Введение
Фильм 1985 года, снятый Лоуренсом Касданом.
In an interview with Trailer Addict, actor Scott Glenn related how casting profoundly influences directing. In reference to different actors working together, he mentioned how he "really liked" Kevin Costner, and how he thought Kevin was "easy and comfortable" to be around. He said, "there is real magic going on with that performance." Glenn spent his time kidding around with Costner addressing him by saying, "hey movie star!" during that earlier stage in his career. |}
Among mainstream critics in the U. S., the film received mostly positive reviews. Rotten Tomatoes gives the film a score of 78% based on reviews from 36 critics, with an average score of 6.8/10. The consensus reads, "Boasting rich detail and a well told story, Silverado is a rare example of an '80s Hollywood Western done right." On Metacritic, it has a weighted average score of 64% based on 14 reviews. Impressed, she exclaimed, "Silverado is a sweeping, glorious looking western that's at least a full generation removed from the classic films it brings to mind." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full scale western revival." Jay Carr of The Boston Globe noted that Silverado "plays like a big budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions." The staff at Variety reserved praise for the film stating that the real rewards of the picture lie in its "visuals" saying, "rarely has the West appeared so alive, yet unlike what one carries in his mind's eye. Ida Random's production design is thoroughly convincing in detail." Julie Salamon writing for The Wall Street Journal, voiced positive sentiment joyfully exclaiming that Silverado "looks great and moves fast. Mr. Kasdan has packed his action well against the fearsomely long, dusty stretches of Western plain." Describing some pitfalls, David Sterritt of The Christian Science Monitor said, "When pure storytelling takes over after an hour or so, the picture becomes less original and engaging." Total Film viewed Silverado as a creation of the "Kasdan brothers' ebullient love letter to the horse operas of their youth", while throwing in "every Western cliché imaginable. It's not as rousing as it thinks, despite the efforts of Bruce Broughton's strident score, but looks terrific all big skies and wide open spaces." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Sheila Benson, writing for the Los Angeles Times gave the film a negative review: "For all its mosaic of nice details, Silverado is still a faintly hollow creation constructed, not torn from the heart." Richard Corliss of Time didn't find the picture to be compelling, stating how the film "sprays the buckshot of its four or five story lines across the screen with the abandon of a drunken galoot aiming at a barn door. Though the film interrupts its chases and shootouts to let some fine actors stare meaningfully or spit out a little sagebrush wisdom, it rarely allows them to build the camaraderie that an old cowhand like Gabby Hayes exuded with no sweat." The staff at TV Guide described how "Lawrence Kasdan bloats the plot with dozens of side stories that, in painfully predictable detail, show how each of our heroes has a reason for being in Silverado and why they decide to stick their necks out. Though much of the running time is devoted to these expository passages, its all very basic and shallow."
В интервью Trailer Addict актер Скотт Гленн рассказал, как кастинг оказывает глубокое влияние на режиссуру. Говоря о работе разных актеров вместе, он отметил, что ему "очень понравился" Кевин Костнер, и что с Кевином было "легко и комфортно" общаться. Он сказал: "В этой работе есть настоящая магия". Гленн любил подшучивать над Костнером, называя его "эй, кинозвезда!" в начале его карьеры.
In an interview with Trailer Addict, actor Scott Glenn related how casting profoundly influences directing. In reference to different actors working together, he mentioned how he "really liked" Kevin Costner, and how he thought Kevin was "easy and comfortable" to be around. He said, "there is real magic going on with that performance." Glenn spent his time kidding around with Costner addressing him by saying, "hey movie star!" during that earlier stage in his career. |}
Among mainstream critics in the U. S., the film received mostly positive reviews. Rotten Tomatoes gives the film a score of 78% based on reviews from 36 critics, with an average score of 6.8/10. The consensus reads, "Boasting rich detail and a well told story, Silverado is a rare example of an '80s Hollywood Western done right." On Metacritic, it has a weighted average score of 64% based on 14 reviews. Impressed, she exclaimed, "Silverado is a sweeping, glorious looking western that's at least a full generation removed from the classic films it brings to mind." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full scale western revival." Jay Carr of The Boston Globe noted that Silverado "plays like a big budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions." The staff at Variety reserved praise for the film stating that the real rewards of the picture lie in its "visuals" saying, "rarely has the West appeared so alive, yet unlike what one carries in his mind's eye. Ida Random's production design is thoroughly convincing in detail." Julie Salamon writing for The Wall Street Journal, voiced positive sentiment joyfully exclaiming that Silverado "looks great and moves fast. Mr. Kasdan has packed his action well against the fearsomely long, dusty stretches of Western plain." Describing some pitfalls, David Sterritt of The Christian Science Monitor said, "When pure storytelling takes over after an hour or so, the picture becomes less original and engaging." Total Film viewed Silverado as a creation of the "Kasdan brothers' ebullient love letter to the horse operas of their youth", while throwing in "every Western cliché imaginable. It's not as rousing as it thinks, despite the efforts of Bruce Broughton's strident score, but looks terrific all big skies and wide open spaces." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Sheila Benson, writing for the Los Angeles Times gave the film a negative review: "For all its mosaic of nice details, Silverado is still a faintly hollow creation constructed, not torn from the heart." Richard Corliss of Time didn't find the picture to be compelling, stating how the film "sprays the buckshot of its four or five story lines across the screen with the abandon of a drunken galoot aiming at a barn door. Though the film interrupts its chases and shootouts to let some fine actors stare meaningfully or spit out a little sagebrush wisdom, it rarely allows them to build the camaraderie that an old cowhand like Gabby Hayes exuded with no sweat." The staff at TV Guide described how "Lawrence Kasdan bloats the plot with dozens of side stories that, in painfully predictable detail, show how each of our heroes has a reason for being in Silverado and why they decide to stick their necks out. Though much of the running time is devoted to these expository passages, its all very basic and shallow."
В США фильм получил в основном положительные отзывы от критиков. Rotten Tomatoes дает фильму оценку 78% на основе 36 рецензий, со средним баллом 6,8/10. Консенсус гласит: "Сильверадо отличается богатыми деталями и хорошо рассказанной историей, это редкий пример удачного голливудского вестерна 80-х". На Metacritic фильм имеет средневзвешенный балл 64% на основе 14 рецензий. Одна из критиков воскликнула: "Сильверадо – это масштабный, великолепный вестерн, который как минимум на поколение отстоит от классических фильмов, которые он напоминает". В смешанной рецензии Джин Сискел из Chicago Tribune отметил, что фильм – "полностью успешная попытка возродить вестерн, но его сценарий нуждается в полной переработке, чтобы стать чем-то большим, чем просто небольшим шагом к полномасштабному возрождению жанра". Джей Карр из The Boston Globe заметил, что "Сильверадо напоминает дорогостоящую переработку старых вестернов. Его поддерживает щедрость, царящая между Касданом и его актерами. В нем есть благожелательная энергия, но не та первобытная сила, которая необходима для обновления стандартных образов и архетипов вестерна". Автор Ian Freer из Empire оценил фильм в 4 из 5 звезд, считая, что это "фильм, после которого хочется немедленно играть в ковбоев". Он воскликнул: "В то время как многие вестерны 70-х годов пытаются переосмыслить жанр, Сильверадо предлагает искреннее принятие традиций вестерна". Сотрудники Variety высоко оценили фильм, заявив, что главная награда за него – это "визуальная составляющая", отметив: "Редко Запад выглядел настолько живым, но в то же время отличался от того, что обычно представляется". Джули Саломон из The Wall Street Journal выразила положительные эмоции, радостно воскликнув, что "Сильверадо выглядит великолепно и динамично. Мистер Касдан умело разместил экшн-сцены на фоне бескрайних, пыльных просторов Западной равнины". Дэвид Стеррит из The Christian Science Monitor, отмечая некоторые недостатки, сказал: "Когда чистый сторителлинг берет верх примерно через час, фильм становится менее оригинальным и увлекательным". Total Film рассматривает Silverado как "пылкое любовное письмо братьев Касдана конным операм их юности", добавляя, что в нем собраны "все возможные клише вестерна. Он не такой захватывающий, как кажется, несмотря на усилия Брюса Броугтона, но выглядит потрясающе – большие небеса и бескрайние просторы". В резко негативной рецензии кинокритик Джей Скотт из The Globe and Mail заявил, что "слишком знакомая манипулятивная музыка в стиле "Звездных войн" – единственная новинка в Сильверадо, у которого сюжет слишком запутанный и сухой, чтобы его можно было пересказать". Дэйв Кехр из Chicago Reader, комментируя стиль режиссера Касдана, отметил, что его "значительные навыки в построении сюжета, похоже, покидают его, как только действие переносится в город Сильверадо". Что касается второстепенных актеров, он сухо заметил: "Никто из них не обладает достаточным авторитетом, чтобы нести моральный и драматический центр фильма". Шейла Бенсон из Los Angeles Times дала фильму отрицательный отзыв: "Несмотря на всю мозаику приятных деталей, Сильверадо все равно кажется немного пустым творением, собранным, а не вырванным из сердца". Ричард Корлис из Time не нашел фильм убедительным, заявив, что он "беспорядочно разбрасывает по экрану четыре или пять сюжетных линий с беспечностью пьяницы, стреляющего в амбар. Хотя фильм прерывает погони и перестрелки, чтобы дать хорошим актерам возможность выразительно смотреть или произнести немного мудрых слов, он редко позволяет им построить ту товарищескую связь, которую старый ковбой, как Габби Хейс, излучал без усилий". Сотрудники TV Guide описали, как "Лоуренс Касдан перегружает сюжет десятками побочных историй, которые с болезненной предсказуемостью показывают, почему у каждого из наших героев есть причина оказаться в Сильверадо и почему они решают рисковать". Они добавили, что "хотя большая часть экранного времени посвящена этим объяснениям, все это очень поверхностно и примитивно".
In an interview with Trailer Addict, actor Scott Glenn related how casting profoundly influences directing. In reference to different actors working together, he mentioned how he "really liked" Kevin Costner, and how he thought Kevin was "easy and comfortable" to be around. He said, "there is real magic going on with that performance." Glenn spent his time kidding around with Costner addressing him by saying, "hey movie star!" during that earlier stage in his career. |}
Among mainstream critics in the U. S., the film received mostly positive reviews. Rotten Tomatoes gives the film a score of 78% based on reviews from 36 critics, with an average score of 6.8/10. The consensus reads, "Boasting rich detail and a well told story, Silverado is a rare example of an '80s Hollywood Western done right." On Metacritic, it has a weighted average score of 64% based on 14 reviews. Impressed, she exclaimed, "Silverado is a sweeping, glorious looking western that's at least a full generation removed from the classic films it brings to mind." In a mixed review, Gene Siskel of the Chicago Tribune, said the film was "a completely successful physical attempt at reviving the western, but its script would need a complete rewrite for it to become more than just a small step in a full scale western revival." Jay Carr of The Boston Globe noted that Silverado "plays like a big budget regurgitation of old Westerns. What keeps it going is the generosity that flows between Kasdan and his actors. It's got benevolent energies, but not the more primal kind needed to renew the standard Western images and archetypes." Giving Silverado 4 out of 5 stars, author Ian Freer of Empire, thought the film was the "kind of picture that makes you want to play cowboys the moment it is over." He exclaimed, "Whereas many of the westerns from the ‘70s try a revisionist take on the genre, Silverado offers a wholehearted embracing of western traditions." The staff at Variety reserved praise for the film stating that the real rewards of the picture lie in its "visuals" saying, "rarely has the West appeared so alive, yet unlike what one carries in his mind's eye. Ida Random's production design is thoroughly convincing in detail." Julie Salamon writing for The Wall Street Journal, voiced positive sentiment joyfully exclaiming that Silverado "looks great and moves fast. Mr. Kasdan has packed his action well against the fearsomely long, dusty stretches of Western plain." Describing some pitfalls, David Sterritt of The Christian Science Monitor said, "When pure storytelling takes over after an hour or so, the picture becomes less original and engaging." Total Film viewed Silverado as a creation of the "Kasdan brothers' ebullient love letter to the horse operas of their youth", while throwing in "every Western cliché imaginable. It's not as rousing as it thinks, despite the efforts of Bruce Broughton's strident score, but looks terrific all big skies and wide open spaces." In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars style score is the only novelty on tap in Silverado, which has a plot too drearily complicated and arid to summarize". Dave Kehr of the Chicago Reader. Commenting on director Kasdan's style, he said his "considerable skills as a plot carpenter seem to desert him as soon as the story moves to the town of the title." As far as the supporting cast was concerned, he dryly noted, "none of them assumes enough authority to carry the moral and dramatic center of the film." Sheila Benson, writing for the Los Angeles Times gave the film a negative review: "For all its mosaic of nice details, Silverado is still a faintly hollow creation constructed, not torn from the heart." Richard Corliss of Time didn't find the picture to be compelling, stating how the film "sprays the buckshot of its four or five story lines across the screen with the abandon of a drunken galoot aiming at a barn door. Though the film interrupts its chases and shootouts to let some fine actors stare meaningfully or spit out a little sagebrush wisdom, it rarely allows them to build the camaraderie that an old cowhand like Gabby Hayes exuded with no sweat." The staff at TV Guide described how "Lawrence Kasdan bloats the plot with dozens of side stories that, in painfully predictable detail, show how each of our heroes has a reason for being in Silverado and why they decide to stick their necks out. Though much of the running time is devoted to these expository passages, its all very basic and shallow."
Кассовые сборы
Премьера фильма состоялась в кинотеатрах 9 июля 1985 года, в широком прокате по Соединенным Штатам. В первый уикенд "Сильверадо" занял 7-е место, собрав 3 522 897 долларов в 1168 кинотеатрах. В этот же уикенд фильм "Назад в будущее" занял первое место, собрав 10 555 133 доллара. Выручка фильма увеличилась на 3% на второй неделе проката, составив 3 631 204 доллара. В этот уикенд он поднялся на 5-е место, демонстрируясь в 1190 кинотеатрах. "Назад в будущее" остался на первом месте, собрав 10 315 305 долларов кассовых сборов. В последнюю неделю проката "Сильверадо" занял 11-е место, собрав 741 840 долларов. В итоге, в течение 11 недель проката в кинотеатрах, общие сборы фильма в США составили 32 192 570 долларов.
Домашние медиа
Фильм был выпущен на RCA CED видеодиске и VHS в декабре 1985 года и на Criterion LaserDisc в августе 1991 года. Он был переиздан на VHS 8 июля 1994 года. Коллекционное издание VHS & DVD с ремастерированной записью вышло 1 июня 1999 года. Однако оригинальные копии этого DVD-выпуска представляли фильм в открытом формате изображения 1,85:1. В более поздних копиях фильм был представлен в оригинальном формате изображения 2,39:1. Двухдисковое специальное издание DVD было выпущено Sony Pictures Home Entertainment 5 апреля 2005 года. В качестве специальных материалов были включены: документальный фильм "Возвращение в Сильверадо" с Кевином Костнером, "По следам Сильверадо: комментарий историка-вестерноведа", презентация Superbit, документальный фильм "Лучшие перестрелки в вестернах", материалы об актерах и съемочной группе, бонусные трейлеры, эксклюзивный 16-страничный фотоальбом и коллекционная колода карт "Сильверадо". Кроме того, однодисковое издание, содержащее только первый диск специального издания DVD, было выпущено на DVD в США 3 февраля 2009 года. Специальные материалы включают фильмографии, процесс создания фильма "Сильверадо" и субтитры на китайском (традиционном мандаринском), английском, корейском, португальском, испанском и тайском языках.
Саундтрек
Оригинальный саундтрек к фильму "Сильверадо" был выпущен компанией Geffen Records в 1985 году. В 1992 году Intrada Records выпустила расширенное издание на компакт-диске, а затем 12 ноября 2005 года музыкальный лейбл Intrada Records выпустил расширенную двухдисковую версию. Музыку сочинил и дирижировал Брюс Браутон, а сведение выполнил Дональд О. Митчелл. Монтаж музыки осуществили Джин Фельдман и Эрма Левин.