Джилл Крейги: Британский документалист и феминистка.

British documentary filmmaker

Jill Craigie (born Noreen Jean Craigie; 7 March 1911 – 13 December 1999) was a British documentary filmmaker, screenwriter and feminist. She was one of Britain's earliest female documentary makers. Her early films demonstrate Craigie's interest in socialist and feminist politics, but her career as a film maker has been "somewhat eclipsed" by her marriage to the Labour Party leader Michael Foot (1913–2010), whom she met during the making of her film The Way We Live (1946).

Born Noreen Jean Craigie to a Russian mother and a Scottish father in Fulham, London, Craigie began her career in film as an actress.

Craigie's engagement in feminist issues came from reading Sylvia Pankhurst's The Suffragette Movement in the early 1940s. After this she attended a gathering of former suffragettes to lay flowers on the statue of Emmeline Pankhurst. In latter years, Craigie became an authority on the suffragette movement, holding a large collection of feminist literature in Britain, with pamphlets dating back to John Stuart Mill. In 1979, she wrote an introduction to a reprint of Emmeline Pankhurst's My Own Story, first published 1914. Her subsequent films depicted her socialist and feminist leanings and dealt with left wing topics such as child refugees, working conditions for miners, and gender equality. After directing five films and writing two others, Craigie retired from the film business for almost forty years, returning to make a single film for BBC television. Craigie was one of the scriptwriters of Trouble in Store, Norman Wisdom's film debut, which screened in December 1953. The film broke box office records at 51 out of the 67 London cinemas in which it played. After writing the first draft of the script, Craigie reportedly asked that her name be removed from the credits after learning of Wisdom's participation.

Craigie had a daughter, Julie, from her first marriage. In a 2009 biography, Koestler: The Indispensable Intellectual, Michael Scammell countered that Craigie was the only woman to go on record that she had been raped by Koestler, and had done so at a dinner party more than fifty years after the event. Claims that Koestler had been violent were added by Craigie later, although Scammell concedes that Koestler could be rough and sexually aggressive. Craigie died aged 88 in 1999 of heart failure at the Royal Free Hospital in Hampstead, London.

Craigie's films were recognised for their "ability to bring out the best in 'ordinary people'" and the "political commitment". Philip Kemp commented more directly on the political content of Craigie's films, noting that her films were an "example of filmmaking as activism, the creative and political processes intertwining and advancing each other that even the Soviet filmmakers of the 1920s had only rarely achieved."