Взрыв (Blow Out) 1981

1981 film by Brian De Palma

the 1981 film

Blow Out is a 1981 American neo noir mystery thriller film written and directed by Brian De Palma. The film stars John Travolta as Jack Terry, a movie sound effects technician from Philadelphia who, while recording sounds for a low budget slasher film, unintentionally captures audio evidence of an assassination involving a presidential hopeful. Nancy Allen stars as Sally Bedina, a young woman involved in the crime. The supporting cast includes John Lithgow and Dennis Franz. The film's tagline in advertisements was, "Murder has a sound all of its own". Directly based on Michelangelo Antonioni's 1966 film Blowup, the film replaces the medium of photography with one of audio recording. The concept of Blow Out came to De Palma while he was working on the thriller Dressed to Kill (1980). The film was shot in the late autumn and winter of 1980 in various Philadelphia locations on a relatively substantial budget of $18 million. Blow Out opened to very little audience interest at the time of release despite receiving a mostly positive critical reception. The lead performances by Travolta and Allen, the direction by De Palma and the visual style were cited as the strongest points of the film. Critics also recognised the stylistic and narrative connection to the work of Alfred Hitchcock, whom De Palma admires, and giallo films. Over the years since its initial theatrical release, it has developed status as a cult film and received a home media release by the Criterion Collection, a company which specializes in "important classic and contemporary film," which re ignited public interest in the film. Quentin Tarantino praises De Palma as the "greatest director of his generation" and cites Blow Out as one of his three favorite films that he would take to a desert island.

While in post production on the low budget slasher film Co ed Frenzy, Philadelphia sound technician Jack Terry is instructed by his producer Sam to obtain a more realistic sounding scream and better wind effects. While recording potential sound effects at a local park, he sees a car careen off the road and plunge into a nearby creek. The male driver is killed, but Jack manages to rescue a young woman named Sally Bedina and accompanies her to a hospital. There, a detective interviews Jack about the accident, and Jack asks her out for a drink. He learns that Governor George McRyan, a presidential hopeful, was driving the car and that Sally was his escort. An associate of McRyan, Lawrence Henry, persuades Jack to conceal her involvement by smuggling her out of the hospital. Listening to his recorded audio of the accident, Jack distinctly hears a gunshot just before the tire blow out, suspecting that it was actually an assassination. He learns from a news report that, seemingly coincidentally, a man named Manny Karp filmed the accident with a motion picture camera. When Karp sells stills from his film to a local tabloid, News Today Magazine, Jack splices them together into a crude movie, syncs them with his recorded audio and finds a visible flash and smoke from the fired gun. Though initially reluctant, Sally eventually agrees to help Jack privately investigate the incident. Over a drink, Jack reveals how he left his prior career as part of a government commission to root out police corruption after a wiretap operation he was involved in led to the death of an undercover cop named Freddie Corso. Unbeknownst to Jack, Sally and Karp, both frequent blackmail co conspirators, were hired as part of a larger plot against McRyan. A rival candidate had hired a thug named Burke to hook McRyan with Sally posing as a prostitute, take unflattering pictures of the pair, and publish them to expedite McRyan's withdrawal. However, Burke decided to blow out the tire of McRyan's car with a gunshot, thereby causing the accident. After botching the cover up of Sally by murdering a look alike, Burke murders two more look alike women with piano wire and attributes the deaths to a fictional serial killer, "the Liberty Bell Strangler," so that he can cover up the cover up when she is successfully murdered. To help Jack investigate McRyan's murder, Sally steals Karp's film, which, when synced to Jack's audio, clearly reveals the gunshot that precipitated the blow out. Nevertheless, nobody believes Jack's story and a seemingly widespread conspiracy immediately silences his every move. Local talk show host Frank Donahue asks to interview Jack on air and release his tapes, to which Jack eventually agrees. Burke follows the development by tapping Jack's phone, calls Sally as Donahue, and asks her to meet him at a train station with the tapes. When Sally tells Jack about Donahue's call, he becomes suspicious. He copies the audio tapes, but is unable to copy the film before Sally's meeting. Shadowing a wired Sally from a distance, Jack is alarmed to see that his supposed contact is actually Burke. Immediately realizing that she is in danger, Jack attempts to warn her, but she and Burke slip out of range and into a parade. Jack manically dashes across the city, attempting to head them off and rescue her, but crashes his Jeep into a department store window and is incapacitated. By the time he awakens in a parked ambulance, Burke has stolen the film from Sally and thrown it into a river. Still listening in on his earpiece, Jack spots Burke attacking her on a rooftop, startles him and ultimately stabs him to death with his own weapon, but shockingly discovers that Sally has already been strangled, cradling her lifeless corpse in his arms. Burke's death, combined with the loss of the film, ties up the last loose end. Jack's audio tapes alone are ultimately deemed insufficient to prove that a gunshot occurred and the cover up succeeds. Jack begins replaying the recording of Sally's voice, eventually becoming obsessed with it. Sometime later, he has incorporated her death scream in Co ed Frenzy. Ecstatic at having found the perfect scream, Sam replays the audio, forcing Jack to cover his ears.

After completing Dressed to Kill, De Palma was considering several projects, including Act of Vengeance (later produced for HBO starring Charles Bronson and Ellen Burstyn), Flashdance, and a script of his own titled Personal Effects. The story outline for the latter was similar to what would become Blow Out, but set in Canada. During the editing process, two reels of footage from the Liberty Parade sequence were stolen and never recovered. The scenes were reshot with insurance money at a cost of $750,000.

Thematically, Blow Out almost "exclusively concern[s] the mechanics of movie making" with a "total, complete and utter preoccupation with film itself as a medium in which style really is content." In numerous scenes, the film depicts the interaction of sound and images, the manner in which the two are joined together, and methods in which they are re edited, remixed, and rearranged to reveal new truths or the lack of any objective truth. and Francis Ford Coppola's The Conversation. The film alludes to elements of the Watergate scandal and the JFK assassination. De Palma has sprung to the place that Robert Altman achieved with films such as McCabe & Mrs. Miller and Nashville and that Francis Ford Coppola reached with The Godfather films—that is, to the place where genre is transcended and what we're moved by is an artist's vision  it's a great movie. Travolta and Allen are radiant performers. Roger Ebert's four star review in the Chicago Sun Times noted that Blow Out "is inhabited by a real cinematic intelligence. The audience isn't condescended to  we share the excitement of figuring out how things develop and unfold, when so often the movies only need us as passive witnesses." (and with the former putting it as part of his list of their "Buried Treasures" in a 1986 episode of At the Movies). Review aggregator website Rotten Tomatoes gives the film a rating of 88% based on 60 reviews, with an average grade of 7.90/10. The critical consensus reads, "With a story inspired by Antonioni's Blowup and a style informed by the high gloss suspense of Hitchcock, De Palma's Blow Out is raw, politically informed, and littered with film references". Despite positive reviews, the film floundered at the box office, due to negative word of mouth about its bleak ending.#tag:ref|According to Bouzerau's book, Blow Out returned approximately $8 million at the box office. However, the public reputation of Blow Out has grown considerably in the years following its release. As a "movie about making movies", it has earned a natural audience with subsequent generations of cineastes. In particular, Quentin Tarantino has consistently praised the movie, listing it alongside Rio Bravo and Taxi Driver as one of his three favorite films. In homage, Tarantino used the music cue "Sally and Jack" from the score by Pino Donaggio score within his own film Death Proof, the second half of the double release Grindhouse. Noel Murray and Scott Tobias of The A. V. Club put Blow Out at #1 of their list of De Palma's best films ("The Essentials"), describing it as

The quintessential De Palma film, this study of a movie craftsman investigating a political cover up marries suspense, sick humor, sexuality, and leftist cynicism into an endlessly reflective study of art imitating life imitating art. In April 2011, the film became a part of the Criterion Collection with a DVD and Blu ray release. The Criterion release also includes De Palma's first feature length film Murder a la Mod.