. Rousseau's ideas also had great influence in Germany, especially on German Philanthropism, a movement concerned with reforming both education and literature for children. Its founder, Johann Bernhard Basedow, authored Elementarwerk as a popular textbook for children that included many illustrations by Daniel Chodowiecki. Another follower, Joachim Heinrich Campe, created an adaptation of Robinson Crusoe that went into over 100 printings. He became Germany's "outstanding and most modern" They were so popular in their home country that modern, realistic children's literature began to be looked down on there. This dislike of non traditional stories continued there until the beginning of the next century. In Switzerland, Johann David Wyss published The Swiss Family Robinson in 1812, with the aim of teaching children about family values, good husbandry, the uses of the natural world and self reliance. The book became popular across Europe after it was translated into French by Isabelle de Montolieu. E. T. A. Hoffmann's tale "The Nutcracker and the Mouse King" was published in 1816 in a German collection of stories for children, Kinder Märchen. It is the first modern short story to introduce bizarre, odd and grotesque elements in children's literature and thereby anticipates Lewis Carroll's tale, Alice's Adventures in Wonderland. There are not only parallels concerning the content (the weird adventures of a young girl in a fantasy land), but also the origin of the tales as both are dedicated and given to a daughter of the author's friends.

The shift to a modern genre of children's literature occurred in the mid 19th century; didacticism of a previous age began to make way for more humorous, child oriented books, more attuned to the child's imagination. The availability of children's literature greatly increased as well, as paper and printing became widely available and affordable, the population grew and literacy rates improved. However, it was Lewis Carroll's fantasy, Alice's Adventures in Wonderland, published in 1865 in England, that signaled the change in writing style for children to an imaginative and empathetic one. Regarded as the first "English masterpiece written for children" Another important book of that decade was The Water Babies, A Fairy Tale for a Land Baby, by Rev. Charles Kingsley (1862), which became extremely popular and remains a classic of British children's literature. In 1883, Carlo Collodi wrote the first Italian fantasy novel, The Adventures of Pinocchio, which was translated many times. In that same year, Emilio Salgari, the man who would become "the adventure writer par excellence for the young in Italy" first published his legendary character Sandokan. In Britain, The Princess and the Goblin and its sequel The Princess and Curdie, by George MacDonald, appeared in 1872 and 1883, and the adventure stories Treasure Island and Kidnapped, both by Robert Louis Stevenson, were extremely popular in the 1880s. Rudyard Kipling's The Jungle Book was first published in 1894, and J. M. Barrie told the story of Peter Pan in the novel Peter and Wendy in 1911. Johanna Spyri's two part novel Heidi was published in Switzerland in 1880 and 1881. Michael O. Tunnell and James S. Jacobs, professors of children's literature at Brigham Young University, write, "Potter was the first to use pictures as well as words to tell the story, incorporating coloured illustration with text, page for page." Rudyard Kipling published The Jungle Book in 1894. A major theme in the book is abandonment followed by fostering, as in the life of Mowgli, echoing Kipling's own childhood. In the latter years of the 19th century, precursors of the modern picture book were illustrated books of poems and short stories produced by English illustrators Randolph Caldecott, Walter Crane, and Kate Greenaway. These had a larger proportion of pictures to words than earlier books, and many of their pictures were in colour. Some British artists made their living illustrating novels and children's books, among them Arthur Rackham, Cicely Mary Barker, W. Heath Robinson, Henry J. Ford, John Leech, and George Cruikshank. In the 1890s, some of the best known fairy tales from England were compiled in Joseph Jacobs' English Fairy Tales, including Jack and the Beanstalk, Goldilocks and the Three Bears, The Three Little Pigs, Jack the Giant Killer and Tom Thumb. The Kailyard School of Scottish writers, notably J. M. Barrie, creator of Peter Pan (1904), presented an idealised version of society and brought fantasy and folklore back into fashion. In 1908, Kenneth Grahame wrote the children's classic The Wind in the Willows and the Scouts founder Robert Baden Powell's first book, Scouting for Boys, was published. Inspiration for Frances Hodgson Burnett's novel The Secret Garden (1910) was the Great Maytham Hall Garden in Kent. While fighting in the trenches for the British Army in World War I, Hugh Lofting created the character of Doctor Dolittle, who appears in a series of twelve books. The Golden Age of Children's Literature ended with World War I. The period before World War II was much slower in children's publishing. The main exceptions in England were the publications of Winnie the Pooh by A. A. Milne in 1926, the first Mary Poppins book by P. L. Travers in 1934, The Hobbit by J. R. R. Tolkien in 1937, and the Arthurian The Sword in the Stone by T. H. White in 1938. Children's mass paperback books were first released in England in 1940 under the Puffin Books imprint, and their lower prices helped make book buying possible for children during World War II. Enid Blyton's books have been among the world's bestsellers since the 1930s, selling more than 600 million copies. Blyton's books are still enormously popular and have been translated into almost 90 languages. She wrote on a wide range of topics including education, natural history, fantasy, mystery, and biblical narratives and is best remembered today for her Noddy, The Famous Five, The Secret Seven, and The Adventure Series. The first of these children's stories, Five on a Treasure Island, was published in 1942. In the 1950s, the book market in Europe began to recover from the effects of the two world wars. An informal literary discussion group associated with the English faculty at the University of Oxford, were the "Inklings", with the major fantasy novelists C. S. Lewis and J. R. R. Tolkien as its main members. C. S. Lewis published the first installment of The Chronicles of Narnia series in 1950, while Tolkien is best known, in addition to The Hobbit, as the author of The Lord of the Rings (1954). Another writer of fantasy stories is Alan Garner author of Elidor (1965), and The Owl Service (1967). The latter is an adaptation of the myth of Blodeuwedd from the Mabinogion, set in modern Wales – it won Garner the annual Carnegie Medal from the Library Association, recognising the year's best children's book by a British author. Mary Norton wrote The Borrowers (1952), featuring tiny people who borrow from humans. Dodie Smith's The Hundred and One Dalmatians was published in 1956. Philippa Pearce's Tom's Midnight Garden (1958) has Tom opening the garden door at night and entering into a different age. William Golding's 1954 novel Lord of the Flies focuses on a group of British boys stranded on an uninhabited island and their disastrous attempt to govern themselves. Roald Dahl wrote children's fantasy novels which were often inspired from experiences from his childhood, with often unexpected endings, and unsentimental, dark humour. Dahl was inspired to write Charlie and the Chocolate Factory (1964), featuring the eccentric chocolatier Willy Wonka, having grown up near two chocolate makers in England who often tried to steal trade secrets by sending spies into the other's factory. His other works include James and the Giant Peach (1961), Fantastic Mr. Fox (1970), The BFG (1982), The Witches (1983), and Matilda (1988). Starting in 1958, Michael Bond published more than twenty humorous stories about Paddington Bear. Boarding schools in literature are centred on older pre adolescent and adolescent school life, and are most commonly set in English boarding schools. Popular school stories from this period include Ronald Searle's comic St Trinian's (1949–1953) and his illustrations for Geoffrey Willans's Molesworth series, Jill Murphy's The Worst Witch, and the Jennings series by Anthony Buckeridge. Ruth Manning Sanders's first collection, A Book of Giants, retells a number of giant stories from around the world. Susan Cooper's The Dark Is Rising is a five volume fantasy saga set in England and Wales. Raymond Briggs' children's picture book The Snowman (1978) has been adapted as an animation, shown every Christmas on British television. The Reverend. W. Awdry and son Christopher's The Railway Series features Thomas the Tank Engine. Margery Sharp's series The Rescuers is based on a heroic mouse organisation. The third Children's Laureate Michael Morpurgo published War Horse in 1982. Dick King Smith's novels include The Sheep Pig (1984). Diana Wynne Jones wrote the young adult fantasy novel Howl's Moving Castle in 1986. Anne Fine's Madame Doubtfire (1987) is based around a family with divorced parents. Anthony Horowitz's Alex Rider series begins with Stormbreaker (2000). Philip Pullman's His Dark Materials is an epic trilogy of fantasy novels consisting of Northern Lights (1995, published as The Golden Compass in North America), The Subtle Knife (1997), and The Amber Spyglass (2000). It follows the coming of age of two children, Lyra Belacqua and Will Parry, as they wander through a series of parallel universes. The three novels have won a number of awards, most notably the 2001 Whitbread Book of the Year prize, won by The Amber Spyglass. Northern Lights won the Carnegie Medal for children's fiction in 1995. Neil Gaiman wrote the dark fantasy novella Coraline (2002). His 2008 fantasy, The Graveyard Book, traces the story of a boy who is raised by the supernatural occupants of a graveyard. In 2001, Terry Pratchett received the Carnegie Medal (his first major award) for The Amazing Maurice and His Educated Rodents. Cressida Cowell's How to Train Your Dragon series were published between 2003 and 2015. J. K. Rowling's Harry Potter fantasy sequence of seven novels chronicles the adventures of the adolescent wizard Harry Potter. The series began with Harry Potter and the Philosopher's Stone in 1997 and ended with the seventh and final book Harry Potter and the Deathly Hallows in 2007; becoming the best selling book series in history. The series has been translated into 67 languages, so placing Rowling among the most translated authors in history.

While Daniel Defoe wrote Robinson Crusoe in 1719 (spawning so many imitations it defined a genre, Robinsonade), adventure stories written specifically for children began in the nineteenth century. Early examples from British authors include Frederick Marryat's The Children of the New Forest (1847) and Harriet Martineau's The Peasant and the Prince (1856). The Victorian era saw the development of the genre, with W. H. G. Kingston, R. M. Ballantyne and G. A. Henty specializing in the production of adventure fiction for boys. This inspired writers who normally catered to adult audiences to write for children, a notable example being Robert Louis Stevenson's classic pirate story Treasure Island (1883). Biggles was a popular series of adventure books for young boys, about James Bigglesworth, a fictional pilot and adventurer, by W. E. Johns. Between 1941 and 1961 there were 60 issues with stories about Biggles, and in the 1960s occasional contributors included the BBC astronomer Patrick Moore. Between 1940 and 1947, W. E. Johns contributed sixty stories featuring the female pilot Worrals. Evoking epic themes, Richard Adams's 1972 survival and adventure novel Watership Down follows a small group of rabbits who escape the destruction of their warren and seek to establish a new home. Geoffrey Trease and Rosemary Sutcliff brought a new sophistication to the historical adventure novel. British comics in the 20th century evolved from illustrated penny dreadfuls of the Victorian era (featuring Sweeney Todd, Dick Turpin and Varney the Vampire). First published in the 1830s, according to The Guardian, penny dreadfuls were "Britain's first taste of mass produced popular culture for the young." Robin Hood featured in a series of penny dreadfuls in 1838 which sparked the beginning of the mass circulation of Robin stories. Dennis the Menace debuted in The Beano in 1951, while the popular stop motion characters, Wallace and Gromit, guest starred in the comic every four weeks from 2013. Important early magazines or story papers for older children were the Boy's Own Paper, published from 1879 to 1967 and The Girl's Own Paper published from 1880 until 1956. In the 1890s, half penny publications succeeded the penny dreadfuls in popularity among British children. These included The Half penny Marvel and Union Jack. From 1896, the cover of the half penny comic Illustrated Chips featured the long running comic strip of the tramps Weary Willie and Tired Tim, with its readers including a young Charlie Chaplin. Other story papers for older boys were The Hotspur (1933 to 1959) and The Rover, which started in 1922 and was absorbed into Adventure in 1961 and The Wizard in 1963, and eventually folded in 1973. Many prominent authors contributed to the Boy's Own Paper: cricketer W. G. Grace wrote for several issues, along with authors Sir Arthur Conan Doyle and R. M. Ballantyne, as well as Robert Baden Powell, founder of the Scout Movement. Contributors to The Girl's Own Paper included Noel Streatfeild, Rosa Nouchette Carey, Sarah Doudney (1841–1926), Angela Brazil, Richmal Crompton, Fanny Fern, and Baroness Orczy. The Eagle was a popular British comic for boys, launched in 1950 by Marcus Morris, an Anglican vicar from Lancashire. Revolutionary in its presentation and content, it was enormously successful; the first issue sold about 900,000 copies. Featured in colour on the front cover was its most recognisable story, "Dan Dare, Pilot of the Future", created with meticulous attention to detail. It was first published from 1950 to 1969, and relaunched from 1982 to 1994. Its sister comic was Girl, whose early issues from 1951 featured the strip "Kitty Hawke and her All Girl Air Crew". Roy of the Rovers, an immensely popular comic strip featuring Roy Race, a striker for the fictional football team Melchester Rovers, first appeared in the Tiger in 1954. First published by Martin Handford in 1987, more than 73 million Where's Wally? picture puzzle books had been sold around the world by 2007.

Children's literature has been a part of American culture since Europeans first settled in America. The earliest books were used as tools to instill self control in children and preach a life of morality in Puritan society. Eighteenth century American youth began to shift away from the social upbringing of its European counterpart, bringing about a change in children's literature. It was in this time that A Little Book for Little Children was written by T. W. in 1712. It includes what is thought to be the earliest nursery rhyme and one of the earliest examples of a textbook approaching education from the child's point of view, rather than the adult's. Children's magazines in the United States began with the Young Misses' Magazine (1806) of Brooklyn, New York. One of the most famous books of American children's literature is L. Frank Baum's fantasy novel The Wonderful Wizard of Oz, published in 1900. "By combining the English fondness for word play with the American appetite for outdoor adventure", Connie Epstein in International Companion Encyclopedia Of Children's Literature says Baum "developed an original style and form that stands alone". The American Library Association began awarding the Newbery Medal, the first children's book award, in 1922. The Caldecott Medal for illustration followed in 1938. The first book by Laura Ingalls Wilder about her life on the American frontier, Little House in the Big Woods appeared in 1932. The already vigorous growth in children's books became a boom in the 1950s, and children's publishing became big business. One of the most influential and internationally most successful Scandinavian children's books from this period is Selma Lagerlöfs The Wonderful Adventures of Nils. Astrid Lindgren (Pippi Longstocking) and Jostein Gaarder (Sophie's World) are two of the best known Scandinavian writers internationally. In Finland, some of the most significant children's book writers include Tove Jansson (Moomins), Oiva Paloheimo (Tirlittan) and Elina Karjalainen (Uppo Nalle). The interwar period saw a slow down in output similar to Britain's, although "one of the first mysteries written specifically for children", Emil and the Detectives by Erich Kästner, was published in Germany in 1930. German writers Michael Ende (The Neverending Story) and Cornelia Funke (Inkheart) achieved international success with their fantasy books. The period during and following World War II became the Classic Age of the picture book in Switzerland, with works by Alois Carigiet, Felix Hoffmann, and Hans Fischer. Nineteen sixty three was the first year of the Bologna Children's Book Fair in Italy, which was described as "the most important international event dedicated to the children's publishing". For four days it brings together writers, illustrators, publishers, and book buyers from around the world. As head of the children's section of the State Publishing House and editor of several children's magazines, Marshak exercised enormous influence by wrote a series of 23 books for children known as Sítio do Picapau Amarelo (The Yellow Woodpecker Ranch), between 1920 and 1940. The series is considered representative of Brazilian children's literature and the Brazilian equivalent to children's classics such as C. S. Lewis, The Chronicles of Narnia and L. Frank Baum's The Wonderful Wizard of Oz series. The concept was introduced in Monteiro Lobato's 1920 short story "A Menina do Narizinho Arrebitado", and was later republished as the first chapter of "Reinações de Narizinho", which is the first novel of the series. The main setting is the "Sítio do Picapau Amarelo", where a boy (Pedrinho), a girl (Narizinho) and their living and thinking anthropomorphic toys enjoy exploring adventures in fantasy, discovery and learning. On several occasions, they leave the ranch to explore other worlds such as Neverland, the mythological Ancient Greece, an underwater world known as "Reino das Águas Claras" (Clear Waters Kingdom), and even the outer space. The "Sítio" is often symbolized by the character of Emília, Lobato's most famous creation.

Christian missionaries first established the Calcutta School Book Society in the 19th century, creating a separate genre for children's literature in the country. Magazines and books for children in native languages soon appeared. His award winning work, Good Stories for Good Children, is a collection of stories derived from the stories in Classical Persian literature re written for children.

Originally, for centuries, stories were told by Africans in their native languages, many being told during social gatherings. Stories varied between mythic narratives dealing with creation and basic proverbs showcasing human wisdom. These narratives were passed down from generation to generation orally. Since its independence in 1960, Nigeria has witnessed a rise in the production of children's literature by its people, the past three decades contributing the most to the genre. Most children's books depict the African culture and lifestyle, and trace their roots to traditional folktales, riddles, and proverbs. Authors who have produced such works include Chinua Achebe, Cyprian Ekwensi, Amos Tutuola, Flora Nwapa, and Buchi Emecheta. Publishing companies also aided in the development of children's literature.

Children's literature can be divided into categories, either according to genre or the intended age of the reader.

Pictures have always accompanied children's stories. A papyrus from Byzantine Egypt, shows illustrations accompanied by the story of Hercules' labors. Modern children's books are illustrated in a way that is rarely seen in adult literature, except in graphic novels. Generally, artwork plays a greater role in books intended for younger readers (especially pre literate children). Children's picture books often serve as an accessible source of high quality art for young children. Even after children learn to read well enough to enjoy a story without illustrations, they (like their elders) continue to appreciate the occasional drawings found in chapter books. According to Joyce Whalley in The International Companion Encyclopedia of Children's Literature, "an illustrated book differs from a book with illustrations in that a good illustrated book is one where the pictures enhance or add depth to the text." Beyond age considerations, in the translation of children’s literature, the translators are supposed to comprehend the changing status and essence of youth cultures. This arises from the phenomena that works translated for children can be fictions fundamentally produced both for adults and children, consisting of genres such as romances, fables, and fairytales. Besides, adults might be present in literary works for children as the disguise of a didactic narrator or ironic asides. This can have the power to change the implicit adult child relationship in the source text. The visuals play an important role in children’s literature for younger audience and these visual might be comprise of comics, graphic novels, and picture books. Therefore, the translators are required to have an understanding of typography, visual coding and stylization.

Controversies often emerge around the content and characters of prominent children's books. Well known classics that remain popular throughout decades commonly become criticized by critics and readers as the values of contemporary culture change. Critical analysis of children's literature is common through children's literary journals as well as published collections of essays contributed to by psychoanalysts, scholars and various literary critics such as Peter Hunt.

The presence of empire as well as pro colonialist and imperialist themes in children's literature have been identified in some of the most well known children's classics of the late nineteenth and early twentieth centuries. In the French illustrator Jean de Brunhoff's 1931 picture book Histoire de Babar, le petit elephant (The Story of Babar, The Little Elephant), prominent themes of imperialism and colonialism have been noted and identified as propaganda. An allegory for French colonialism, Babar easily assimilates himself into the bourgeois lifestyle. It is a world where the elephants who have adapted themselves dominate the animals who have not yet been assimilated into the new and powerful civilization. H. A. Rey and Margret Rey's Curious George first published in 1941 has been criticized for its blatant slave and colonialist narratives. Critics claim the man with the yellow hat represents a colonialist poacher of European descent who kidnaps George, a monkey from Africa, and sends him on a ship to America. Details such as the man in colonialist uniform and Curious George's lack of tail are points in this argument. In an article, The Wall Street Journal interprets it as a "barely disguised slave narrative." Rudyard Kipling, the author of Just So Stories and The Jungle Book has also been accused of colonial prejudice attitudes. Literary critic Jean Webb, among others, has pointed out the presence of British imperialist ideas in The Secret Garden. Colonialist ideology has been identified as a prominent element in Peter Pan by critics.

Some of the earliest children's stories that contain feminist themes are Louisa May Alcott's Little Women and Frank L. Baum's The Wonderful Wizard of Oz. With many women of this period being represented in children's books as doing housework, these two books deviated from this pattern. Drawing attention to the perception of housework as oppressive is one of the earliest forms of the feminist movement. Little Women, a story about four sisters, is said to show power of women in the home and is seen as both conservative and radical in nature. The character of Jo is observed as having a rather contemporary personality and has even been seen as a representation of the feminist movement. It has been suggested that the feminist themes in The Wonderful Wizard of Oz result from influence of Baum's mother in law, Matilda Gage, an important figure in the suffragist movement. Baum's significant political commentary on capitalism, and racial oppression are also said to be part of Gage's influence. Examples made of these themes is the main protagonist, Dorothy who is punished by being made to do housework. Another example made of positive representations of women is in Finnish author Tove Jansson's Moomin series which features strong and individualized female characters. In recent years, there has been a surge in the production and availability of feminist children's literature as well as a rise in gender neutrality in children's literature. In addition to perpetuating stereotypes about appropriate behavior and occupations for women and girls, children's books frequently lack female characters entirely, or include them only as minor or unimportant characters. The Winnie the Pooh characters written by A. A. Milne, are primarily male, with the exception of the character Kanga, who is a mother to Roo. Even animals and inanimate objects are usually identified as being male in children's books. On the one hand Growing up with Dick and Jane highlights the heterosexual, nuclear family and also points out the gender specific duties of the mother, father, brother and sister, while Young Children and Picture Books, on the other hand, encourages readers to avoid books with women who are portrayed as inactive and unsuccessful as well as intellectually inferior and subservient to their fellow male characters to avoid children's books that have repressive and sexist stereotypes for women. For example, adventure stories have been identified as being for boys and domestic fiction intended for girls. Publishers often believe that boys will not read stories about girls, but that girls will read stories about both boys and girls; therefore, a story that features male characters is expected to sell better. The interest in appealing to boys is also seen in the Caldecott awards, which tend to be presented to books that are believed to appeal to boys. During the 20th century, more than 5,000 children's picture books were published in the U. S; during that time, male characters outnumbered female characters by more than 3 to 2, and male animals outnumbered female animals by 3 to 1. No children's picture book that featured a protagonist with an identifiable gender contained only female characters. Nancy F. Cott, once said that "gender matters; that is, it matters that human beings do not appear as neuter individuals, that they exist as male or female, although this binary is always filtered through human perception. I should add that when I say gender, I am talking about meaning. I am talking about something in which interpretation is already involved." In her book La sua barba non è poi così blu Immaginario collettivo e violenza misogina nella fiaba di Perrault (2014, translated into Spanish Su barba no era tan azul and winner of the first international CIRSE award 2015), Angela Articoni analyzes the fairy tale Bluebeard dwelling on the sentence pronounced by the protagonist to convince herself to accept marriage, an expression that recites to repeat the women victims of violence who hope to be able to redeem their prince charming.

Bruno Bettelheim in The Uses of Enchantment, uses psychoanalysis to examine the impact that fairy tales have on the developing child. Bettelheim states the unconscious mind of a child is affected by the ideas behind a story, which shape their perception and guides their development. Likewise, author and illustrator Anthony Browne contends the early viewing of an image in a picture book leaves an important and lasting impression on a child. According to research, a child's most crucial individual characteristics are developed in their first five years. Their environment and interaction with images in picture books have a profound impact on this development and are intended to inform a child about the world. Children's literature critic Peter Hunt argues that no book is innocent of harbouring an ideology of the culture it comes from. Critics discuss how an author's ethnicity, gender and social class inform their work. Scholar Kimberley Reynolds suggests books can never be neutral as their nature is intended as instructional and by using its language, children are embedded with the values of that society. Claiming childhood as a culturally constructed concept, Reynolds states that it is through children's literature that a child learns how to behave and to act as a child should, according to the expectations of their culture. She also attributes capitalism, in certain societies, as a prominent means of instructing especially middle class children in how to behave. is said to be created and perpetuated by adults to affect children "at their most susceptible age". Kate Greenaway's illustrations are used as an example of imagery intended to instruct a child in the proper way to look and behave. In the study The First R: How Children Learn About Race and Racism, researcher Debra Ausdale studies children in multi ethnic daycare centres. Ausdale claims children as young as three have already entered into and begun experimenting with the race ideologies of the adult world. She asserts racist attitudes are assimilated using interactions children have with books as an example of how children internalize what they encounter in real life.

Children's books are critical to child development, especially at preschool ages. Children have had limited engagement in social contexts at this age. Reading books will help them to prepare for future social interactions and real life situations because reading helps language, cognitive, social, and emotional development. Children's books increase language development by introducing new vocabulary and helping children to learn about using language in context. Children are also exposed to various words and sentence structures when reading. Moreover, children's books enhance children's cognitive development in memory, attention, and imagination. Reading allows them to relate to their experience and understanding to make meaning of the sensory message, which is how the brain understands the world around them. Children's books also benefit children's social and emotional development. Reading books help "personal development and self understanding by presenting situations and characters with which our own can be compared". Children's books often present topics that children can relate to, such as love, empathy, family affection, and friendship. Reading those books helps children to understand emotion and helps them transfer their learning to social contexts.