Савойский Трюфель: История Шоколадной Песни Битлз

"Savoy Truffle" is a song by the English rock band the Beatles from their 1968 album The Beatles (also known as "the White Album"). The song was written by George Harrison and inspired by his friend Eric Clapton's fondness for chocolate. The lyrics list the various flavours offered in Mackintosh's Good News chocolates and serve as a warning to Clapton about the detrimental effect that his gorging would have on his teeth. Along with Clapton's guest appearance on the White Album track "While My Guitar Gently Weeps" and Harrison reciprocating on Cream's "Badge", it is one of several songs that mark the start of a long lasting musical association between the two guitarists. The Beatles recorded "Savoy Truffle" in October 1968, towards the end of the five month sessions for the album. An upbeat rock track in the soul genre, the song reflects Harrison's return to the guitar as his main musical instrument after two years of studying the Indian sitar. The recording includes a Chris Thomas arranged horn section, and introduced the horn heavy sound that became a feature of Harrison's music as a solo artist. Through the lyrics' reference to "Ob La Di, Ob La Da", the song is also an example of the Beatles' use of self quotation in their later work. On release, "Savoy Truffle" was viewed by many commentators as a sign of Harrison's growing maturity as a songwriter. Among more recent assessments, Ian MacDonald cited it as an example of the lesser material found on The Beatles, while Daryl Easlea of BBC Music describes it as one of the "doodles that delight" and "a fine counterweight" to "While My Guitar Gently Weeps". marking a rare appearance by another rock musician on a Beatles recording as Harrison sought to defuse tensions within the band. In an interview with the NME in late September, Harrison said he was keen to depart from his image as "Mystical Beatle George" and now wanted to contribute songs without any profound message.

"Savoy Truffle" is primarily in the key of E minor, although the melody continually shifts to the parallel, major equivalent, in addition to anchoring briefly in G major. Throughout, the meter is 4/4, with the exception of a number of bars in 6/8, while its melody and mood partly recall "Sour Milk Sea", which Harrison wrote earlier in 1968. In the verses, Harrison lists a variety of chocolate flavours, beginning with "creme tangerine" and "Montélimar". He employs wordplay to incorporate the Mackintosh's brand name in his closing phrase to the first verse: Author Jeffrey Roessner considers it significant that Harrison mispronounces the title; in addition, he contends that the full statement – "We all know Ob la di bla da / But can you show me where you are?" – serves as an example of Harrison, like Lennon, mocking those listeners who obsessively scanned the Beatles' lyrics for hidden meaning. Music journalist Robert Fontenot interprets the lines as an expression of distaste for "Ob La Di, Ob La Da", since Harrison and Lennon were openly critical of McCartney's composition.

The Beatles taped the basic track for "Savoy Truffle" at Trident Studios in London on 3 October 1968, the day after Harrison had recorded his and Clapton's song "Badge" for Cream's forthcoming album. In his NME interview the previous month, Harrison expressed satisfaction with his increased guitar contributions to the Beatles' recent recording sessions; he also said that their album would be a return to the "funky" rock approach that had characterised their pre fame performances at Liverpool's Cavern club and in Hamburg. and so asked that they be treated with heavy distortion. Scott also cites Harrison's curt dismissal of Martin's objections, that the song sounded too "toppy", as evidence of the Beatles' growing independence during the making of the White Album|source= – Ken Scott, 2011|width=25%|align=right|style=padding:8px;
The 14 October date marked the final recording session for The Beatles. With Starr away in Sardinia, the overdubs consisted of another lead guitar part by Harrison, and organ, tambourine and bongos, although the latter contribution does not appear in the final mix. Harrison and Thomas have each been credited as the organ player. the song was viewed by many commentators as a sign of his growing maturity as a songwriter beside Lennon and McCartney. Due to the Beatles' use of pastiche, parody, irony and, in the case of "Savoy Truffle" and Lennon's "Glass Onion", self quotation, the album's lyrics were intensely analysed by contemporary reviewers. Alan Walsh of Melody Maker described "Savoy Truffle" as "a rocker that's the most obscure track lyrically". Record Mirrors reviewer speculated that the song "could either be a delicate and expensive sweet or a new dance. It could be a delivery on the pomposities of intricate desserts or a depiction of the 'upper' class." The writer then concluded: "Whatever it is, it swings." Alan Smith of the NME said that although he was "not particularly partial" to the song, "there's a good, heavy sound and I'm not complaining." In his review for International Times, Barry Miles wrote: "George's 'Savoy Truffle' is the best track on this [LP] side. Beautiful, impressionistic music. Don't miss this one." Jann Wenner of Rolling Stone praised Harrison's lead guitar playing throughout the album and highlighted the song as an example of the Beatles' success in progressing on their past work, in this case by creating "a more sophisticated look at 'Lucy In the Sky With Diamonds'". In Newsweeks mainly unfavourable review, Hubert Saal concluded by saying that Harrison was the album's "hero", as the composer of its two best songs, "Savoy Truffle" and "Long, Long, Long", and that the former "appears to sing the praises of food and in fact is all about suffering".

Given the lack of stylistic unity across its 30 tracks, many authors have since scrutinised the content of The Beatles with regard to whether the album would have benefited from being scaled down to a single disc, an assertion that Martin repeatedly voiced. In his book Revolution in the Head, Ian MacDonald dismisses "Savoy Truffle" as "space filling" and "as pointless as ['Honey Pie']". In a 2003 review for Mojo magazine, he described it more favourably as "an efficient jeu d'esprit". Author Alan Clayson has questioned its inclusion in light of Harrison having more substantial compositions that went unrecorded by the band, and, in the case of "Not Guilty", a song that the Beatles recorded but then omitted from the White Album. In his attempt to reduce the 1968 release to a single LP, Mark Caro of the Chicago Tribune listed all of Harrison's contributions except for "Savoy Truffle", which he included in his "toughest deletions" category, along with three Lennon written songs. Writing in the 2004 Rolling Stone Album Guide, Rob Sheffield said that such scrutiny had long been part of the double album's legacy. He described the track as being "among the Beatles' finest songs". Beatles biographer Philip Norman considers "Savoy Truffle" to be "the album's best piece of rock and roll" after McCartney's "Back in the U. S. S. R." While admiring the interplay between the saxophones and lead guitar as "rousing rock 'n' roll confectionery", Tim Riley views the song as one of the "essentials" on The Beatles and, with regard to the "sheer feel" of the performance, Harrison's most successful contribution to the band's discography since "I Want to Tell You" in 1966. Former Creem critic Richard Riegel included "Savoy Truffle" on his 1996 list of the ten most underrated Beatles tracks, saying: "this is a great song by any standard, certainly the most fun George would have in the sensual world for many years to come. 'Savoy Truffle' is wonderfully British psychedelic throwaway pop, much like Cream on their pop tarty Disraeli Gears, recorded back when Eric Clapton was a mortal, too." In the opinion of author Mark Hertsgaard, the song's most salient features are its "beefy horns" and the lyric directed at McCartney. He grouped it with "Glass Onion", "Wild Honey Pie" and "Don't Pass Me By" as examples of how each of the four Beatles were represented on the White Album by tracks that, although short of the band's best work, were "certainly the equal of most other pop songs of the era". Among more recent reviews, Daryl Easlea of BBC Music cites "Savoy Truffle" as an example of "the doodles that delight" on the White Album, and he describes it as "a fine counterweight" to "While My Guitar Gently Weeps". Mark Kemp, writing for Paste, highlights the same pair of tracks as "two of Harrison's finest moments ('While My Guitar Gently Weeps,'
with Eric Clapton wailing on lead guitar, and the surrealistic soul of 'Savoy Truffle')". "Savoy Truffle" was included on the Beatles' 2012 iTunes compilation Tomorrow Never Knows, which the band's website described as a collection of "the Beatles' most influential rock songs". In 2015, it was ranked 66th in the NMEs list "100 Greatest Beatles Songs As Chosen By Music's A Listers". Staff writer Leonie Cooper admired its subject matter and described the track as a "typically off kilter" Harrison composition. Coinciding with the 50th anniversary of the White Album's release, Jacob Stolworthy of The Independent listed "Savoy Truffle" at number 7 in his ranking of the album's 30 tracks. He said it was "the album's most criminally overlooked song" as well as "The Beatles at their most underrated".

Ella Fitzgerald covered "Savoy Truffle" on her 1969 album Ella, produced by Richard Perry. Jayson Greene of Pitchfork cites her "jazzy spin" on the track as an example of how Harrison's songwriting appealed to soul and jazz artists and invited fresh interpretations. In 1970, Terry Manning included the song on his album Home Sweet Home. The recording features Robert Moog on synthesizer and has been described by PopMatters as "long, freaked out" and "sublimely excessive". Phish included "Savoy Truffle" in their performance of The Beatles on Halloween 1994, which was released in 2002 as Live Phish Volume 13. The song was They Might Be Giants' contribution to the 2003 compilation Songs from the Material World: A Tribute to George Harrison. Along with a sample of the Beatles' "Glass Onion", the song was mashed with Jay Z's "Encore" for a track on Danger Mouse's The Grey Album in 2004, creating what Spin magazine's reviewer termed a "psychedelic Stax jam". For the Beatles' 2006 remix album Love, the track's horn parts were mixed into "Drive My Car". Dhani Harrison performed "Savoy Truffle" at the George Fest tribute concert, held at the Fonda Theatre in Los Angeles on 28 September 2014.