Джанет Фланнер: Американская журналистка в Париже

American writer and journalist

Janet Flanner (March 13, 1892 – November 7, 1978) was an American writer and pioneering narrative journalist who served as the Paris correspondent of The New Yorker magazine from 1925 until she retired in 1975. She wrote under the pen name "Genêt". She also published a single novel, The Cubical City, set in New York City. She was a prominent member of America's expatriate community living in Paris before WWII. Along with her longtime partner Solita Solano, Flanner was called "a defining force in the creative expat scene in Paris". She returned to New York during the war. Flanner split her time between there and Paris until her death in 1978.

Janet Flanner was born in Indianapolis, Indiana, to Frank and Mary Ellen Flanner (née Hockett), who were Quakers. She had two sisters, Marie and Hildegarde Flanner. Her father co owned a mortuary and ran the first crematorium in the state of Indiana. After a period spent traveling abroad with her family and studies at Tudor Hall School for Girls (now Park Tudor School), she enrolled in the University of Chicago in 1912. She left the university in 1914. Two years later, she returned to her native city to take up a post as the first cinema critic on the local paper, the Indianapolis Star.

While in New York, Flanner moved in the circle of the Algonquin Round Table, but was not a member. She also met the couple Jane Grant and Harold Ross, through painter Neysa McMein. It was based on this connection that Harold Ross offered Flanner the position of French Correspondent to The New Yorker. Flanner was also known for her obituaries—examples include those of Isadora Duncan and Edith Wharton. Flanner had first come to the attention of editor Harold Ross through his first wife, Jane Grant, who was a friend of Flanner's from the Lucy Stone League. This organization fought for women to preserve their maiden names after marriage, in the manner of Lucy Stone. Flanner joined the group in 1921. Ross famously thought Flanner's pen name "Genêt" was French for "Janet". Flanner wrote one novel, The Cubical City (1926), which achieved little success. and the depravities of the Stavisky Affair. Her prose style has since come to epitomise the "New Yorker style"—its influence can be seen decades later in the prose of Bruce Chatwin. An example: "The late Jean De Koven was an average American tourist in Paris but for two exceptions: she never set foot in the Opéra, and she was murdered."

She covered the Suez crisis, the Soviet invasion of Hungary, and the strife in Algeria which helped the rise of Charles de Gaulle.

In 1948, Flanner was made a knight of Legion d'Honneur. In 1958, Flanner was awarded an honorary doctorate by Smith College. In 1966 she won the U. S. National Book Award in the Arts and Letters category for her Paris Journal, 1944–1965. Extracts of her Paris Journal were adapted as a piece for chorus and orchestra by composer Ned Rorem. In 1971, she was the third guest during the infamous verbal scuffle between Gore Vidal and Norman Mailer on The Dick Cavett Show. She got between the two men after a drunken Mailer started insulting his fellow guests and their host. In 2019, Park Tudor School — the coed successor to the Tudor Hall for Girls (Flanner's alma mater) — posthumously awarded her their prestigious "distinguished alumni award". The school's fine arts department created a speaker series in her name, titled the Janet Flanner Visiting Artist Series.

In 1918, Flanner married William "Lane" Rehm, a friend she had met while at the University of Chicago. He was working as an artist in New York City, and she later admitted that she married him to get out of Indianapolis. The marriage lasted for only a few years and they divorced amicably in 1926. Rehm was supportive of Flanner's career until his death. In 1918, the same year she married her husband, she met Solita Solano in Greenwich Village. The two women became lifelong lovers, although both also became involved with other lovers throughout their relationship. Solano was drama editor for the New York Tribune, and also wrote for National Geographic. In 1932 Flanner fell in love with Noël Haskins Murphy, an American singer who lived in a village just outside Paris. They had a short lived romance. This did not affect her relationship with Solano. Flanner lived in Paris with Solano, who put away her own literary aspirations to be Flanner's personal secretary. Although their relationship was not monogamous, they lived together for more than 50 years. Flanner frequently visited Los Angeles, where her mother Mary Flanner lived at 530 East Marigold St. in Altadena with her sister, poet Hildegarde Flanner, and brother in law, Frederick Monhoff. Flanner was a chain smoker. In 1975, she returned to New York City permanently to be cared for by Natalia Danesi Murray. Flanner died on November 7, 1978. She was cremated. Her ashes were scattered along with Murray's over Cherry Grove in Fire Island where the two women had met in 1940, according to William Murray, Danesi Murray's son, in his book Janet, My Mother, and Me (2000).

Solita Solano and Flanner are portrayed as "Nip" and "Tuck" in the 1928 novel Ladies Almanack, by Djuna Barnes, a roman à clef about the amorous intrigues of the lesbian network centered in Natalie Clifford Barney's salon in Paris. Flanner is among the journalists cited as inspirations for the 2021 Wes Anderson film The French Dispatch. Flanner is briefly mentioned in Season 1 Episode 4 of Fran Lebowitz' Netflix series Pretend It's a City. Flanner was part of the infamous Dick Cavett Show in which writers Norman Mailer and Gore Vidal clashed. She intervened, asking whether they were having a private conversation amongst themselves, while ignoring that there were other people at the show.