Ноут: Доисторический комплекс эпохи неолита в Ирландии

Irish Neolithic site

Knowth ('/n//aʊ//θ/; Cnóbha) is a prehistoric monument overlooking the River Boyne in County Meath, Ireland. It comprises a large passage tomb surrounded by 17 smaller tombs, built during the Neolithic era around 3200 BC. It contains the largest assemblage of megalithic art in Europe. Knowth is part of the Brú na Bóinne complex, a World Heritage Site that also includes the similar passage tombs of Newgrange and Dowth. After its initial period of use, Knowth gradually became a ruin, although the area continued to be a site of ritual activity in the Bronze Age. During the early Middle Ages, a royal residence was built on top of the great mound, which became the seat of the Kings of Knowth or Northern Brega. Archaeologist George Eogan led an extensive investigation of the site from the 1960s to 1980s, and parts of the monument were reconstructed.

The large mound has been estimated to date from c. 3200 BC. The mound is about high and in diameter, covering roughly a hectare. It contains two passages placed along an east west line and is encircled by 127 kerbstones, of which three are missing, and four badly damaged. The passages are independent of each other, leading to separate burial chambers. The eastern passage arrives at a cruciform chamber, not unlike that found at Newgrange, which contains three recesses and basin stones into which the cremated remains of the dead were placed. The right hand recess is larger and more elaborately decorated with megalithic art than the others, which is typical for Irish passage graves of this type. The western passage ends in an undifferentiated chamber, which is separated from the passage by a sill stone. The chamber seems to have also contained a basin stone which was later removed and is now located about two thirds down the passageway.

Knowth contains more than a third of the total number of examples of megalithic art in all of Western Europe; over 200 decorated stones were found during excavations. Much of the artwork is found on the kerbstones, particularly approaching the entrances to the passages. Many of the motifs are typical: spirals, lozenges and serpentiform. However, the megalithic art at Knowth contains a wide variety of images, such as crescent shapes, and the oldest known illustration of the moon in history. Much of this artwork was carved on the backs of the stones; a type of megalithic art known as hidden art. This suggests all manner of theories as regards the function of megalithic art within the Neolithic community who built the monuments in the Boyne valley. It is possible that they intended the art to be hidden. It is also possible that they simply recycled the stones and reused the other side.

The east west orientation of the passages at Knowth suggests astronomical alignment with the equinoxes. The alignment at Knowth does not occur today. This is due to a number of factors. First of all, the passages were discovered by later settlers and were, to some extent, destroyed or incorporated into souterrains. In this way the original entrances to the passages were distorted or destroyed, making it difficult to establish if an alignment ever existed. Further, the recent excavations (1962 onwards) under George Eogan resulted in the erection of a concrete slab wall inside the mound's west entrance, restricting any investigation into the possible alignments. It seems likely that the passages were intended to align. Also, the alignments of ancient monuments can change due to Milankovitch cycles. The most extensive research on alignments and astronomy at Knowth was carried out by American Irish researcher Martin Brennan.

A brief excavation of the site was carried out in 1941 by Macallister. However, the first thorough archaeological investigation and excavations of Knowth began in 1962 and were led by George Eogan of University College Dublin. When his excavations began, very little was known about the full extent of the site. The entrances to the western and eastern passages were discovered in 1967 and 1968 respectively, and, slowly, the layers of activity at the site of Knowth were uncovered. The excavation has produced numerous books and reports on the findings. Following the excavation, conservation, restoration and reconstruction works took place. A layer of white quartz stones was found at the entrances to the great mound. The same was found at the entrance to Newgrange, and the archaeologists there concluded that it had made up a white façade or revetment on the front of the monument that had fallen. This white quartz front was reconstructed at Newgrange. However, George Eogan did not believe Neolithic people could have built such a revetment without it collapsing. He suggested that most or all of the white quartz had been spread on the ground, and so it was left on the ground at Knowth. While some archaeologists have supported this decision, other archaeologists argue that both Knowth and Newgrange had white quartz façades, such as Robert Hensey and Elizabeth Shee Twohig in their paper "Facing the cairn at Newgrange" (2017). They note that the quartz layers at both sites were thickest nearest the kerbstones, suggesting it had slid down the mound rather than being laid flat. They also contend that if the builders quarried and brought the quartz a long distance, they likely would have used it to "maximum effect" as a striking façade, rather than laying it on the ground where it could not be seen as well. Hensey and Twohig note that passage tombs in Brittany have similar near vertical dry stone fronts, such as Gavrinis and Barnenez.

Access is by guided tour only. Tours begin at the Brú na Bóinne Visitor Centre in Donore. Visitors can look down the eastern passage and visit the nearby modern interpretive room.