Индиана Джонс: Приключение в Затерянном Храме

Dark ride attraction

Indiana Jones Adventure is an enhanced motion vehicle dark ride attraction based on the Indiana Jones film series, located at Disneyland and Tokyo DisneySea. Guests accompany intrepid archaeologist Dr. Indiana Jones on a turbulent quest, aboard military troop transport vehicles, through a dangerous subterranean lost temple guarded by a supernatural power. The attraction premiered as Temple of the Forbidden Eye at Disneyland in Anaheim, California on March 3, 1995, and opened to the general public on March 4, 1995. A second, and nearly identical, version of the ride opened as Temple of the Crystal Skull on September 4, 2001, at Tokyo DisneySea in Chiba, Japan, unrelated to the 2008 film Indiana Jones and the Kingdom of the Crystal Skull. On September 9, 2023, it was announced at the Destination D23 Expo that an Indiana Jones attraction was being considered to replace Dinosaur at Disney's Animal Kingdom.

Because of the success of Indiana Jones Epic Stunt Spectacular! at Disney's Hollywood Studios in Bay Lake, Florida, Walt Disney Imagineering and George Lucas collaborated once again to create a new Indiana Jones themed attraction for Disneyland Park in Anaheim, California. Unlike the previous collaboration, this attraction was created with a backstory "set in the Lost Delta of India, circa 1935". Tony Baxter led a core project team of nearly 100 Imagineers. Harrison Ford was asked to reprise his role as Indiana Jones, but ultimately negotiations to secure Ford's participation broke down in December 1994 for unknown reasons. Instead, Dave Temple provided the voice of Jones. Ford's physical likeness, however, has nonetheless been used in subsequent audio animatronic figures. The Temple of the Forbidden Eye premiered on March 3, 1995. Among the invited celebrity guests were George Lucas, Michael Eisner (Disney CEO at the time), Dan Aykroyd, Arnold Schwarzenegger, Brendan Fraser, Wayne Gretzky, Elliott Gould, Keenen Ivory Wayans, Dennis Miller, Lindsay Wagner, Tony Danza and Carrie Fisher. In 2013, the idol of Mara that appears in the Hall of Promise scene was updated with projection mapping effects. On November 19, 2019, Disney announced a $300,000 refurbishment that would happen sometime in early 2020. On January 9, 2023, the version at Disneyland went through another refurbishment, and re opened on March 17, 2023, which included a freshening up of the audio animatronics and projections, and a new projected scene of a tunnel collapsing replacing the original rat cave scene.

Guests board an Enhanced Motion Vehicle (EMV) intended to appear as a battered military troop transport. EMVs ride on neoprene filled tires for operational precision. The tires are driven by hydraulic rotors that provide forward motion, and hydraulic pressure is applied onboard each vehicle at using DC pressurizers. The vehicle has four wheel steering atop the surface of a slotted roadbed. The track has only three switches: a left/right split switch just before loading/unloading, a left/right combine switch just after safety check station/dispatch and a compound switch to swap vehicles in/out of the maintenance bay, behind the mirrors. Beneath the slot a tubular guideway guides the front wheelset and a damper for the rear wheelset, and three electrical buss bars provide the EMV 480 volts AC. The power is divided among the two motion systems, control, safety, and audio systems. Each transport can accommodate twelve guests with three rows of four seats each, with the front left seat behind a non operational steering wheel. Each troop transport is a motion simulator which travels at a maximum speed of just over atop a slotted roadbed / guiderail track. The transport car body is attached by three hydraulic rams to the frame of the chassis, which allows the shell to articulate independently. A guest's physically intense experience is programmed to achieve the illusion of greater speed and catastrophic mechanical failure using the enhanced motion vehicle's ability to add several feet (metres) of lift then rapidly descend, shudder and tremble, and intensify cornering with counterbank and twist. The intensity of each experience varies as the on board computer constantly chooses between pre programmed intensity versions already stored in its memory as it traverses the show building with its load of guests. This ride system was invented specially for the Indiana Jones Adventure and has only been implemented in one other attraction: Dinosaur, located at Disney's Animal Kingdom (opened as CTX: Countdown to Extinction). Heavy or light traffic within the ride system can cause speed variations as the vehicles try not to enter the specified safety distance between one another. On busy days, each vehicle may slow to a crawl at intervals within the ride path in order to allow the vehicle ahead to gain distance, then suddenly jerk back into higher speed. Because of these unexpected variations in speed, the soundtrack to the ride is not of a specific length, in fact, each scene of the attraction has a pre selected score to play which is already of a certain length. If the vehicle finds itself remaining in one scene for an extended period of time, the score will play in full or until the vehicle leaves the scene. If the vehicle remains in a scene longer than the length of the score, then an exaggerated soundtrack of the vehicle's engine will fade in and play to keep riders from experiencing awkward silence. Due to safety reasons, vehicles on the ride path cannot reverse. Contrary to the finale scene when the vehicle reverses away from the boulder, the vehicle is actually stationary while the motion base tilts backwards and the cave walls accelerate past the riders to give the illusion of reversing. The safety systems of the Indiana Jones Adventure are very sensitive and can lead to a ride stop several times in a day, leaving guests to believe that the attraction "broke down". Many variables can cause a ride stop: a vehicle may hit an obstacle on the path such as guest items dropped from the vehicle ahead, the vehicle wheels might slip or skid on a wet or damp section of track, or if a vehicle experiences conditions where it must quickly accelerate followed by a sudden stop, the vehicle may overshoot its target or move very slightly backwards causing it to shut down.

The attraction features four Audio Animatronics, three of which are animatronics of Indiana Jones, one of a larger than life cobra. Prior to the 2010 refurbishment, the Indiana Jones figure in front of the Gates of Doom had his back pushed against the gates. During the refurbishment, he was replaced with a more advanced figure that now is leaning his full body weight into the right door.

Indiana Jones Adventure: Temple of the Forbidden Eye is told through twelve letters and telegrams scattered throughout the queue as well as three newsreels shown before guests board the attraction. In 1935 India, Indiana Jones reunites missing fragments of a map documenting the precise location of an ancient temple believed to have been buried in a flood over two thousand years ago. According to legend, the temple was built to honor the deity Mara, who offers one of three gifts to all who come to the hallowed site (eternal youth, earthly riches, or visions of the future) on the condition that they never gaze into the eyes of Mara. Although the discovery, dubbed the "Temple of the Forbidden Eye" by the media, sets the archaeological community abuzz, funding quickly runs out. Sallah begins conducting guided tours to raise money so the excavation can continue. Good fortune comes to many tourists, while others do not return at all. Jones eventually ventures inside to find the missing tourists and uncover the temple's power source, known as the "Jewel of Power," which Abner Ravenwood believes is located within an immense cavern beyond the Gates of Doom. One week later, with Jones yet to reappear, Marcus Brody requests Sallah continue conducting the tours in the hopes they may locate Jones.

The attraction's immersive and carefully detailed queue leads guests through dimly lit temple chambers and eerie passageways containing booby trapped sections reminiscent of the Indiana Jones movies. The queue begins outside, winding past a 2.5 short ton Mercedes Benz troop transport truck. This is the actual vehicle used in the desert chase scene in Raiders of the Lost Ark. A small mining car near the truck is a movie prop as well, used in the mine scene in Indiana Jones and the Temple of Doom. Guests also walk by a noisy "hit and miss" engine/generator set piece, which appears to power the lights strung deep into the temple. Much of the queue is inside the temple itself. Throughout the bowels of the temple, petroglyphs in "Marabic" warn temple visitors of the rewards and perils that can be found further within. The glyphs can be translated into English using a simple character substitution encoding. In the early months of the attraction's existence, guests were given decoder cards; the cards are now only distributed during special events or when made available. If unable to receive a decoder card, the code is easily solvable as each symbol bears a strong resemblance to its corresponding letter in the English alphabet. The sole exception is the letter I, which, appropriately, resembles an eye. Where the text is painted, vowels appear in red. The queue contains several interactive features. In the “spike room”, the ceiling appears to be retained by several upright bamboo poles. When the key supporting pole is pushed or pulled, guests are startled by sounds of the ceiling dropping as the spikes begin to descend slowly toward them. In the next area, large stone blocks released from the ceiling (triggered by the diamond shaped stones below) are barely kept in place by wooden wedges and supports. Further on, in the Rotunda Calendar, pulling on a rope triggers responses from Dr. Dunfor Pullit, an out of sight archeologist supported by the rope beneath the sarcophagus stone. Various crates throughout the queue contain some significant features; one marked with the number "990 6753" refers to the number on the crate holding the Ark of the Covenant in Raiders of the Lost Ark. Another crate is marked "Deliver to Club Obi Wan", referring to a fictional club at the beginning of Indiana Jones and the Temple of Doom, itself a reference to the character Obi Wan Kenobi from Star Wars. Eventually, guests encounter a projection of a newsreel of the discovery, followed by safety instructions delivered by Sallah. Mickey Mouse and Minnie Mouse appear on the cover of a copy of Life Magazine in Professor Jones' office.

Set in an unspecified region of Mexico during the 1930s, Indiana Jones Adventure: Temple of the Crystal Skull takes place in the Temple of the Crystal Skull, an Aztec temple guarded by a Crystal Skull. Hosted by a character named Paco (portrayed by Katsuhisa Hōki), the story features Indiana Jones (voiced by Kunio Murai) searching for the Fountain of Youth. While the name is similar to that of the fourth Indiana Jones film, the design of the titular skull is entirely different and the scenarios in the attraction are unrelated to the film.

The Temple of the Crystal Skull building exterior resembles a large Aztec pyramid and temple, set in the South American port "Lost River Delta" at Tokyo DisneySea. The design is influenced by ancient South American architecture and art. There is a large room in the first pyramid with elaborate, South American inspired frescoes on the walls; skeletons litter the floor around the queue walkway. The queue subsequently passes through a series of smaller, intricately themed chambers. Paco, a South American tour guide, hosts a black and white safety film, which plays on a continuous loop.

Everyone is seeking the Fountain of Youth. There is a single carved door with pools of water to the side, complemented by mist and what appears to be endless hallways. All guests enter the same hallway, seeking the Fountain of Youth. This single hallway contains effects from all three variations seen in “Forbidden Eye”: fiber optic stars, statues holding glowing treasure, and water effects. At the end of the hall awaits the Crystal Skull. It glows demonically, signaling that the journey is about to take a turn toward the Gates of Doom. The transport momentarily appears to head toward an exit, before making a sharp turn into a large corridor. Lightning flashes along the walls, illuminating large cobra statues overhead as the transport seems to "float" through the room using the EMV technology. The Gates of Doom pulsate with green mist as Indiana Jones struggles to keep the doors closed. Jones, speaking in Japanese, scolds the tourists for waking the Crystal Skull and instructs them to proceed up the steps to the left. The triumphant musical theme from Raiders of the Lost Ark is heard as the transport accelerates up the flight of stairs, entering a room with a rope bridge and a large stone face resembling the Crystal Skull. Blues and greens are the colors that fill this room. There is a large tornado effect near the bridge. The eye of the large skull is crystal and emits lasers and other lighting effects. The transport turns left and enters another chamber filled with skeletons, some of which pop out toward the guests. Suddenly, all is dark; the music tinkles with chaotic violin pizzicatos. The transport's headlights flicker on, illuminating walls swarming with thousands of beetles. Hissing sounds are heard, and riders are blasted with puffs of air. The transport finally heads out of the darkness and onto the bridge which spans the pit. The transport stalls for a moment as another oncoming transport can be seen across the pit (if the transport's arrival is timed correctly), but it turns out of the way before reaching the bridge. The transport then accelerates across the bridge which sways and jostles under its weight. The massive stone skull shoots beams from its eye at the bridge, attempting to destroy it. The transport safely makes it across and makes a right turn. Thousands of snakes line the walls and ground and a gigantic audio animatronic version of the Mesoamerican deity Quetzalcoatl, with glowing red eyes, appears to the right of the vehicle, striking at the riders. The transport heads back to return across the rope bridge and flashes its headlights at an oncoming transport about to cross (again, if the transport's arrival is timed correctly). The transport turns sharply to the right, entering behind the giant stone skull. The transport slides past hundreds of human skulls which decorate the walls, as the crystal skull on a plinth radiates light. Turning left, out of the massive stone skull, the transport continues downward, passing under the rope bridge. Encountering a carved skull like face in the wall in front of the vehicle, the transport pauses for a moment as a fireball (a large ring of harmless orange colored smoke) suddenly emerges from the face's mouth, heading straight towards the transport. The transport swerves to the right driving through the smoke and onto the next corridor. A hall lined with sculptures of gaping skulls along the walls. The vehicle lurches forward over the pressure plates in the floor activating the booby trap. From the mouth of each skull shoots a dart (air jets that emit sudden swift puffs of air). The transport rolls to the end and makes a sharp right into the Boulder Room. Jones hangs from a vine above. As the transport pulls up underneath him he shouts (In Japanese) one of several phrases cautioning the riders. As the boulder rolls towards the transport and falls, the transport plunges and a photograph of the entire car of riders is taken. The photograph may be purchased after the ride. The transport drops suddenly, then turns right sharply in a dark tunnel and comes out to see Jones standing in front of the crushed boulder. Jones wipes his forehead and says one of several pre recorded phrases. A final triumphant refrain of the music ushers the guests back into the station. While waiting to disembark, the mobile radio transceiver announces one of several "please remain seated" messages.